The Bloomsbury Stud: The Art of Stephen Tomlin
The First Art Newspaper on the Net    Established in 1996 Thursday, November 14, 2024


The Bloomsbury Stud: The Art of Stephen Tomlin
Stephen Tomlin, Reclining Female Nude, bronze, 10 x 11 ½ x 7 ¼ in. (25 x 29.5 x 18.5 cm) Philip Mould & Company.



LONDON.- He is, arguably, the Bloomsbury group’s least well-known member. Yet Stephen Tomlin (1901-1937), with his glossy mop of hair, disarming charisma and undeniable talent, deserves to be just as renowned as his contemporaries Duncan Grant, Lytton Strachey and Virginia Woolf.

Now the first major exhibition of his work at Philip Mould & Company is aiming to return Tomlin to the artistic spotlight where he belongs.

During his all too brief life and career, Tomlin established himself as the Bloomsbury group’s primary sculptor, immortalising the faces of his friends and fellow artists through a series of compelling busts, realised in a variety of materials and notable for their realism and stylised simplicity. The exhibition includes a captivating bust of Bloomsbury’s doyen, Lytton Strachey: ‘The general impression is so superb, that I am beginning to be afraid that I shall find it rather difficult to live up to.' - Lytton Strachey, 1929.

The youngest son of five children born to Lord Tomlin of Ash and Marion Waterfield, Stephen briefly studied at New College, Oxford but left after just two terms. A young man possessed of artistic sensibilities, Tomlin was a gifted poet, actor and musician, but found his metier as a sculptor, developing his skills with the celebrated artist Frank Dobson (1888-1963).

Although he was a highly complex individual, ‘Tommy’ – as he was known to his friends – used his seductive charm, brilliant conversation and obvious ability as an artist to ensure that he was much in demand. References to him pepper countless biographies of 20th-century figures and his Bloomsbury counterparts were beguiled. Virginia Woolf described him as ‘the devastation of all hearts’, while the literary critic and writer Cyril Connolly commented that Tomlin was ‘the most interesting young person I have met’. Among his many female admirers Lady Diana Mitford, wife of Bryan Guinness, remembered him as ‘the best talker among the clever Bloomsberries I knew’. The novelist Rosamond Lehmann confided to fellow writer Frances Partridge that she had fallen ‘completely under the spell of his charm’.

Tomlin was a fabled seducer, having affairs regardless of age or sex. Marriage to Julia Strachey, niece of one of his sculptural subjects, Lytton Strachey, provided a very brief interlude before his amorous and somewhat scandalous liaisons resumed. Among his numerous lovers, including his wife’s uncle, fellow Bloomsbury members Duncan Grant and Dora Carrington, Tomlin could also count the writer David Garnett, aesthete Eddy Sackville-West and photographer Barbara Ker-Seymer.

Despite his popularity, Tomlin was a secretive character, with a depressive nature and an increasing reliance on alcohol in his later life, all of which contributed to an early and lonely death at the age of 35. This is where his reputation and his story would largely have remained until the 2020 publication of Bloomsbury Stud: The Art of Stephen Tomlin by Michael Bloch and Susan Fox and the corresponding exhibition at the Philip Mould Gallery.

The exhibition seeks to explore an alternative view of the Bloomsbury group, through the eyes of Tomlin, including busts of Lytton Strachey (1929), Duncan Grant (1925, on loan from the Charleston Trust) and Virginia Woolf (1931, on loan from the Charleston Trust).

The display also features a magnificent pair of reclining ceramics, painted by Duncan Grant, that embody the success of Bloomsbury’s collaborative artistic mindset. Male Figure (mid-1930s) and Female Figure (mid-1930s) combine the anatomically congruous qualities of a sculptor, the technical brilliance of a ceramicist, and the painterly intuition of an artist.

Displayed nearby is John Banting’s 1925 Portrait of Stephen Tomlin (courtesy of The Radev Collection) showing the sculptor shirtless and with an impressively muscular physique.

Philip Mould says: “Although he died tragically young, at the age of just 35, Stephen Tomlin’s legacy speaks to a life lived intensely and ferociously. Drawing upon the transformative research undertaken by Michael Bloch and Susan Fox, this exhibition will reveal the life of ‘Tommy’ and re-present his era-defining sculptural images.”










Today's News

July 11, 2023

Cannibalism, or 'clickbait' for Paleoanthropology?

The Bloomsbury Stud: The Art of Stephen Tomlin

Phillips announces highlights from the New Now Auction on July 13th

Brand new photographic works by Bryan Adams now on view at Atlas Gallery

'The Weight of Words' at The Henry Moore Institute explores the relationship between sculpture and poetry

Bonhams offers Bond on Bond Street this October with the Personal Collection of Sir Roger Moore

The afterlife of forlorn office furniture

Thomas Gainsborough portrait discovered in Royal Museums Greenwich Collection

Venus Over Manhattan opens 'This Too Shall Pass', a group exhibition curated by Racquel Chevremont

The Bilbao Fine Arts Museum marks the centennial of Joaquín Sorolla's death with exhibition

Sikkema Jenkins & Co. has announced their representation of artist Magalie Guérin

Galerie Eva Presenhuber opens an exhibition of works by the Scottish artist Martin Boyce

Prix Pictet announces shortlist for 10th cycle "Human"

Great War Victoria Cross awarded to Sheffield man to be sold at Noonans

Galerie Karsten Greve opens a solo show by the Italian artist Mimmo Jodice

'Dans la Tête de Balthus' on view at Perrotin

Getty announces interactive augmented reality artwork experience on iPad with artists Tin&Ed

Truong Cong Tung solo exhibition opens at Kiang Malingue

'Maureen Dougherty: Borrowed Time' opens at Cheim & Read

'Hayaki Nishigaki: A Monster of Our Own Making' opens today at Ronin Gallery

"Art Kimono: Aesthetic Revelations of Japan 1905-1960" by Roger Yorke is now available

Xavier Hufkens now showing 'Harry Irene', curated by Joe Bradley

'We Buy Gold: SEVEN: A Group Exhibition' on view at Jack Shainman Gallery & Nicola Vassell Gallery

A Guide to Fine Art Wedding Photography - More than Simple Keepsakes

Capturing Timeless Moments: Top Wedding Photographers in NYC

The Best Business and Finance News Platform - Biz Tech Community

Enhancing Off-Roading Adventures: Installing LED Light Bars on Your Toyota 4Runner

200 Hour Kundalini Yoga Teacher Training in India




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Holistic Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful