Totem pole taken 94 years ago begins 4,000-mile journey home
The First Art Newspaper on the Net    Established in 1996 Wednesday, December 18, 2024


Totem pole taken 94 years ago begins 4,000-mile journey home
Delegates from the Nisga’a Nation with the Ni’isjoohl Memorial Pole. Image credit Duncan McGlynn.

by Emma Bubola



LONDON.- Almost 100 years ago, a hand-carved totem pole was cut down in the Nass Valley in the northwest of Canada’s British Columbia.

The 36-foot tall pole had been carved from red cedar in the 1860s to honor Ts’wawit, a warrior from the Indigenous Nisga’a Nation, who was next in line to become chief before he was killed in conflict.

A Canadian anthropologist, Marius Barbeau, oversaw the removal of the memorial pole in the summer of 1929, while the Nisga’a people were away from their villages on an annual hunting, fishing and harvesting trip, according to the Nisga’a government.

Barbeau sent the pole to a buyer more than 4,000 miles away: the Royal Scottish Museum in Edinburgh — today known as the National Museum of Scotland.

This week, after a decades-long campaign by members of the Nisga’a Nation, the memorial pole finally began its long journey home.

A Nisga’a delegation in traditional red and black robes crossed the grand gallery of the museum on Monday, passing a Japanese Buddha, a Sudanese sculpture and a feast bowl from the Pacific, before finally reaching the totem pole, where they performed a spiritual ceremony to prepare it for its journey back to Canada.

The Nisga’a believe that the pole has a spirit embedded in it and do not consider it an object but a living being, according to Amy Parent, whose Nisga’a name is Noxs Ts’aawit. Monday’s ceremony consisted of putting it to sleep before it started its journey home.

“We have a living family member that’s been imprisoned within a museum,” said Parent, an associate professor of education at Simon Fraser University. She added that the pole deeply connects them to their history.

Other museums in Britain have returned or pledged to return items from their collections, but Monday’s was among the first repatriations of items from British national institutions, according to a spokesperson from the National Museum of Scotland.




Around the world, as awareness of imperialistic looting has grown, countries have begun returning artifacts. Germany pledged to return more than 1,000 bronzes to Nigeria last year, Italy sent Greece a fragment from the Parthenon that had been held at a museum in Sicily for more than 200 years, and in 2021, President Emmanuel Macron returned 26 items from France to Benin.

But Britain has been less keen on the matter, with the British Museum resisting the return of the Elgin Marbles that once decorated the Parthenon in Athens. The artifacts are considered among the museum’s highlights, and museum leaders have argued that they were legally acquired. A law regulating the British Museum also states that it cannot give away items from its collection if they are not “unfit to be retained.”

But the National Museum of Scotland is governed by a different statute that allows the government to give permission to museums to return artifacts under certain conditions.

“This is a really historic move by Scotland,” said Andrew Robinson, a representative of the Nisga’a government who attended the ceremony. “To provide some real form of reconciliation.”

Recently, the museum established that Barbeau, the anthropologist, did not acquire the pole from a person who had the authority to sell it.

“It was a really unethical time to acquire Indigenous belongings,” said Parent, a member of the family to which the pole belongs, referring to years in which First Nations were the victims of what many called a genocide.

The Scottish government will partly finance the totem’s transportation, said John Giblin, the museum’s keeper of global arts, cultures and design. It will be placed at the Nisga’a museum in Nass Valley and welcomed with an arrival ceremony next month.

The delegation used the word “rematriation” instead of “repatriation” to reflect the matrilineal structure of the Nisga’a Nation.

Robinson said he appreciated the commitment of the National Museum of Scotland and that he hoped that other museums around the world that still hold Indigenous belongings would follow suit.

“All of those items actually belong to people,” he said. “And they were wrongfully removed from our nations.”

This article originally appeared in The New York Times.










Today's News

August 31, 2023

Philadelphia asks if race of Tubman sculptor matters

Gagosian announces global representation of Tetsuya Ishida, exhibition to follow in September

Rare figure from Yongle Court spearheads Bonhams sale

An effort to focus on long overlooked Roma suffering in the Holocaust

A speck of old Iceland in ice-cold Lake Michigan

"In the Context of the Collection: Clemens von Wedemeyer" to open at Kunstmuseum Liechtenstein

Totem pole taken 94 years ago begins 4,000-mile journey home

The Contemporary Jewish Museum opening 'RetroBlakesberg: The Music Never Stopped'

Highest-graded 1899 Liberty Head Double Eagle takes flight at Heritage's Long Beach Expo US Coins Auction

UC Berkeley Magnes Collection to present new exhibition of photographer Roman Vishniac

Gallery Wendi Norris now representing Rohini Devasher

Argentinean artist Gabriel Chaile's first show in Brazil opens at Carpintaria

New hardcover book is first major career survey of renowned textile artist Billie Zangewa

Tim Van Laere Gallery presents Rinus Van de Velde's new film, alongside sculptures, and drawings

GRIMM's London Gallery now opening 'Fields of Vision ' by Letha Wilson

Elgiz Museum Istanbul exhibiting 'Resurrection' until this November

Green Art Gallery has announced the representation of Emirati artist Asma Belhamar

Wembley Park marks World Alzheimer's Month with free photographic exhibition

Nye & Co. announces Chic and Antique Estate Treasures Auction, Sept. 13-1

Tina Howe, playwright best known for 'Coastal Disturbances,' dies at 85

Peach Museum has opened exhibition featuring expressive, adult-themed selfie fun in underground Atlanta

Julien's Auctions and Turner Classic Movies present "Legends: Hollywood and Royalty"

Dive into Big Fish Casino: Slots in Endless Fun and Exciting Wins

Discovering a Path to Happiness: How Asiatalks Connects You with a Supportive Community

Breaking Free from Shyness: Discovering the Way to Effective Communication with Wingtalks

Breaking News: Sea Summit Emerges as the Largest Global Crypto Gathering on the High Seas

USPA Nationwide Security: Protecting Jacksonville in the Aftermath of Hurricane Idalia

5 Key Benefits Of Choosing Charcuterie Delivery For Events

Understanding Electric Bike Motors




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Houston Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง
Motorcycle Accident Lawyer

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful