Sir Isaac Julien's exhibition 'What Freedom is to Me' to end August 20th at the Tate
The First Art Newspaper on the Net    Established in 1996 Monday, December 23, 2024


Sir Isaac Julien's exhibition 'What Freedom is to Me' to end August 20th at the Tate
Isaac Julien, Pas de Deux with Roses (Looking for Langston Vintage Series) 1989/2016
Ilford classic silver gelatin fine art paper, mounted on aluminium and framed . Framed: 58.1 x 74.5 cm (22 7/8 x 29 3/8 in). © Isaac Julien. Courtesy the artist and Victoria Miro.



LONDON.- Tate Britain presents the UK’s first ever survey exhibition celebrating the influential work of British artist and filmmaker Sir Isaac Julien (b. London, 1960). One of the leading artists working today, Isaac Julien is internationally acclaimed for his compelling lyrical films and video art installations. This ambitious solo show charts the development of his pioneering work in film and video over four decades from the 1980s through to the present day, revealing a career that remains as fiercely experimental and politically charged as it was forty years ago.

The exhibition presents a selection of key works from Julien’s ground-breaking early films and immersive three-screen videos made for the gallery setting, to the kaleidoscopic, sculptural multi-screen installations for which he is renowned today. Together, they explore how Julien breaks down barriers between different artistic disciplines by drawing from film, dance, photography, music, theatre, painting and sculpture.

The show opens with Julien’s earliest experiments in moving image, produced in the context of the Sankofa Film and Video Collective. Founded by Julien in the summer of 1983 together with Martina Attille, Maureen Blackwood, Robert Crusz and Nadine Marsh-Edwards, this group of London art students from across the African, Asian and Caribbean diaspora played a vital role in the establishment of Black independent cinema in Britain. Four works from this period have been brought together at Tate Britain, including Julien’s first film, Who Killed Colin Roach? (1983) – conceived as a response to the unrest following the death of a young man at the entrance to a police station, Territories (1984), which focuses on the Black British experience in the early 80s, and This is Not An AIDS Advertisement (1987), an important work of LGBTQIA+ history that continues to resonate powerfully today. The artist’s pivotal film exploring Black, queer desire – Looking for Langston (1989) – also features, bringing together poetry and image to look at the private world of the Black artists and writers who were part of the Harlem Renaissance in the 1920s.

Julien’s use of dance to articulate the movement of peoples across different continents, times and spaces, is reflected in the pioneering three-screen film installation Western Union: Small Boats (2007) and the spectacular Lina Bo Bardi - A Marvellous Entanglement (2019). In Western Union, a series of vignettes choreographed by the internationally renowned Russell Maliphant create a poetic reflection on African migration histories and the effects of trauma on people, buildings and monuments. A Marvellous Entanglement meanwhile features a stunning performance from Balé Folclórico da Bahia filmed at the Museum of Modern Art of Bahia in Brazil, meditating on the legacy of visionary modernist architect and designer Lina Bo Bardi (1914–1992).

For the first time in Europe, the exhibition premieres the artist’s latest film, Once Again...(Statues Never Die) (2022), which explores the relationship between US collector Albert C. Barnes and the famed philosopher and cultural critic Alain Locke, known as the ‘Father of the Harlem Renaissance’. The film examines their storied relationship, its mutually formative critical dialogue, and its significant impact on their work as educators and activists on behalf of various African American causes. The exhibition also showcases Julien’s critically acclaimed ten-screen film installation Lessons of the Hour (2019). A portrait of the life and times of the self-liberated freedom-fighter Frederick Douglass, this work can be seen to represent Julien’s 40-year long commitment to cultural activism, the politics and poetics of image, and the moral and social influence of picture-making.

Sir Isaac Julien (b.1960, London) is a pioneering British filmmaker and installation artist who lives and works in London and Santa Cruz, California. He received a BA in Fine Art Film from Central St. Martin’s School of Art in 1984 and completed his post-doctoral studies at Les Entrepreneurs de L’Audiovisuel Européen, Brussels in 1989. His 1989 documentary-drama Looking for Langston exploring author Langston Hughes and the Harlem Renaissance garnered Julien a cult following, while his debut feature film Young Soul Rebels won the Semaine de la Critique prize at the Cannes Film Festival in 1991.

Julien was awarded the title Commander of the Most Excellent Order of the British Empire (CBE) in the Queen’s birthday honours in 2017 and was made a Royal Academician in 2018. In 2022 he was recognised with a knighthood for services to diversity and inclusion in art. Julien’s work is held in numerous public collections including Tate; the Museum of Modern Art, New York; Centre Pompidou, Paris; the Solomon R. Guggenheim Museum, New York; the Hirshhorn Museum and Sculpture Garden, Washington DC; the Albright-Knox Art Gallery, Buffalo, New York; Fondation Louis Vuitton, Paris; the LUMA Foundation, Arles; the Kramlich Collection; the Zeitz Museum of Contemporary Art (Zeitz MOCAA), Cape Town.

Lockton

EJ Hentenaar, CEO of Lockton Europe, said “Lockton is incredibly proud to launch our new, multi-year partnership with Tate through our support of the Isaac Julien exhibition at Tate Britain. An award-winning artist and pioneer, Sir Isaac has broken down barriers between both artistic disciplines and people, whilst drawing on critical themes of history and culture. Here at Lockton, we are honoured to support art which champions our shared values of independence, diversity and inclusion. We look forward to continuing to work with Tate, supporting artistic risk-taking, community engagement and access to art for all.”

As the world’s largest independent insurance brokerage firm, Lockton is committed to service and is empowered with a single-minded focus on delivering results for clients. More than 9,500 associates provide 65,000 clients globally with creative solutions in risk management, insurance and employee benefits consulting. Lockton are purposely unconventional, insatiably curious and uncommonly independent. Lockton’s multi-year partnership with Tate is demonstrable of shared values and of a commitment to supporting Tate’s mission of providing access to art for all.

Tate Britain
Isaac Julien: What Freedom is to Me
April 26th, 2023 - August 20th, 2023










Today's News

August 12, 2023

Brice Marden, who rejuvenated painting in the 1960s, dies at 84

Virginia Museum will return 'Wounded Indian' statue to Boston

MCA Australia presents 'Zoe Leonard: Al río / To the River'

In the art of Tuan Andrew Nguyen, Vietnam's nightmares live on

Rising star, Khalif Tahir Thompson painting promised gift to Nelson-Atkins

Couse, Grelle, and a large Borein collection highlight Moran's Art of the American West sale

Solo exhibition 'Timelapse' by Sarah Sze weaves trail of discovery through the Guggenheim

PEM presents New England debut of 'Gio Swaby: Fresh Up' starting today

The Modern Art Museum of Fort Worth presents 'Jammie Holmes: Make the Revolution Irresistible'

Important California estates highlight Abell Auction Co.'s upcoming Design Sale

'Twilight, Photographs by Arthur Drooker' now available

Sir Isaac Julien's exhibition 'What Freedom is to Me' to end August 20th at the Tate

The new Shepard Fairey mural 'Raise the Level' is a message of hope

Georges Salameh's "The Way We Were: A Photo Album from Carlovassia and Beyond" is now open

Samsung Art Store brings Salvador Dalí masterpieces into homes worldwide

West Horsley Place, Surrey, is now displaying The Ingram Collection

Rare Edward VIII coin that was never issued expected to fetch up to £200,000 at Noonans

The new award Le vie dell'immagine goes to Shirin Neshat

Australian artist Haein Kim opens first solo show at Edinburgh Art Festival

Discovering the Secrets of the Gilder Center

Review: A bloodless postscript to 'Jaws' in 'The Shark Is Broken'

Australian premiere: 'Atmospheric Memory', a major international immersive exhibition

Coach owner to buy parent of Versace and Michael Kors in luxury mega merger

Striking writers and studios agree to restart negotiations

Protect your property: Your prompt guide to understanding concrete crack repair NYC

Moonlit Marvels: Unveiling Marina's Beauty on a Dhow Cruise

CRSSD Festival: When House Drops Meet Fashion Pops

Adding Humor to Your Sister of the Bride Speech: Dos and Don'ts

Tips for Crafting a Heartfelt Sister of the Bride Speech




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Houston Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง
Motorcycle Accident Lawyer

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful