NEW YORK, NY.- Yossi Milo Gallery
is presenting Eurovision, Navot Millers first solo exhibition with the gallery. The show opened with an artists reception on Thursday, February 2, 2023 from 68 PM, and will be on view through Saturday, March 11, 2023.
With his distinctively vibrant palette, Navot Miller (b. 1991; Israel) draws from the flow of moments and memories in his own life, presenting the landscapes, architecture, and people he sees with fresh, inquisitive eyes. Growing up in a rural Israeli village, Miller found it difficult to express himself and his identity as a young gay person. Upon relocating to Berlin as an adult, he found a community of creatives who opened up new possibilities for self-expression. Among them were curator Joel Mu, who introduced Miller to Berlins alternative art scene, and instructors Michael von Erlenbach and Kathrin Ruhlig, who became his most significant mentors. Today, Millers bold, colorful palette has become a means of expressing the parts of himself that remained hidden during his childhood. The new body of work in Eurovision presents the artists past year living in Berlin and traveling through Europe. Nodding to the hit international singing competition of the same name, Eurovision encapsulates Millers experiences while journeying across a continent, collecting memories and forging relationships along the way.
The series of paintings presented in Eurovision focuses on those precious memories gathered during travel and the quiet yet meaningful moments of the everyday, offering colorful, candid snapshots from the artists life as he sees it. To capture these moments, Miller takes hundreds of photos as they pass, revisiting them later as the source material for his paintings. Amalfi Coast (2022) is painted from one such snapshot, depicting a group of vacationers as they lounge on a cliff by the Mediterranean Sea. Beyond the waters edge, the complex topography of the rocky shore is simplified into flat planes of color. At the scenes foreground, a man peers over the cliffs edge, ensuring the waters below are safe for diving. Miller identifies the man as a father who, out of concern for his son out of view, scans the scene for any potential danger. Foregoing the climactic moment of the dive itself, Miller zooms in on this moment of preparation, quietly celebrating the familial love and the protective care between father and son.
A similar glimpse into the subtleties of intimacy is granted in Terraza (2022), which depicts a gathering of six men lounging on a Berlin terrace. Totally at ease, the men converse, cuddle, and convene in this scene of uninhibited repose. The commanding colors of Millers vibrant palette amplify what seems to be a hot summer day, as evidenced by the semi-nude men gathered outdoors. In terms of the paintings composition, their bodies are the only portions of the work that the artist has blended. They consequently take on a depth and dimensionality that is absent from the rest of the rendering, bringing them into sharp relief against the flattened forms of their background. In this painting, Miller brings focus to the men who gather on this sunny terrace as a celebration of the simple pleasure of gathering on a summers day, and the joy of letting an evenings events unfold as they may.
Navot Miller has exhibited work widely in the United States and abroad, including solo exhibitions at 1969 Gallery in New York, NY; Braverman Gallery, Tel Aviv, Israel; Grove Collective, London, UK; and Wannsee Contemporary, Berlin, Germany. He has presented in work in group exhibitions at the Palais de Tokyo, Paris, France; Werkstattgalerie, Berlin, Germany; Unit 1 Gallery, London, UK; and Art Zagreb, Croatia, among others. The artist received his Diploma from Weissensee Art School in Berlin, Germany where he currently works and lives.