NEW YORK, NY.- Swann Galleries will present A Singular History of Photography: 100 Works from the Stephen White Collection in the spring Fine Photographs auction on Thursday, April 27. This dynamic offering tells the history of the medium through White’s distinct perspective; one honed through decades in the business collecting and selling, and as many years living with, studying, and loving photographs.

Beginning with early prints describing the excitement around the invention of capturing and fixing an image and continuing through the early decades of experimentation with process and expression, White’s collection describes a heady period of discovery and exploration of various possibilities of representation.

Photography’s immediate importance in documenting and sharing information serves as an early theme, including Roger Fenton’s pioneering image from the Crimean War Valley of the Shadow of Death, salted paper print, 1855 ($20,000-30,000), and an exceptionally rare view that documents the vicinity of the execution of Emperor Maximilian in Mexico from 1867 by François Aubert ($15,000-25,000). The idea that photography possesses a dual or hybrid identity as both an art form and documentarian tool is ever-present, and continues throughout, including an astonishing large-format example of Tom Howard’s 1928 surreptitious and immediately iconic image made at the execution of Ruth Snyder ($20,000-30,000), an early print showing the Wright Brothers’ first flight in the Kitty Hawk in 1903 ($5,000-7,500), and Garry Winogrand’s 1957 noir portrait of Victor Riesel, a syndicated journalist blinded after an acid attack ($10,000-15,000).

But, the artistic practices embodied by photographers thread through the offering as well, including the stunning composite work done by Colonel Henry Stuart Wortley with Moon Rising Over Church Tower, circa 1863 ($2,500-3,500), as well as the duo Robinson and Cherrill and their well-known The Beached Margent of the Sea ($5,000-7,500)— both rare and significant examples of the technical skill photographers put to glorious use. Also on offer is Lewis Carroll’s investigations into childhood with Detail study of Brook Taylor Kitchin as St. George, 1875 ($8,000-12,000), and a circa 1858 image of Julia Margaret Cameron with her children ($6,000-9,000). And finally, two of André Kertész’s early photographs made in Budapest—Autumn Set in Pest Yesterday (portraits of Angelo), silver print, 1925 ($8,000-12,000), and Only the Third Grace is Missing, silver print, 1925 ($6,000-9,000)—showcasing a photographer already fully immersed in artistic practice, producing studies of the artistic circle he was part of.

Stephen White’s perspective, grounded in the image and the historical context of each work, asks the viewer to consider both the history that forged an image and the unique questions and ideas each photographer possessed. From Ansel Adams to Carleton Watkins, James Wallace Black’s bird’s-eye view of Boston to Edward Steichen’s ariel views of mine craters made during WWI, pioneering abstraction from Arthur Siegel and Jaroslav Rössler to significant photojournalism, Stephen White’s collection offers new perspectives and something for each collector.

The spring auction continues with significant works from iconic twentieth-century photographers. The sale is headlined by an exceptional and compelling set of the 1906 issues of Camera Work (Numbers 13, 14, 15, 16, and the Steichen Supplement) bound together in an original binding, likely by Otto Knoll. Featuring Steichen’s, The Flatiron—Evening, the set is enclosed in a supple leather binding apparently used by Stieglitz for presentation volumes of his publication ($30,000-40,000).

Other highlights include a rare full-frame example of Robert Frank’s White Tower, 14th Street, New York, 1948; printed 1980s ($10,000-15,000), as well as Shomei Tomatsu’s irresistible Chewing Gum & Chocolate, Yokosuka, 1958; printed 2004 ($15,000-20,000). Bidders can explore a stunning large-format Adam Fuss photogram from his series My Ghost, 1997 ($15,000-20,000), and Helmut Newton’s striking Rue Aubriot (i), Yves St. Laurent, Haute Couture Collection, Paris, 1975; printed 2000s ($30,000-40,000).

The auction features several rare portraits, including two by Jimmy DeSana, one of Andy Warhol, 1978 ($3,000-4,000), and one of Ethel Scull, 1978 ($2,000-3,000). We are also offering a portrait of Glenway Wescott by Irving Penn, 1948 ($5,000-7,500), and an intimate portrait of Robert Mapplethorpe by George Dureau, 1985 ($2,500-3,500), as well as a tender vintage portrait of Charis by Edward Weston, 1941, signed and initialed by the photographer ($15,000-25,000).

Josef Sudek’s dazzling use of light in his still life Airmail Memories for Dr. Brumlik (Aerial Recollections,) circa 1971 ($6,000-9,000), and Brett Weston’s skillful rendering of abstracted landscape in Dune, White Sands, 1946; printed 1949 ($6,000-9,000), describes two photographers at the height of their technical and compositional powers.

We are pleased to offer Valentina Kulagina’s May First, Forward to the New Victories, circa 1930—an exceptionally rare work by a Russian avant-garde artist ($5,000-7,500). And finally, Willi Ruge’s Photo of Myself at the Moment of my Jump from the series I Photograph Myself During a Parachute Jump, 1931, an exultant documentation of the photographer’s real-time parachute jump ($15,000-20,000).