Why would someone steal unpublished manuscripts?
The First Art Newspaper on the Net    Established in 1996 Thursday, December 26, 2024


Why would someone steal unpublished manuscripts?
The Daniel Patrick Moynihan United States Courthouse in New York, Jan. 24, 2022. Filippo Bernardini has been accused by the government of stealing over 1,000 book manuscripts — in court filings, he said he was motivated not by money but by a love of reading. (Stephanie Keith/The New York Times)

by Elizabeth A. Harris



NEW YORK, NY.- For more than five years, someone was stealing unpublished book manuscripts from editors, agents, authors and literary scouts. The question of who was behind the scheme baffled the publishing industry, but just as perplexing was another question: Why?

Most unpublished manuscripts would be almost impossible to monetize, so it wasn’t clear why somebody would bother to take them. Filippo Bernardini, who has pleaded guilty in a fraud case in which the government said he stole more than 1,000 manuscripts, offered an explanation Friday in a letter addressed to a federal judge.

Bernardini said he stole the books because he wanted to read them.

Bernardini told Judge Colleen McMahon of the U.S. District Court for the Southern District of New York that his scheme began after a literary agency where he had interned declined to hire him for an open position. He was applying for jobs without success when he started impersonating publishing professionals over email.

“While employed, I saw manuscripts being shared between editors, agents and literary scouts, or even with individuals outside the industry,” he wrote. “So, I wondered: Why can I not also get to read these manuscripts?”

He impersonated specific individuals using fake domain names — for instance, penguinrandornhouse.com instead of penguinrandomhouse.com, with an “rn” in place of the “m.” The business of publishing is small and relationship-based, and few manuscripts are closely guarded, especially at certain stages of the process, like when agents submit a book to publishers. Bernardini found that if he asked in the right way, he could get the books he wanted. He said it became “an obsession, a compulsive behavior,” and that he wanted to feel as if he were still a part of the industry.

“At first it started as a challenge; I never believed that it would snowball into me performing these crimes as prolifically as I did, I got carried away,” he wrote.




“I never wanted to and I never leaked these manuscripts,” he continued. “I wanted to keep them closely to my chest and be one of the fewest to cherish them before anyone else, before they ended up in bookshops. There were times where I read the manuscripts and I felt a special and unique connection with the author, almost like I was the editor of that book.”

Bernardini, 30, is an Italian citizen who has lived in London for many years. When he was arrested in New York City last year, at John F. Kennedy International Airport, he was working as a rights coordinator for Simon & Schuster UK.

His letter was part of a package submitted to the judge in advance of his sentencing, which is scheduled for next month. The dossier included letters from his lawyer, his partner and his parents, as well as from friends and former colleagues. In their correspondence, they argued that Bernardini should receive no prison time, saying that as a gay man from a different culture and country, he would be particularly vulnerable. They also said that his crimes had not resulted in any monetary gain for Bernardini nor in any diminished value for the authors whose work he took.

Bernardini’s lawyers and prosecutors agreed that federal guidelines, which are not binding on a judge, call for a sentence in the range of 15 to 21 months in prison, Bernardini’s lawyers said in a letter to the court.

Among the letters on Bernardini’s behalf was one from an author, Jesse Ball, who said he was one of Bernardini’s victims. According to his letter, Bernardini wrote to Ball pretending to be his editor at Catapult and convinced him to send several of his unpublished manuscripts.

Ball, the author of 14 books, said that it would be difficult for anyone to publish his novels under another name, and that the only difficulties that resulted from the thefts were a “bit of confusion” about what he had sent to his editor.

“Please try to understand the nature of his crime, and the nature of the environment in which it took place,” Ball wrote. “One has really to narrow one’s eyes to perceive any injury whatsoever. It was truly a trivial thing, a frivolous thing. Sending a man to prison over this would be a way to take a victimless crime and create a victim in the person of the accused.”

This article originally appeared in The New York Times.










Today's News

March 15, 2023

The FBI has an art crime team. And these days, It's busy.

National Gallery of Art acquires work by Gretchen Woodman Rogers

A female Mossad agent's treasure trove of photos

Phillips to offer Yoshitomo Nara's 'Lookin' for a Treasure' at its new Asia headquarters

MacDougall's to offer an exceptional work by Ilya Repin

Layr announces the representation of the Estate of Anna Andreeva.

Why would someone steal unpublished manuscripts?

A Brief Revolution: photography, architecture and social space in the Manplan project

The Corning Museum of Glass announces Charisse Pearlina Weston is the recipient of the 2022 Rakow Commission

Kenzaburo Oe, Nobel Laureate and critic of postwar Japan, dies at 88

AIPAD Award honors Rijksmuseum Photography Curators

Columbus Museum of Art announces Brooke A. Minto as new Executive Director and CEO

Academy Art Museum acquires historically significant properties

Scotland's natural beauty inspires artists as BAF welcomes 24 new exhibitors

Miles McEnery Gallery opens an exhibition of new paintings by Nick Aguayo

Exhibition by Erik van Lieshout now on view at Galerie Guido W. Baudach

How Mia Couto's words help weave the story of Mozambique

Julien's Auctions presents "Brace Yourself for Banksy: Modern and Contemporary Art"

Thea Anamara Perkins named 2023 recipient of La Prairie Art Award

XL EXTRALIGHT® presents SOFTSCOPE an installation by Panter & Tourron at Spazio Maiocchi

Hilary Hahn practices in public, wherever and however she is

Miller & Miller Auctions, Ltd. announces highlights of the Canadiana & Decorative Arts auction

The Ultimate Guide to House Hunting in Cyprus

Discovering the Serenity of Sapanca: A Guide to Where to Stay, What to Eat, and What to Do, with Holiday Swap




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Houston Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง
Motorcycle Accident Lawyer

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful