NEW YORK, NY.- The founders of Second City, the storied comedy theater, took its name from essays by The New Yorker writer A.J. Liebling, who skewered Chicago as inferior to his hometown. Now, more than 60 years later, Second City has found a home in New York.

The improv stage and training center, based in Chicago since 1959, announced Thursday that it would open a location in New York City for the first time. Over the decades, Second City has opened outposts in Toronto and Hollywood, which are still in operation, as well as in Detroit and Las Vegas, which have closed.

Starting next summer, the institution that was an early home for performers such as Tina Fey, Stephen Colbert and Keegan-Michael Key will also have a physical location in the Williamsburg neighborhood of Brooklyn, the company said.

“As we came out of the pandemic and saw the resurgence of our stages and our consumer demand and the fact that we’re selling out every night, it became more immediate for us to start thinking about expansion,” said Ed Wells, Second City’s CEO, who recently joined the company from the nonprofit organization that produces “Sesame Street.”

“New York just feels obvious,” he said.

The expansion will include a main stage for performances, a stage for students, a restaurant and classrooms, the company said. It said that New York, after Chicago and Hollywood, was its third-largest market for virtual classes.

Comedy institutions have struggled during the coronavirus pandemic because of lengthy closures and the slow return of audiences. About a year into the pandemic, Second City was sold to a private equity group based in New York — the first time the company had changed ownership since the 1980s.

Upright Citizens Brigade, the storied improv and sketch comedy hub, cited “financial strain” when it closed its two Manhattan locations in 2020, leaving a segment of New York’s up-and-coming talent wanting a brick-and-mortar training center.

The last couple of years have been a period of transformation for Second City. In addition to the financial challenges of the pandemic, there were complaints in 2020 from performers of color who told stories of being marginalized and tokenized. The company’s CEO and executive producer, Andrew Alexander, resigned as a result, and the leadership pledged to “tear it all down and begin again.”

Second City’s new leadership included Parisa Jalili, the chief operating officer, and Jon Carr, an improv veteran and the company’s second Black executive producer, who has since left the company. They said last year that they were working to become a more equitable institution with more diverse performers, as well as to expand the company’s reach.

This article originally appeared in The New York Times.