Court rules for Germany in Nazi-era dispute over the Guelph Treasure
The First Art Newspaper on the Net    Established in 1996 Tuesday, November 5, 2024


Court rules for Germany in Nazi-era dispute over the Guelph Treasure
A 12th-century statuette of a church, part of the Guelph Treasure, a trove of medieval religious art displayed at the Kunstgewerbemuseum in Berlin, July 8, 2020. Gordon Welters/The New York Times.



NEW YORK, NY.- A U.S. federal court has ruled against the heirs of Jewish art dealers who sought to sue Germany in the United States over a trove of valuable medieval relics that the heirs said were sold under duress and at a drastic discount in Nazi-era Frankfurt.

The ruling by the District Court for the District of Columbia dismissed a suit brought as part of an effort to recover the Guelph Treasure, a collection of medieval religious artifacts now estimated to be worth about $250 million.

A consortium of three firms owned by Jewish dealers bought the collection in the final days of the Weimar Republic in 1929. They sold about half of the collection to individual buyers and museums.

But as the Nazi government took power, the collection also drew the interest of Hermann Goering, a powerful Nazi figure and the prime minister of Prussia. According to the heirs, Goering coerced the art dealers into selling the remaining artifacts in 1935 for much less than they were worth.

The 42 pieces that were sold ended up in the Museum of Decorative Arts in Berlin.

In 2014, a German arbitration commission that specializes in Nazi-looted art ruled that the museum had acquired the collection legitimately, determining that the 1935 sale to Prussia had been voluntary, and did not need to return the artifacts.

As a result, the heirs sued in federal court in the United States. A three-judge panel of the U.S. Court of Appeals for the District of Columbia Circuit ruled against Germany, allowing the case to proceed.

Germany argued that the lawsuit was barred by the Foreign Sovereign Immunities Act, which generally forbids suits against foreign states. However, the law allows some exceptions, including one for the expropriation of property.

But last year, the Supreme Court unanimously ruled that the exception did not apply when a foreign government was accused of taking its own citizens’ property.




The Supreme Court returned the case to the lower courts to address an alternative argument put forward by the heirs that their relatives were not in fact German nationals at the time of the 1935 sale and so were free to sue because the exception to the Foreign Sovereign Immunities Act would apply.

The heirs argued that two of the dealers had fled Germany for the Netherlands and were not considered German nationals, while those who remained were subject to Nazi policies that stripped Jews of the legal and economic rights normally associated with being German citizens.

But in the ruling, Judge Colleen Kollar-Kotelly said that the heirs did not put forward enough information to support their argument that the dealers were not German nationals at the time of the sale.

The heirs’ allegations “regarding the individual art dealers and Nazi regime policies in effect during the applicable time period do not suffice to demonstrate that the Consortium members were not German nationals at the time of the sale,” she wrote.

Kollar-Kotelly also found that lawyers for the heirs, earlier in the case, had erred by failing to put forward their argument that they should be exempted because they were not considered German nationals. The heirs’ lawyers had at that time focused on the argument that they were entitled to bring their case in a U.S. court because the dealers were the victims of genocide and genocide was a violation of international law.

As a result, Kollar-Kotelly said, the case did not qualify for an exception of the Foreign Sovereign Immunities Act.

In a statement, Hermann Parzinger, president of the Prussian Cultural Heritage Foundation, or SPK, which oversees Berlin museums, said: “We are pleased with the decision of the U.S. District Court, which confirms the SPK’s long-standing view that this lawsuit for the restitution of the Guelph Treasure does not belong in an American court. The SPK is also of the opinion that the sale of the Guelph Treasure in 1935 was not a forced sale as a result of Nazi persecution and that the lawsuit for restitution is therefore also unfounded in substance.”

Nicholas M. O’Donnell, a lawyer representing the heirs, said his clients were disappointed by the ruling and were weighing an appeal.

“This recent decision ignores that two of the victims had left Germany for Amsterdam by the time of the forced sale, as well as the detailed record of Nazi policy that in the eyes of that hateful regime, no Jew could ever be considered a German,” he said in an email.

“Further,” he said, “the idea that my clients never raised the facts that their ancestors were not German nationals under international law is simply perplexing; every pleading to date has noted the Nazi government’s odious perspective on this question and the relevant departure to Holland.”

This article originally appeared in The New York Times.










Today's News

September 1, 2022

Court rules for Germany in Nazi-era dispute over the Guelph Treasure

Berggruen Gallery opens an exhibition of recent paintings by Bay Area artist

Exhibition presents a selection of paintings, sculptures, and drawings by the late Richard Artschwager

Kunstmuseum Liechtenstein presents a selection of Brian O'Doherty's early conceptual artworks

April Bey's first solo exhibition in Europe opens at Simon Lee Gallery

Linde Freya Tangelder's first exhibition with Valerie Traan Gallery opens in Antwerp

From Gloom to Night: CHOI&CHOI Gallery opens an exhibition of works by Armin Boehm

Thaddaeus Ropac premieres a new series of works by internationally renowned German artist Anselm Kiefer

Wait... is this Times Square?

Works by Harry Benson capturing major events of the 1960s on view at the Addison Gallery of American Art

CCA Wattis Institute for Contemporary Arts presents performance series to accompany Drum Listens to Heart

George Harrison's 'Ransom' 1958 Les Paul headlines Heritage Auctions' September Guitar Auction

14th century copper-glazed Chinese vessel leads Heritage's Asian Art Auction

Theaster Gates' Rebuild Foundation announces fellowship focus

Review: Finding community in 'As You Like It'

Beethoven, Chopin, Haydn among Fine Autograph and Artifacts up for auction

Jane Lombard Gallery announces formal U.S. representation of LuYang and solo booth at The Armory Show

Kansas City Museum: Next stages of renovation

Exhibition of highlights from the Rose Family Glass Collection opens at OKCMOA

An immersive exhibition and forum examines the intersection of Humanity and Technology

Galerie Miranda opens a two-person exhibition by artists Jo Ann Callis and Jan Groover

Julia Stoschek Collection presents a five-day art intervention in Dusseldorf's public space

Ayo Edibiri and her dog gromit go to the bookstore

Ross Ryan, From Crinan to Catterline opens at The Scottish Gallery

Art Enthusiasts Like Victoria Gerrard La Crosse Discuss 5 Reasons Why Visiting Museums On Vacation Is A Must

Get an attractive look with the white two-piece set

What is the Best Heatmap Tool For Real Results?

What Are Cisco CCNA, CCNP And CCIE?

Cheap RUSH Printing services online

Know what can make a Great Puzzle Work




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Holistic Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful