Exhibition Opening: "Ecce Sublimia" explores Niagara University's academic use of religious artworks and artifacts

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Exhibition Opening: "Ecce Sublimia" explores Niagara University's academic use of religious artworks and artifacts
(Left): Andy Warhol (American, 1928-1987). Ingrid Bergman (The Nun), 1983. Screen-print on Lenox Museum Board, 38 x 38 in. Collection of the Castellani Art Museum of Niagara University, Gift of the Andy Warhol Foundation, 2014. (Right): Black Madonna of Częstochowa, n.d. Oil on panel, 78-1/8 x 53-3/4 in. Collection of Niagara Heritage of Hope and Service, Inc., Home of Historic Holy Trinity, Niagara Falls, NY.



NIAGARA UNIVERSITY, N.Y..- A vibrant exhibition, illustrating works from the Castellani Art Museum (CAM) of Niagara University’s world-class collection and several Western New York worship sites, opens at the CAM on Thursday, Nov. 17. Ecce Sublimia: The Art of Christianity, which features classical and contemporary pieces, explores how art is used to teach religious studies at Niagara University. Ecce Sublimia, Latin for Behold the Sublime, explores the major concepts of Western Christianity along with Niagara University student research.

“For this exhibition, the CAM’s Tops Gallery walls are completely filled with artworks that showcase a variety of religious-themed interpretations, complemented by dimmed lights and glowing faux candles,” says the CAM Director Ellen Owens. “The overall effect is an intimate space of intrigue, curiosity, and reflection.”

From novel apparel to sculptures to stained glass to modern works on paper, the exhibition’s Co-Curator, Dr. Amelia Gallagher, a professor in the Religious Studies Department at Niagara University, says she’s excited to witness her vision come to fruition.Divided into five thematic sections, Ecce Sublima delves into depictions of sainthood: modern icons, the sacred feminine such as the Madonna and Child, religious vestments, and the immersive art environment of Niagara Falls-based artist Prophet Isaiah Robertson.




This exhibition includes artworks, artifacts, and documentation from community partners: The Buffalo Religious Arts Center; Niagara Heritage of Hope and Service, Inc., Home of Historic Holy Trinity; Sisters of St. Francis of Penance and Christian Charity, Holy Name Province; St. George’s Cathedral; and Prophet Isaiah’s Second Coming House.

“People should see how creative our local artists are and what great artwork we have in Western New York,” says Gallagher. “Art can be integrated into everything. It takes a while to learn how to interpret the Bible or the Quran, but you can learn to start interpreting art as a primary source much quicker. It’s a great way to introduce students to religion.” This exhibition will be the basis for Gallagher’s Religious Studies courses in the spring semester.

Gallagher will lead the CAM’S monthly Currents lecture series on Tuesday, Dec. 6, from 6–7:30 p.m., with a talk centered around the art and controversy involving the Black Madonna—one of the many compelling artworks featured in Ecce Sublimia. Light refreshments will be available. Participants may RSVP by visiting bit.ly/camcurrents.

The opening reception for Ecce Sublimia and Connected Isolation, a student-curated exhibition that explores the human experience during the COVID-19 pandemic, will be held on Thursday, Dec. 8, from 4–7:30 p.m. Light refreshments will be provided. Guests may RSVP by visiting bit.ly/eccesublimia. The CAM is located at 7 Varsity Drive, Niagara University, N.Y. 14109.

Castellani Art Museum of Niagara University (CAM): With learning and public access at the heart of its mission, the CAM is the major resource for the visual arts in Niagara County. The CAM's permanent collection includes over 5,000 pieces of modern and contemporary art, Niagara Falls art, and regional Folk Arts. The CAM is committed to the preservation of these artworks, along with offering exhibitions and programs that serve the campus, local communities, and tourists.










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