The First Art Newspaper on the Net    Established in 1996 Wednesday, December 7, 2022


Christine Borland's three-year, slow time exploration of linen narratives and know-how culminates with event
Christine Borland with the Foundation Cloth.



HUNTLY.- After seeing artefacts in the former Brander Museum which document Huntly's thriving 18th century linen industry, Christine Borland embarked on researching this heritage and its subsequent decline in slow time by growing, harvesting and processing the flax plant, which for centuries was widespread in the area, then spinning and weaving the linen thread. Her enquiry has been taking place alongside and in partnership with a community of interested local growers and craftspeople combined with 3D technologies to explore alternative forms of archiving.

Huntly once had a thriving linen industry and supported up to 900 local spinners. In common with the rest of the country, linen production was super-ceded by imported cotton, and the flax fields that once surrounded the town have disappeared. How can we make the process of producing linen visible to reflect the relationships between human and plant communities and reconnect participants and publics with the ecological heritage and future of growing and making practices?

Starting in April 2019 a section of a circular flax planting was seeded every week for 6 weeks in the Brander Garden, Huntly where it grew as the literal test-bed for the project. Seeds were also distributed to a new community of growers. The harvested flax was processed (broken, scutched and heckled) using equipment from the Highland Folk Museum, following which Borland learned to spin the processed flax, working with textile artists Daisy Williamson and Lynne Hocking, (the spinning being done over the winter as was traditionally the case). The resulting three and a half kilometres of thread has now been woven into a linen cloak by Lynne Hocking. This ‘Foundation Cloth’ will form the centrepiece of a programme of talks, events and a performance presented on 24 September, which has been devised in collaboration with Grace Borland Sinclair, a PhD researcher at The University of Glasgow. Their experimental presentation ‘The Distaff Dialogues’ records Borland’s experience of flax and linen practices, in dialogue with a speculative lyrical account authored by daughter Grace, suggesting a future in which intimate knowledge of cultivating plants and their fibres has been all but lost. They are accompanied by a digital avatar who embodies the movements described in their texts.

By learning a new succession of related growing and making practices, Borland has tested how we acquire and pass on knowledge as well as questioning why. Working alongside small groups of participants and demonstrating practices to larger groups, the project celebrates matrilineal, alternative forms of generating, passing on and archiving making traditions. Exploring performed, embodied knowledge (that the body ‘knows’ how to act) in combination with 3D technologies, Borland proposes these growing and making practices as intimate encounters across time and space.




Christine Borland (born 1965) was born in Darvel, Ayrshire, Scotland in 1965 and is one of Scotland’s most respected contemporary artists. For over 30 years her practice has pioneered critical, cross-disciplinary collaborations at the juncture of ecologies of practice. Her works, built on research in institutions of science and medicine, museums, collections and archives, make visible people, places and practices usually inaccessible to a general public.

Christine Borland studied Environmental Art at the Glasgow School of Art and later was awarded an MFA from the University of Ulster in 1988. She was on the committee of Transmission Gallery, Glasgow from 1989 to 1991. In 1993 she exhibited at the Venice Biennale and in 1997 she was nominated for the Turner Prize.

In 2004 Borland was one of five artists on the prestigious Glenfiddich Artist in Residence programme. Her work is permanently sited in public spaces including the University of Glasgow and Whitworth Park Manchester, is collected by national and international institutions including the Tate and is presented in 8 monographs and numerous further accounts of contemporary art.

From 2012-17 she was the inaugural BALTIC Professor of Fine Art (a collaborative venture between Northumbria University and the BALTIC Centre for Contemporary Art) She remains a Professor of Fine Art at Northumbria. In 2016 she was awarded the honorary degree of Doctor of Letters (DLitt) from the University of Glasgow and in 2020 she was a elected a Fellow of the Royal Society of Edinburgh.

Christine Borland lives and works in Kilcreggan, Argyll.










Today's News

August 23, 2022

British Art Fair announces galleries for 2022

British Museum to display newly conserved ancient glass vessels damaged in 2020 Beirut port explosion

National Gallery of Art acquires works by Chakaia Booker, Carla Accardi, and Sonia Gomes

The Phillips Collection presents 'Jacob Lawrence and The Children of Hiroshima'

'Artistic Awakening' in Benin as return of royal artifacts attracts huge crowds

Noonans to sell stunning three carat diamond ring formerly the property of Mrs. Flora Abraham Sassoon

Hungarian abstract art makes Korean debut during Frieze Seoul

Art Omi presents a new collaborative commission by Hana Kassem and Spencer Topel

Donald Jonas, retail magnate who sold art to help nurses, dies at 92

Getty exhibition reexamines the Americas

The Shin Collection's first Asian show set to open in Seoul

Museum of Decorative arts and Design exhibits the work of Nanda Vigo

Avant Arte to launch first public art programme with Tschabalala Self

OUT OF SPACE: DÜSSELDORF VARIATION: An intervention of art in public spaces

Works by renowned artist Oliver Ressler to be displayed at Tallinn Art Hall

Christine Borland's three-year, slow time exploration of linen narratives and know-how culminates with event

Nantucket Historical Association gifted Naval officers sword with island ties

A video project/game initiated by Chip Lord, Jack Massing & Sean Miller @ the Bob Rauschenberg Gallery

Sullivan+Strumpf announce Melbourne gallery

Museum makes changes in Māori Galleries

Michael in Black by Nicole Miller and forthcoming book releases

The City of Anaheim donates collection of historic signage to MONA Museum of Neon Art

The Merchant House presents an exhibition of works by Pino Pinelli

de Gerenday's fine art materials and curiosities is now open at the Lyme Academy of Fine Arts

The Benefits and Risks of Online Gambling

Easy Ways To Win Real Money in Online Betting

5 MATERIAŁÓW WYKOŃCZENIOWYCH, KTÓRE SĄ ZAWSZE MODNE

How to Buy Crypto on Stake Casino?

Gamble Safely at the Best Online Casino in Canada

How to Select the Best Wedding Planner in Miami




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

sa gaming free credit

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful