Yvonne Wells now exhibiting Play The Hand That's Dealt You at Fort Gansevoort
The First Art Newspaper on the Net    Established in 1996 Sunday, July 21, 2024


Yvonne Wells now exhibiting Play The Hand That's Dealt You at Fort Gansevoort
Yvonne Wells, Three Jugs, 1995. Assorted fabrics, 38 x 55.5 in. ©Yvonne Wells. Courtesy of the artist and Fort Gansevoort, New York.



NEW YORK, NY.- Beginning June 8, 2023, Fort Gansevoort will present Play The Hand That’s Dealt You, the first New York solo exhibition of Alabama-based artist Yvonne Wells. Born in 1939 in Tuscaloosa, Wells is known for her intricate narrative quilts depicting American history subjects, pop culture figures, and religious subject matter. As a self- taught artist living and working in the same region as the enslaved female quilters from the rural Alabama community known as Gee’s Bend, Wells is aware of heritage techniques, yet cleaves to her own contemporary visual vernacular. Through a practice that illuminates the craft of quilt making as a form of fine art, in addition to its utilitarian function, she has developed a style that uniquely melds geometric abstraction with bold figuration. The evolution of Wells’ personal aesthetic and technical mastery will be seen through over a dozen large works on view, spanning three decades of the artist’s career.

Improvisation and chance are integral to Wells’ artistic process. Instead of following a pattern or planning her compositions in advance with preparatory drawings, she embraces an intuitive approach, sewing together fragments of fabric by hand into the compositions she envisions in her mind. Wells primarily uses repurposed fabric and found objects as the raw materials for her quilts. This generative practice of reuse and adaptation continues to fuel her creative production. The patterns and textures in front of her guide her spontaneous aesthetic choices. As the artist has said, “the materials I use have their own stories and histories… the quilts talk to me, and I listen.”

In 2022, a solo exhibition of Wells’ quilts was presented at the Montgomery Museum of Fine Arts, Montgomery, Alabama. This year, Wells’ work is featured in the Art Bridges Cohort Program's Spotlight exhibition series. Over the next year and a half, the exhibition will travel to all the museums that comprise the American South Consortium: Montgomery Museum of Fine Arts, Montgomery, AL, Columbia Museum of Art, Columbia, SC, the Mobile Museum of Art, Mobile, AL, and the Wadsworth Atheneum, Hartford, CT. Beginning in 2024, the American South Consortium will present an expanded exhibition at each venue including works by Wells and other Spotlight series artists.

A monograph devoted to Wells’ career will be published by University of Alabama Press in 2024, co-authored by the artist and University of Alabama Professor Stacy Morgan. This comprehensive publication will include scholarly essays, a chronology of Wells' artistic production to date, and over 100 color plates of her quilts.
Yvonne Wells’ exhibition at Fort Gansevoort examines the role of play in her practice, both as process and subject matter. The show takes its title from the featured artwork Play The Hand That’s Dealt You, 2011. At the center of this composition, an isolated black hand holds four playing cards. Facing the viewer, the cards clearly read as aces in every suite—one of the best poker hands possible. Rather than depicting the odds stacked against her subject, Wells deploys visual economy to symbolically depicts a Black subject with good fortune. Wells asserts that regardless of one’s fate—whether one holds good or bad cards—we must all make the best of any given situation, a philosophy she carries into her art making. Extending this visual metaphor, a bright yellow pitcher and three lemons on a table allude to the aphorism “When life gives you lemons, make lemonade.” Wells’ pairing of pictorial elements with well-known maxims and proverbs emphasizes her central message: the importance of resourcefulness. Sometimes intentional and other times internalized, Wells often uses games and sports as metaphors for human conflict. A football game is a simulation of war or combat, a card game is an exercise in strategy and luck used against one’s opponent.




The theme of play also appears in Wells’ depictions of musicians and pop culture icons who play an instrument or play a character in a movie. In these works, play functions as a performative act with an implied audience. B.B. King Concert In The Garden, 2019, features a portrait of the famous musician playing his guitar in Overton Park, in Memphis, Tennessee, where passersby stop to listen. Geometric rectangles of various patterned fabrics combine with figurative elements, such as a bird in a tree, and the multi-colored arch of Overton Park Shell amphitheater, to articulate this setting. On B.B. King’s blue-and-white-striped guitar Wells has embroidered the name “Lucille”—an allusion to the song My Lucille, in which King personifies his instrument as a female companion. At the bottom of the quilt, a small, silhouetted figure rides a bicycle across a floral-patterned strip of fabric while a man in the background reclines in a red hammock made from an onion sack. Wells’ deliberate depiction of these supporting characters in a diminutive scale provides narrative context to the scene without detracting focus from the main subject. The material choice for the hammock exemplifies Wells’ resourcefulness and playfulness, enhancing the overall ambiance of leisure.

