Kalyon Kültür welcomes the new art season with the group exhibition "Touched by Humankind"
The First Art Newspaper on the Net    Established in 1996 Friday, November 15, 2024


Kalyon Kültür welcomes the new art season with the group exhibition "Touched by Humankind"
Kalyon Kültür, ‘İnsan Eli Değmiş’ - 'Touched by Humankind', Sabrina Ratte, Objets Monde, Fotoğraf - Photo by Orhan Cem Çetin, 2022.



ISTANBUL.- Kalyon Kültür’s new group exhibition “Touched by Humankind” is now open at Nişantaşı Taş Konak and will be on display until December 17, 2022. Curated by Ceren and Irmak Arkman, “Touched by Humankind” is the second in a series of exhibitions, investigating the relationship between nature and digital art. Looking from a different angle, this exhibition focuses on the human impact on the environment, drawing attention to one of the most important problems of today: the climate crisis.

“Touched by Humankind”, taking place in line with and parallel to the framework of the 17th Istanbul Biennial, introduces to its audience the works of Evan Roth, Félix Luque & Iñigo Bilbao, François Quévillon, Kevin Cooley, Persijn Broersen & Margit Lukács, Sabrina Ratté and Volkan Kızıltunç. As part of its new exhibition program, Kalyon Kültür brings together nine international artists, while at the same time supporting the exhibition with talks and workshops on nature, recycling and sustainability that will take place in parallel.

Nine international artists make the theme of nature meet technology

The exhibition spanning two floors of Nişantaşı Taş Konak, features an installation by Spanish artist Félix Luque, who, while exploring the relationship between human and technology, also touches upon current issues such as the development of artificial intelligence. In the 20-minute video installation titled JunkYard III, he shows piled up car wrecks as archaeological remains for the future. Focusing on the idea that car accidents came to exist due to the invention of the automobile, the artist makes the audience question whether the total damage done by the industry is a historical accident that affects the existence of human kind.

Canadian artist François Quévillon conveys through his works how technology changes people, culture, the environment, time, space and our relationships with each other. With his video installation Pyroclastic Trails, he draws attention to the research on the impact of mining activities which take place in the extinct volcanoes of the Sierra de Santa Catarina, located south of Mexico City.




Canadian artist Sabrina Ratté’s video collage Objets-Monde (World of Objects), which displays objects such as abandoned cars and computer screens that are disproportionately reinterpreted within remote landscapes, creates a tension between a sense of apocalypse and nostalgia, precious objects and waste, and idealized nature and the indelible presence of human traces.

Producing works somewhere between still and moving images, artist Volkan Kızıltunç’s three-screen installation titled Beyaz Kaleler (White Castles) can also be seen in the exhibition. In this installation, he uses drone footage of the marble quarries around the city of Burdur.

Artists Persijn Broersen & Margit Lukács meet with Kalyon Kültür audiences with their film After Eden, which they created by making a quick montage of scenes from Hollywood film culture, ranging from classic Western movies to today’s war films. This time, epic Hollywood invites art lovers to a pursuit of reality through the lens of a more aggressive camera that shows destructions, floods and wire fences.

In his video installation Fallen Water, artist Kevin Cooley explores local waterfalls and waterways flowing towards Lake Ontario along the geological formation known as the Niagara Escarpment, drawing attention to the worsening global freshwater crisis. The artist is known for his works that question the system of mankind’s relationship with the five classical elements being earth, air, fire, water and space.

Lined up on the wall of Kalyon Kültür, Evan Roth’s work titled Landscapes refers to infrared camera shots and infrared lights carrying data on internet cables, thus drawing attention to the existence of internet lines that pass under remote landscapes that seem untouched by human hands, while emphasizing the physicality of the digital world.

The exhibition “Touched by Humankind” can be viewed for free at Kalyon Kültür’s Taş Konak building located in Nişantaşı until December 17, 2022.










Today's News

October 10, 2022

Vallarino Fine Art introduces new 200-page catalogue: 'Catch & Release'

David Geffen Hall reopens, hoping its $550 million renovation worked

True Believers: Benny Andrews & Deborah Roberts and Margarita Cabrera: Blurring Borders at the McNay Art Museum

A Yayoi Kusama pumpkin sculpture is reinstalled in Japan

Friedman Benda presents her newest body of work at Friedman Benda Los Angeles

Exhibition at LACMA features Scandinavian design and the United States, 1890-1980

Group exhibition curated by kajetan gallery Berlin opens at valerie_traan

Miles McEnery Gallery opens an exhibition of new paintings by David Huffman

Their loved ones died. Preserved tattoos offer a way to keep them close.

"Park Dae Sung: Ink Reimagined," major exhibition of large-scale ink paintings opens at the Hood Museum of Art

Peter Liversidge's exhibition 'an echo' is an invitation to see with the brain as well as the eyes

Kalyon Kültür welcomes the new art season with the group exhibition "Touched by Humankind"

15 years of Eli Klein Gallery celebrated with group exhibition curated by Janet Fong

DESA Unicum to auction collection of Grazyna Kulczyk

Stephanie Dabney, electrifying prima ballerina, dies at 64

Second half of the Waistel Cooper retrospective on view in Edinburgh and London

Phoebe Adams debuts paintings exploring environmental impact on nature in solo exhibition

Chris Killip retrospective 'An Alternative History of Photography' at The Photographers' Gallery

Stephenson's to auction estate goods including fine art, platinum/diamond jewelry, mid-century estate furniture

Pegasus takes Flight: Rachmaninoff 5 Concerti 5 Stars presented by Susan P. and Louis K. Meisel

VisionQuesT 4rosso exhibits photographs from Francesca Galliani's archives

Grace Glueck, 96, dies; Arts writer fought for equality at The New York Times

Fondation Beyeler presents a large-scale installation Colombian artist Doris Salcedo




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Holistic Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful