Grand Rapids Art Museum featuring 23 artists working at the forefront of digital and electronic art
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Grand Rapids Art Museum featuring 23 artists working at the forefront of digital and electronic art
Claudia Hart, The Seasons, 2009/2018. Digital video (with sound) on monitor with custom frame, 54 ½ x 33 ¾ x 3 7/16 inches. Collection of the Carl & Marilynn Thoma Foundation. © Claudia Hart. Image courtesy of bitforms Gallery.



GRAND RAPIDS, MI.- Twenty-three software, video, and light-based works of art are now on view at the Grand Rapids Art Museum in Message from Our Planet: Digital Art from the Thoma Foundation. On view June 17 through September 9, 2023, the exhibition proposes that digital technology offers distinct ways for artists to communicate with future generations.

“Message from Our Planet celebrates digital technologies as an incredible tool for today’s artists,” said GRAM Associate Curator Jennifer Wcisel. “The works in the exhibition encompass familiar technologies like digital video and photography to the unexpected visualization of data, assemblages of electronic components, and collages of found-video footage. We look forward to highlighting the myriad possibilities of digital art at GRAM and hope our guests leave with a new, broader understanding of the art form.”

Spanning the mid-1980s to today, the works in Message from Our Planet utilize a range of vintage and cutting-edge materials to create a polyphonic time-capsule, preserving their ideas, beliefs, and desires. The regional, national, and international artists featured in the exhibition include Ólafur Elíasson, Jenny Holzer, LoVid, Hong Hao, Matthew Angelo Harrison, Christian Marclay, and James Nares.

Message from Our Planet includes artwork that uses digital technologies as a tool for the creation of more traditional art objects—like a photograph, print, or sculpture—as well as art that is created, stored, and distributed by digital technology and employs their features as its medium.

The artists in Message from Our Planet engage with nontraditional mediums like video games, computer code, scanners, 3-D printers, online data, and even discarded electronic parts to create engaging works of digital art that capture the concerns and ambitions of our current era. The earliest work in the exhibition was created by Brazilian artist Eduardo Kac in 1986 with a now defunct Minitel terminal, a device used to access the most popular online service prior to the World Wide Web.

Detroit-based artist Matthew Angelo Harrison uses custom software and a handmade 3D printer to explore history, ancestry, and the relationship between African and African American culture. Harrison’s work, Braided Woman, is a 3D-printed sculpture of an imagined artifact. To create this work, Harrison scanned images of historic African masks from books and online sources, then digitally blended their shapes to generate a unique, composite object.










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