NEW YORK, NY.- Peter Freeman, Inc. is presenting Fernanda Gomess (b. 1960, Rio de Janeiro, Brazil) inaugural exhibition with the gallery. This is her first solo presentation since her 2019 panoramic exhibition at the Pinacoteca de São Paulo and her first one-person show in New York since 2006.
Using a vast range of materials and procedures, she makes artworks either in a traditional artisanal way or by constructing objects from all sorts of items collected from her immediate surroundings. By choosing to repurpose what already exists, she reflects on consumerism, waste, value, and the idea of economy in a broader sense, as a principle and practice.
From her first show in 1988 to her latest presentation, Fernanda Gomes treats each exhibition as a work of art in itself, creating ensembles of autonomous pieces and responding to a diversity of contexts and situations. Her work calls into question the very nature of presence, in movement, space, and time.
This exhibition features painting and sculpture, playfully stretching its limits and possibilities. It also includes a light specific ensemblea room built to produce an even light for a group of works that exist fully in relation to the light, the space, and to each other. This is the third ensemble she has made to remain as such, each one with unique qualities. Previous iterations have been shown at the Punta della Dogana in Venice (2016), and at Galeria Luisa Strina, São Paulo (2017), recently acquired by the Museum of Modern Art, New York.
Other collections with her work include the Art Institute of Chicago; Pérez Art Museum, Miami; Vancouver Art Gallery, Canada; Centre Georges Pompidou, Paris; Museo Nacional Centro de Arte Reina Sofía, Madrid; and Tate, London. Select solo museum exhibitions include the Vienna Secession (2019); Fundación Jumex, Mexico (2018); Museu da Cidade, Lisboa, Portugal (2012); Museu de Arte Moderna do Rio de Janeiro (2011); and the Museu de Arte Contemporânea de Serralves, Porto (2006), which holds since 2009 a permanent sculpture in its park.