VENICE.- Two national pavilions and a wall that connects as well as separates, are the focus of Karin Sander’s and Philip Ursprung’s project Neighbours for the Biennale Architettura 2023. By turning the architecture itself into the exhibit, the artist and the architecture historian introduce the audience to new perspectives on the territorial relations within the Giardini of La Biennale.
Following an open call, the Swiss Arts Council Pro Helvetia chose to entrust the exhibition of the Swiss Pavilion for the Biennale Architettura 2023 to the artist Karin Sander and the architecture historian Philip Ursprung, both professors at ETH Zurich. Their project Neighbours highlights both the spatial and structural proximity of the Swiss Pavilion to its Vene- zuelan neighbour and the professional bond of the two architects: the Swiss Bruno fiiacometti (1907 – 2012) and the Ital- ian Carlo Scarpa (1906 - 1978).
The Swiss Pavilion designed by Bruno fiiacometti opened just over 70 years ago, in June 1952. In immediate vicinity, the Venezuelan Pavilion designed by Carlo Scarpa took shape four years later. Since the old plane trees on either lot weren’t allowed to be felled, the architects designed their buildings around the protected trees. The walls, roofs, and exterior areas of their buildings meet at the closest distance.
Karin Sander and Philip Ursprung bring out the pavilions’ interconnected ground plans, in which the structural neighbour- ship of the two close architects condenses: « The Swiss and the Venezuelan Pavilion form an ensemble of exceptional architectural and sculptural quality. Despite this, they are conceived as separate because of their representative func- tion, and thus, are staged accordingly. We are rethinking the functions of the two pavilions and their surroundings in a new light and are dissolving their borders with artistic means. In that, we question the spatial, cultural, and political de- marcations as well as the conventions of national representation. In a utopian gesture, we are confronting the location with a poetic reality that momentarily gives room to a new point of view. » They continue: « We see the two pavilions as a spatial continuity and articulate what already exists. The pavilion is no longer functional as a container for housing an exhibition of some kind – instead, the architecture itself, its material and spatial relations is turned into the exhibit. Acting within the perspective of art, we can do things differently than within architecture. Neighbours is also an open conversa- tion between art and architecture. »
Karin Sander was born in 1957 in Bensberg, fiermany. In addition to her teaching at ETH Zurich, where she has spent the last 15 years building up the Chair of Architecture and Art at the Department of Architecture, and is responsible for the artistic training of students, Karin Sander's works are featured in exhibitions worldwide.
In her artistic practice, she questions given situations in relation to their structural, social, and historic contexts and ren- ders them visible through different media. She stages locations with installations, architectural interventions, and sculp- tures, and creates new codes for existing systems and orders. Her works are in private collections and public galleries such as the Museum of Modern Art (New York and San Francisco, USA), the Metropolitan Museum (New York, USA), Mu- seum Abteiberg, Mönchengladbach (fiermany), the Centro fialego de Arte Contemporanea (Santiago di Compostela, Spain), Kunstmuseum und Staatsgalerie Stuttgart (fiermany), the National Museum of Art in Osaka (Japan), Kun- stmuseum St fiallen (CH), and Kunst Museum Winterthur, (CH).
Karin Sander is represented by Esther Schipper (Berlin, fiermany), fialerie nächst St. Stephan Rosemarie Schwarz- wälder (Vienna, Austria), i8 fiallery (Reykjavík, Iceland), and Helga de Alvear (Madrid, Spain).
Philip Ursprung was born in Baltimore (USA) in 1963. Ursprung is an art historian specializing in late 20th- and 21st cen- tury European and North American art and architecture. His research and teaching focus on the interrelation between architecture and art in a political and economic framework. Active as a historian, critic, and curator, Ursprung has taught at the University of Zurich, Hochschule der Künste Berlin, Columbia University, and the Barcelona Institute of Architecture. After studying in fieneva, Vienna, and Berlin, he earned his Ph.D. in art history at Freie Universität Berlin. He is a professor of History of Art and Architecture at ETH Zurich, Switzerland, where he was dean of the department from 2017-19.
