NEW YORK, NY.- Aint No Mo, a raucously funny and provocative new Broadway play imagining that the United States tries to end racism by offering to send Black Americans to Africa, will close Dec. 18, a little more than two weeks after opening.
The play is the third show this fall to abruptly truncate its planned run based on poor ticket sales, following the musical KPOP and Gabriel Byrnes one-man show, Walking With Ghosts.
Aint No Mo, written by and starring Jordan E. Cooper, had a well-received off-Broadway run at the Public Theater in 2019. The Broadway run opened Dec. 1 to positive reviews but sold poorly from the get-go.
Just before the show began Friday night, Cooper wrote in an Instagram post that the show is being forced to depart and urged fans to buy tickets to keep the show going. Now theyve posted an eviction notice, he wrote. But thank God Black people are immune to eviction notices.
In a speech at the curtain call, Cooper was rueful. Its a hard time for shows of color on Broadway right now, he said, adding, If we learned anything over that pandemic, its that the world has to change, whether we want it or not, and its Broadways turn to do the same.
Last week the week that ended Dec. 4 the show grossed a paltry $120,901, which is well below its weekly running costs, and had an average ticket price of $21.36, which was the lowest on Broadway. (The average ticket price for all shows that week was $128.34.)
The show, directed by Stevie Walker-Webb, was the first Broadway producing venture by Lee Daniels, a Hollywood screenwriter, director and producer, and the producing team ultimately included Black Entertainment Television, drag queen RuPaul Charles, playwright Jeremy O. Harris, actors Lena Waithe and Gabrielle Union, football player C.J. Uzomah, former basketball player Dwyane Wade and others. The show was capitalized for up to $5.5 million, according to a filing with the Securities and Exchange Commission; that money has not been recouped.
At the time of its closing it will have played 22 preview performances and 21 regular performances.
This article originally appeared in
The New York Times.