A fossil flower trapped in Amber had a mistaken identity for 150 years
The First Art Newspaper on the Net    Established in 1996 Thursday, November 21, 2024


A fossil flower trapped in Amber had a mistaken identity for 150 years
An undated photo provided by CAROLA RADKE shows the largest-known fossilized flower to be preserved in amber. A study of the Baltic specimen offers new insights into what Europe’s climate was like some 35 million years ago. (Carola Radke/Museum für Naturkunde Berlin via The New York Times)

by Kate Golembiewski



NEW YORK, NY.- Eva-Maria Sadowski, a postdoctoral researcher at the Natural History Museum in Berlin, didn’t have a particular agenda in mind when she decided to borrow the biggest fossil flower preserved in amber ever found.

“I did it without any expectations, I just did it because I was curious,” she said.

Her curiosity pulled the thread of a more than 150-year-long case of mistaken identity, resulting in a clearer picture of what the Baltic amber forest of Northern Europe looked like more than 33 million years ago.

The preserved flower bloomed about halfway between the extinction of the last nonbird dinosaurs and the evolution of humans, who found it in the 19th century in territory that is now part of Russia. In 1872, scientists classified it as Stewartia kowalewskii, an extinct flowering evergreen.

The Baltic amber flower’s identity hadn’t been revised until Sadowski’s paper in Scientific Reports was published Thursday.

Plants in amber are a rarity. Among Baltic amber specimens, only 1% to 3% of trapped organisms are botanical. This might result from a bias toward animals by amber collectors, but it also might be because animals wander into pools of sticky resin while plants have to accidentally fall in.

While they’re harder to come by, plants in amber provide paleobotanists with a wealth of information, Sadowski said. Amber, which forms from tree resin, preserves ancient specimens in three dimensions, revealing “all the delicate features that you normally don’t get in other fossil types.”




The flower that caught Sadowski’s eye was 1 inch wide — three times bigger than the next-largest blossom preserved in amber ever discovered. A colleague had told her of the flower’s “massive” size before she sought it out, and she wondered if he was exaggerating. He wasn’t. She then decided to see what 150 years of technological advances might be able to reveal about Stewartia kowalewskii.

Once she had the fossil flower in hand, Sadowski polished the amber block with a damp leather cloth and toothpaste — a technique she picked up from her doctoral adviser, Alexander Schmidt, who learned some of his methods from a dentist. Under a powerful microscope, Sadowski saw perfectly preserved details of the flower’s anatomy, along with specks of pollen. She used the pollen to see if the plant had been sorted into the correct family 150 years ago.

Sadowski scraped grains from near the amber’s surface with a scalpel. “I only do that on a very quiet morning in my office, where no one disturbs me — you need steady hands, no shaking,” she said.

After isolating and imaging the grains, her co-author on the study, Christa-Charlotte Hofmann at the University of Vienna, investigated the pollen, along with microscopic features of the flower’s anatomy. That pointed to an entirely different genus group than had been assigned in 1872: Symplocos, a genus of flowering shrubs and small trees not found in Europe today but widespread in modern East Asia.

The redesignation of the giant flower helps to flesh out what scientists know about the ecological diversity of the Baltic amber forest. It also sheds light on how Earth’s climate has changed over the last 35 million-odd years: The presence of Symplocos helps to show that ancient Europe was balmier than it has been for most of human history.

“These tiny grains are natural recorders of past climates and ecosystems that can help us measure how much our planet has changed in the past due to natural (nonhuman) causes,” said Regan Dunn, a paleobotanist at La Brea Tar Pits and Museum who was not involved with the research. “This allows us to better understand just how much our species is impacting the planet.”

While “Jurassic Park” enthusiasts may be disappointed to learn that there’s no chance of getting DNA from the amber flower, George Poinar Jr., a scientist whose work inspired the series, said that there are bound to be more breakthroughs. In the nearly 50 years he’s been studying amber, advances in microscopy have made once-hidden details of ancient organisms dramatic and clear.

“I think that’s fascinating, for people to see life like that,” he said.

This article originally appeared in The New York Times.










Today's News

January 14, 2023

Why do some films get restored and others languish? A MoMA series holds clues

A violinist prepares her next star turn: Festival leader

A fossil flower trapped in Amber had a mistaken identity for 150 years

Ann Gillen: Sculpting in plain sight

Prof. Dr. Andreas Hoffmann to become new Managing Director at documenta und Museum Fridericianum gGmbH

William Forsythe donates his archive to the ZKM Center for Art and Media Karlsruhe

Lyman Allyn Art Museum acquires rare mid-19th century portrait

Denny Gallery, NY, now presenting Judy Ledgerwood's exhibition 'Sunny'

SFMOMA announces acquisition of 63 works across media by an international group of established and emerging artists

Miyako Yoshinaga opens an online-exclusive exhibition featuring landscapes by four gallery artists

Aaron Johnson's second solo exhibition with Almine Rech opens in Shanghai

'Everything Here is Volcanic' curated by Mario Ballesteros opened at Friedman Benda

Fontaine's Auction Gallery to offer fine & decorative arts on January 28th

Holabird Western Americana Collections announces highlights included in 4-day auction

Three Lions' diversity on display at Guildhall Art Gallery in 'This Is England'

Nicola Vassell Gallery opens Julia Chiang's 'Salt on Our Skin'

Fran Siegel's 'Chronicle', curated by jill moniz, to open at Wilding Cran Gallery

Australia's first Children's Art Library open for the school holidays at the Art Gallery of New South Wales

Paul Johnson, prolific historian prized by conservatives, dies at 94

5 Broadway veterans on race and representation in theater design

A showcase for up-and-comers, with some Vogueing (and shade thrown)

Shakespeare in the Park will stage 'Hamlet' this summer

Solar Power Installers Near Me: How To Choose a Solar Installer

Harnessing the Visual Impact of Art for Maximum Exposure

Binary options: what they are and how they work



How to play online slots: basic principles



How to take your responsible play to the next level



What is a Delta 8 tincture?

5 Artistic Tips for Designing Custom-Printed Business T-shirts

The Best Modern Flush Ceiling Lights You Must See

Paint by numbers: 5 reasons to start




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Holistic Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful