LONDON.- Almost 100 years ago, a hand-carved totem pole was cut down in the Nass Valley in the northwest of Canadas British Columbia.
The 36-foot tall pole had been carved from red cedar in the 1860s to honor Tswawit, a warrior from the Indigenous Nisgaa Nation, who was next in line to become chief before he was killed in conflict.
A Canadian anthropologist, Marius Barbeau, oversaw the removal of the memorial pole in the summer of 1929, while the Nisgaa people were away from their villages on an annual hunting, fishing and harvesting trip, according to the Nisgaa government.
Barbeau sent the pole to a buyer more than 4,000 miles away: the Royal Scottish Museum in Edinburgh today known as the National Museum of Scotland.
This week, after a decades-long campaign by members of the Nisgaa Nation, the memorial pole finally began its long journey home.
A Nisgaa delegation in traditional red and black robes crossed the grand gallery of the museum on Monday, passing a Japanese Buddha, a Sudanese sculpture and a feast bowl from the Pacific, before finally reaching the totem pole, where they performed a spiritual ceremony to prepare it for its journey back to Canada.
The Nisgaa believe that the pole has a spirit embedded in it and do not consider it an object but a living being, according to Amy Parent, whose Nisgaa name is Noxs Tsaawit. Mondays ceremony consisted of putting it to sleep before it started its journey home.
We have a living family member thats been imprisoned within a museum, said Parent, an associate professor of education at Simon Fraser University. She added that the pole deeply connects them to their history.
Other museums in Britain have returned or pledged to return items from their collections, but Mondays was among the first repatriations of items from British national institutions, according to a spokesperson from the National Museum of Scotland.
Around the world, as awareness of imperialistic looting has grown, countries have begun returning artifacts. Germany pledged to return more than 1,000 bronzes to Nigeria last year, Italy sent Greece a fragment from the Parthenon that had been held at a museum in Sicily for more than 200 years, and in 2021, President Emmanuel Macron returned 26 items from France to Benin.
But Britain has been less keen on the matter, with the British Museum resisting the return of the Elgin Marbles that once decorated the Parthenon in Athens. The artifacts are considered among the museums highlights, and museum leaders have argued that they were legally acquired. A law regulating the British Museum also states that it cannot give away items from its collection if they are not unfit to be retained.
But the National Museum of Scotland is governed by a different statute that allows the government to give permission to museums to return artifacts under certain conditions.
This is a really historic move by Scotland, said Andrew Robinson, a representative of the Nisgaa government who attended the ceremony. To provide some real form of reconciliation.
Recently, the museum established that Barbeau, the anthropologist, did not acquire the pole from a person who had the authority to sell it.
It was a really unethical time to acquire Indigenous belongings, said Parent, a member of the family to which the pole belongs, referring to years in which First Nations were the victims of what many called a genocide.
The Scottish government will partly finance the totems transportation, said John Giblin, the museums keeper of global arts, cultures and design. It will be placed at the Nisgaa museum in Nass Valley and welcomed with an arrival ceremony next month.
The delegation used the word rematriation instead of repatriation to reflect the matrilineal structure of the Nisgaa Nation.
Robinson said he appreciated the commitment of the National Museum of Scotland and that he hoped that other museums around the world that still hold Indigenous belongings would follow suit.
All of those items actually belong to people, he said. And they were wrongfully removed from our nations.
This article originally appeared in
The New York Times.