MoMA opens the first exhibition to focus on Georgia O'Keeffe's practice of drawing series
The First Art Newspaper on the Net    Established in 1996 Friday, November 22, 2024


MoMA opens the first exhibition to focus on Georgia O'Keeffe's practice of drawing series
Georgia O’Keeffe. Evening Star No. II, 1917. Watercolor on paper. 8 3/4 × 12″ (22.2 × 30.5 cm). Courtesy Crystal Bridges Museum of American Art, Bentonville, Arkansas. Photography by Dwight Primiano. © 2022 Georgia O’Keeffe Museum / Artists Rights Society (ARS), New York.



NEW YORK, NY.- The Museum of Modern Art presents Georgia O’Keeffe: To See Takes Time, the first exhibition to investigate the artist’s works on paper made in series. Using charcoal, watercolor, pastel, and graphite, she explored forms and phenomena—from abstract rhythms to nature’s cycles—across multiple examples. Some of these sequences also gave rise to related paintings, which have been installed alongside these works on paper.

On view in MoMA’s third-floor south galleries from April 9 through August 12, 2023, the exhibition reveals a lesser-known side of this artist, foregrounding O’Keeffe’s persistently modern process on paper. Over 120 works created over more than four decades—including key examples from MoMA’s collection—demonstrate the ways in which O’Keeffe developed, repeated, and changed motifs that blur the boundary between observation and abstraction. Seen together, these works demonstrate how drawing in series allowed O’Keeffe to revisit and rework subjects throughout her career, and reveal the thoughtful material choices behind her resplendent compositions.

Though MoMA’s 1946 Georgia O’Keeffe exhibition was its first retrospective of a woman artist, the Museum has not had an exhibition devoted to the artist since. This exhibition is the first to reunite drawings that are most often seen individually, in order to illuminate O'Keeffe's innovative serial practice. In the formative years of 1915 to 1918, O’Keeffe made more works on paper than she would at any other time, producing her breakthrough series of charcoals and sequences in watercolor of abstract lines, organic landscapes, and nudes. While her practice turned increasingly toward canvas after this period, important series on paper reappeared—including flowers of the 1930s, portraits of the 1940s, and aerial views of the 1950s—all of which are included in this exhibition.




“O’Keeffe’s works on paper are the perfect expression of her belief that ‘to see takes time,’” says associate curator Samantha Friedman. “She recognized the necessity of slowing down for her own vision, and, in turn, her sequences of drawings invite us to take time in looking.”

Among the key works in the exhibition is the early charcoal No. 8 – Special (Drawing No. 8) (1916). O’Keeffe called some of her works “specials,” indicating her belief in their success; this drawing features a spiraling composition that would recur throughout the artist’s decades-long career. She once noted of this work, “I have made this drawing several times— never remembering that I had made it before—and not knowing where the idea came from,” emphasizing the seriality of her practice.

Another highlight of the exhibition is the first reunion of all eight watercolors in the Evening Star series (1917), whose luminous palette reflects O’Keeffe’s response to a Texas sky. Together, these works express how the artist’s development of an idea across multiple sheets mirrors the shifting forms and movement of nature itself. Tracing the course of a dramatic sunset, O’Keeffe transitions from discrete bands of color separated by areas of blank paper to fully bled areas of liquid pigment.

Drawing X (1959), made the year O’Keeffe took a three-month trip around the world, was inspired by the views of the landscape she witnessed from a plane. One in a series of such charcoals that also led to subjectively colored paintings, this work offers a key example of the complex and subtle relationship between representation and abstraction within the artist’s project.










Today's News

April 11, 2023

Not Picassos, but still precious: Museums return silver lost to the Nazis

MoMA opens the first exhibition to focus on Georgia O'Keeffe's practice of drawing series

Works by Rashid Johnson & Tracey Emin among recent Israel Museum acquisitions

The Met announces fall 2023 artist commissions for the Fifth Avenue facade and Great Hall

'Picasso: Celebrating 50 Years' on view at Rosenbaum Contemporary in Palm Beach

"Tony Moore: Eternal Becoming Wood-fired Ceramic Sculptures and Fire Paintings" opens at Garrison Art Center

The Portland Museum of Art announces major reinstallation of permanent collection galleries

Sound and garden installation will open on Clyfford Still Museum terraces in May

Morton Fine Art to open an exhibition of Andrei Petrov's new paintings

Mullin Automotive Museum hosts exhibit featuring the works of Keith Collins

Al Jaffee, king of the Mad Magazine fold-in, dies at 102

Modern and contemporary art headlines Shannon's Spring sale

National Gallery of Art acquires works by Charles White and Doris Adelaide Derby

'Hey, Mr. Living Composer': 'Champion' takes shape at the Met

Chinati appoints new Trustees

Solange curates powerful performances of Black joy and pain at BAM

Jennifer Muller, choreographer whose dances told human tales, dies at 78

Myriam Ullens, philanthropic baroness with a disputed fortune, dies at 70

African American Museum, Dallas presents "Frank Frazier - The Visionary, The Advocate, The Artist"

Sargent's Daughters opens its third solo exhibition of Wendy Red Star's work

Top Cultural and Natural Attractions to See in Tibet

Choose the Right Size and Capacity for Your Under Deck Water Tank

How to choose the right Lattice Semiconductor FPGA for your project

2023 Home Decor: The Best Closet Door Options for Your Space

How fast does a Solar Electric Scooter Go?

World Famous NFT Artist Launches Long-Awaited Digital Art Gallery

Turning Your Downtime Into an Energy Boost Moment

Top 5 Virtual Art Galleries in 2023

Artist Seek One to exhibit "Playtime" at The White Room Gallery in the Hamptons




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Holistic Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful