Botswana and De Beers sign deal to continue rich diamond partnership

The First Art Newspaper on the Net    Established in 1996 Tuesday, May 21, 2024


Botswana and De Beers sign deal to continue rich diamond partnership
A diamond that was processed at the Aurostar diamond processing plant in Gaborone, Botswana, on June 21, 2023. Under the new joint mining agreement, Botswana will immediately get a 30 percent share of the rough stones extracted, up from 25 percent, and it will rise to 50 percent within a decade, De Beers and government officials said. (Joao Silva/The New York Times)

by John Eligon



JOHANNESBURG.- A Botswana government official and the CEO of De Beers, an international diamond conglomerate, signed interim agreements Saturday to continue a lucrative, decadeslong diamond mining partnership that had appeared to be breaking down in recent months.

Only minutes before a midnight deadline Friday, the parties announced that after years of negotiations, they had agreed in principle on a deal to renew a partnership that supplies De Beers with most of its diamonds and Botswana’s government with the largest chunk of its revenue.

The details of the deal were still being worked out, officials with the government and De Beers said. But it addresses one of the most significant gripes of the Botswana government, regarding the share of diamonds it receives in its joint mining venture with De Beers. Under the old agreement, Botswana received 25% of the rough stones extracted, while De Beers took the rest. Now, Botswana will immediately get a 30% share, and that will rise to 50% within a decade, De Beers and government officials said.

De Beers said in a statement that it had agreed to invest as much as $825 million over the next 10 years to help develop the Botswana economy. The agreement also includes establishing an academy in Botswana that will train locals in skills in the diamond trade, government officials said.

The government of Botswana, the world’s second-largest diamond producer, hailed the agreements as a sweeping victory for the country of 2.4 million people, saying they would allow the southern African nation to achieve its long-term development goals.

“I must say with excitement that these are transformational agreements,” Lefoko Fox Moagi, minister of minerals and energy, said Saturday as he sat next to De Beers CEO Al Cook to sign the deals. “These are talking to the aspirations of the people of Botswana.”

This year, Botswana’s president, Mokgweetsi Masisi, caused a stir when he made the unusual move of publicly criticizing the deal with De Beers, saying his country was essentially being cheated.

“We must refuse to be enslaved,” he said in May at a community meeting in a rural village.




Masisi and other government officials demanded that Botswana receive more than 25% of the rough stones, and that De Beers make some investment in helping to expand other areas of the diamond industry in Botswana, including cutting and polishing, jewelry making and retail sales.

In challenging De Beers to give them more, Botswana officials were pressing a broader demand of African countries to get more from the natural resources that belong to them. There is a long history of countries on the continent losing out on their resource wealth to theft, corruption and mismanagement.

Cook said Botswana government officials had been clear on the need for De Beers to invest beyond diamonds and in the knowledge-based economy, and to develop the diamond value chain and put the people of the country first.

“I believe that the deal that we have agreed does all of that,” Cook said during the signing ceremony.

The government said that the sales agreement, which deals with how the diamonds are allocated, had been extended to 2033. Separately, De Beers’ mining license was extended to 2054, giving the company some assurance that it would have a long-term future in the country.

Despite the government’s demands for a fairer deal, few would dispute that diamonds have already transformed Botswana in ways that many African nations can only envy.

In 1966, the year that De Beers first discovered diamonds in Botswana and that the country gained independence from Britain, Botswana was among the poorest countries in the world, with only about 7 1/2 miles of paved roads. Now, it is considered an upper-middle-income country with robust infrastructure and the sixth-highest economic output per person, according to the World Bank. The partnership with De Beers produced about $2.8 billion in revenue for Botswana last year.

But the World Bank also ranks Botswana as one of the most unequal countries on the planet, and Botswana citizens and government officials have said they deserve to earn more from the diamonds that are buried in their soil in order to address the lingering social ills.

This article originally appeared in The New York Times.










Today's News

July 3, 2023

Exhibition showcases Ellsworth Kelly's evolving and wide-ranging approach to both portraiture and drawing

Almine Rech Shanghai opens American artist Xavier Daniels' second solo exhibition with the gallery

Setsuko exhibits ceramic and bronze sculptures, paintings, and works on paper in Gstaad

The man who pictured Ghana's rise at home and abroad

Japan's Native Ainu fight to restore a last vestige of their identity

Sean Kelly presents NXTHVN Cohort 4's RECLAMATION

Exhibition of Rita McBride's sculptural installations opens at Dia Beacon

Treasures from the Museo de Arte de Ponce displayed at the Museum of Fine Arts, Boston

Andrew Kreps Gallery opened exhibition by Tomie Ohtake: Organized in collaboration with Nara Roesler

Missoula ceramic sculptures in the Funk style of the 1960s and 1970s now open

ArchiVision: 10th anniversary of the Museum for Architectural Drawing Berlin

Voltaire, Jacques Necker, Joseph Bonaparte and Katharine McCormick now form the Portrait Gallery in Prangins Castle

Abstract painter Olivier Debré presented by Simon Lee Gallery in inaugural exhibition

Hunna Art Gallery now representing Aliyah Alawadhi

"Sporting Fashion: Outdoor Girls 1800 to 1960" is on view at Munson

"Caragh Thuring: The Foothills of Pleasure" to end July 15th, Thomas Dane Gallery

Ladbroke Hall photography exhibition 'Buffalo: Future Generation' by Jamie Morgan nearing its end

New work by Glenn Kaino now on view at the Japanese American National Museum

'Max Cole: Breaking Day' on view at Charlotte Jackson Fine Art

Phaidon publishes a 30-year culmination of genre-breaking creativity by Dutch artist Michael Raedecker

Blum & Poe opens Christopher Hartmann's first solo exhibition with the gallery

High Museum of Art presents more than 200 masterworks of ancient Nubian art

Botswana and De Beers sign deal to continue rich diamond partnership

Debi Cornwall project chosen among eight nominated projects to win Prix Elysée 2023

Shining a Light on Art: Using LED Neon Tubes to Elevate Artistic Creations

What is Flash Tattoo Art? A Comprehensive Guide to Vibrant Ink Designs

Rainbow Threads: The Colorful Evolution of Pride Kilts

What Are Military Ribbons and Why Are They Awarded?

How To Make Life as a New Single Mom Easier in 5 Simple Steps




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

sa gaming free credit
Attorneys
Truck Accident Attorneys
Accident Attorneys

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful