LONDON.- Jakub Hrusa, a rising Czech conductor, on Tuesday was named the music director of the Royal Opera House in London, one of the highest-profile positions in opera.

Hrusa, 41, who has been the chief conductor of the Bamberg Symphony in Germany since 2016, will take on the role in September 2025, replacing Antonio Pappano, who announced last year that he was leaving to become the chief conductor of the London Symphony Orchestra after a successful 20-year tenure at the opera house.

There has long been speculation in London’s opera world over who would replace Pappano. Neil Fisher, a critic for the Times of London, rounded up a dozen contenders last year, including Edward Gardner, a former music director at English National Opera, and Mirga Grazinyte-Tyla, who, until recently, led the City of Birmingham Symphony Orchestra. Hrusa was not on the list. But the Czech, who is also the principal guest conductor of the Orchestra dell’Accademia Nazionale di Santa Cecilia in Rome, where Pappano is the principal conductor, has long received praise.

When Hrusa made his New York Philharmonic debut, in 2017, the critic Anthony Tommasini, in The New York Times, wrote: “With his sweeping arm gestures and choreographic swiveling, Mr. Hrusa is a very animated conductor.” He added, “His approach worked, judging by the plush, enveloping sounds and impressive execution he drew from the Philharmonic players in an auspicious debut.”

In a highlight at this year’s Salzburg Festival, Hrusa led a breathless rendition of Janacek’s “Kat’a Kabanova,” directed by Barrie Kosky.

Critics have also praised Hrusa’s two performances at the Royal Opera House: a 2018 production of Bizet’s “Carmen,” also directed by Kosky, and a run of Wagner’s “Lohengrin” this spring. In The Times of London, Fisher wrote that Hrusa’s conducting of “Lohengrin” “cannily distills the eeriest sonorities of the score, highlighting its bleak beauty.”




Hrusa is not the first relatively lesser known option to become the opera house’s music director. When Pappano took the job, in 2002, he came from La Monnaie in Brussels and had little reputation in London at the time.

In a news release, Hrusa, who grew up in Brno, the Czech city where Janacek lived, said he was thrilled to accept the position. “I have always dreamt about a long-term relationship with a house where one can reach the highest standards in opera, and I realized very quickly that I adored the whole team of artists and staff at Covent Garden,” he said.

Oliver Mears, the director of the Royal Opera, said in the release that everyone at the house had “been hugely impressed by not only his superlative music and theater-making but also by the generosity and warmth of his personality.”

On Tuesday, the Royal Opera House detailed some of Hrusa’s early engagements in the new role. In the 2027-28 season, he will conduct Wagner’s four-part “Der Ring des Nibelungen,” with Kosky directing.

Pappano described the all-encompassing role of music director last year in an interview with The New York Times: “With all the competition that there is for people’s attention, for fundraising, even for survival for classical music institutions,” he said, “the job has become much more than just conducting.”

A looming challenge for the Royal Opera could be a cut in its budget. The British government is slashing the amount of funding it gives to cultural institutions in London by a total 15%, so that it can give more money to arts organization in poorer regions. Last year, the government gave the Royal Opera House 35.8 million pounds, or about $40 million, equivalent to 43% of the house’s total income, including for the Royal Ballet. An announcement on future funding is expected this month.

This article originally appeared in The New York Times.