Set against a bold cherry-red background, the early abstract work Three Jugs, 1995, demonstrates play and improvisation as an approach to making. Discarded, amorphously shaped pieces of black fabric, reminded Wells of vessels, inspiring a new work. Jugs, like quilts, traditionally serve a practical purpose. Yet, by rendering the vessels as aesthetic objects for the viewer’s contemplation, Wells dissolves the boundaries between functional and fine art. With the decorative adornment of buttons, the simplified forms also read as garments, thus implying the human figure. Wells welcomes the ambiguity that abstraction provides, allowing for a multiplicity of interpretations. She also enjoys injecting her work with unexpected elements, which she believes motivates closer looking. With clarity and brevity of language, the artist explains: “To see is to know, to know is to understand.”

Yvonne Wells’ work was recently on view at the Montgomery Museum of Fine Arts, in Alabama as one of the Art Bridges Cohort Program's Spotlight exhibitions. This solo exhibition will subsequently travel to the Columbia Museum of Art, Columbia, South Carolina, the Mobile Museum of Art, Mobile, Alabama, and the Wadsworth Atheneum, Hartford, Connecticut. In 2023, Wells’ work is included in the group exhibitions: Feeling of Light, at Almine Rech, Brussels, Belgium and Strike Fast, Dance lightly at the FLAG Art Foundation, New York, NY. In 2022, a solo exhibition of Wells’ works was presented at the Montgomery Museum of Fine Arts, Montgomery, AL. In 2021, Fort Gansevoort presented the online exhibition Yvonne Wells: The Stories We Tell, In collaboration with Jessica Lynne. Wells’ works were on view in the 2021 traveling exhibition Charlie Lucas and Yvonne Wells: What I Knew How To Do at The Shelby County Arts Council’s EBSCO Fine Art Gallery in Columbiana, Alabama and the Wiregrass Museum of Art in Dothan, Alabama. In 2020, Wells’ quilts were included in the exhibition Pieces and Patterns: Quilts of West Alabama at the Montgomery Museum of Fine Art in Montgomery, Alabama.

Her work has been featured in exhibitions at the International Quilt Museum in Lincoln, Nebraska, the Birmingham Museum of Art in Birmingham, Alabama, Carnegie Visual Arts Center in Decatur, Alabama, and the Gadsden Museum of Art in Gadsden, Alabama. Wells has also exhibited her art internationally in France, Italy, and Japan. Her work is included in the permanent collections of Arkansas Museum of Fine Arts, Little Rock, AR; Birmingham Museum of Art, Birmingham, AL; Flint Institute of Arts, Flint, MI; Henry Ford Museum, Dearborn, MI; International Quilt Museum, University of Nebraska-Lincoln, Lincoln, NE; Kentuck Art Center, Northport, AL; Montgomery Museum of Fine Art, Montgomery, AL; Smithsonian National Museum of African American History and Culture, Washington D.C.; The Bunker, West Palm Beach, FL, Wiregrass Museum of Art, Dothan, AL; and Weisman Art Museum, Minneapolis, MN. Wells is the recipient of the 2019 Governor’s Arts Award from the Alabama State Council on the Arts and the 1998 Alabama Arts and Visual Craftsmen Award.

In 2024, a forthcoming monograph on Yvonne Wells will be published by University of Alabama Press.










Today's News

June 8, 2023

What does it take to run a museum? The job description is changing.

M Leuven acquires rare masterpiece by Michaelina Wautier

Lincoln Center, seeking new audiences, plans to remake its West Edge

Françoise Gilot, artist in the shadow of Picasso, is dead at 101

Six works by Fontana unseen for 50 years at Bonhams Single-Owner sale in London

Apollo Theater names new President

L.A. Louver begins the presentation of the exhibition 'The Flower Show'

Yvonne Wells now exhibiting Play The Hand That's Dealt You at Fort Gansevoort

'In My Room' inspired by song by The Beach Boys now opening at Venus Over Manhattan

Joana Vasconcelos: Wedding Cake now opening at the Dairy at Waddesdon Manor

Rare display of 100+ American watercolors at Harvard University

GALLERIA CONTINUA opens the group exhibition 'From the Ground Up'

Public Art Fund debuts Phyllida Barlow's large-scale freestanding sculptures in City Hall Park

Montclair Art Museum and African American Cultural Committee announce Debra Cartwright as first AACC Founders Fellow

Sylvia Palacios Whitman: To Draw a Line with the Body, first solo exhibition and career survey

Solo exhibition by Sam Falls now on view at 303 Gallery

The face of Federico Da Montefeltro drawn by Leonardo Da Vinci at Li Madou Palace

French-Lebanese Paris-based architect Lina Ghotmeh designs 22nd Pavilion project

Mazzoleni Post-War Italian and contemporary art gallery opens exhibition by artist Nunzio Di Stefano

The male form performed brilliantly at Bonhams auction in Paris

Holabird announces Four-Day High-Grade Auction, June 15th-18t

'Wet Brain' review: A vodka-spiked horror show

Geffen and Gustavo: Mixed boons for the New York Philharmonic

The Mayor Gallery announces exhibition of work by leading Op-Art artist Julian Stańczak

Enhancing Instagram Privacy with GhostGram: The Ultimate Anonymous Story Viewer

Eye-catching video game art examples

Mastering the Art of Organizing Business Finances: Key Strategies for Success

Art and Technology: The Fusion of Creativity and Innovation in the Digital Age

The amazing Caroline Wozniacki




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful