LONDON.- After 16 years of leadership, Brett Rogers, OBE, announces today she will be leaving her role as Director of The Photographers’ Gallery – the UK’s foremost centre for photography – at the end of 2022.

Following the success of The Photographers’ Gallery’s 50th anniversary programme in 2021 and the launch of Soho Photography Quarter - the Gallery’s ambitious new free, permanent outdoor exhibition space, which opened last month, Rogers’ planned departure marks the end of an extraordinary period of growth and creative evolution for the internationally acclaimed Gallery - founded in 1971 as the UK’s first public gallery dedicated to photography.

From 2006 - 2022, Rogers’ expansive vision and influential leadership at The Photographers’ Gallery has led to a range of momentous cultural presentations and institutional developments, both in London and abroad, taking place through a period of huge social, technological, and artistic transition for the photographic medium. Brett plans to maintain a connection with the photography world in a reduced capacity following her departure.

Brett Rogers’ key achievements have included, but are not limited to:

• The re-location of The Photographers’ Gallery in 2012, taking the Gallery from its first home in Great Newport Street to its current, purpose-built 5-floor space, with a dedicated floor for learning, designed by award winning Irish Architects O’Donnell + Tuomey. It is housed in a former textiles warehouse on Ramillies Street, in the heart of London’s vibrant West End.

• The launch of Soho Photography Quarter, a free and accessible public realm space in the streets surrounding the Gallery. Following 5 years of planning, the new space and bi-yearly programme of large-scale, public realm artworks and activities, including large-scale art friezes, cross-street banners and moving image projections, provides a unique opportunity for the Gallery to extend its programme outside, enabling wider audiences to experience some of the most innovative and dynamic artists working today.

• Staging critically and publicly acclaimed exhibitions such as solo presentations of Saul Leiter, Helen Levitt and Sunil Gupta, to thematic explorations including Made you Look: Dandyism and Black Masculinity, Feast for the Eyes: The Story of Food in Photography, The Feminist Avant Garde of the 1970s and Easter Rising 1916.

• Securing the Deutsche Börse Photography Foundation Prize as one of the most prestigious and long-standing prizes in the world of photography. Each year it highlights significant trends within contemporary photography and showcases the works of artists shaping today's international photography scene, having first launched in 1996. Recent winners include Deana Lawson (2022), Cao Fei (2021), Mohamed Bourouissa (2020), Susan Meiselas (2019) and Luke Willis Thompson (2018).

• Championing female photographers like Sally Mann, Taryn Simon, Noemi Goudal, Shirley Baker, Helen Levitt, Alex Prager, Helen Cammock, Rinko Kawauchi, Katy Grannan and Zineb Sedira, in a well-documented role supporting women and families in the photography industry, both through the women featured in TPG’s acclaimed exhibitions programme and as evidenced through her nurturing and supportive organisational environment.

• Appointing the Gallery’s first digital curator, to explore the effects of the digital realm on photography and visual culture, within the context of technological developments. Most recently, the current three-floor exhibition, How to Win at Photography, examines the relationship between photography and gaming culture.

• Establishing a dynamic, multi-form artistic programme, which has harnessed the different Gallery spaces to present diverse viewpoints, approaches and chronologies. Supporting both established and emergent talent - from Edward Burtynsky, Wim Wenders and Evgenia Arbugaeva, to Gregory Crewdson, Vivianne Sassen and Lorenzo Vitturi - Rogers' programme has given a platform to everything from vernacular photography to large scale studio production.




• Examining the local and global nature of photography and its presentation, bringing exhibitions as various as The World in London, a major public art project initiated by Rogers to coincide with the London 2012 Olympic and Paralympic Games; to curating a major British survey exhibition of work by 37 photographers - Work Rest and Play: British Photography Since the 1960s - to four Chinese cities in 2015-6; to focussing on the unique communities of the Gallery’s home in Soho, including 2020’s Shot in Soho featuring William Klein, Anders Petersen and Corinne Day.

• Placing education at the heart of the organisation, with a dedicated learning and events space and ensuring platforms and support for young people’s ideas and talent, including the free and low-cost Develop creative careers programme, public tours led by 14-19 year olds (Teen Tours), a new Extended Project Qualification in Photography for A-Level pupils and appointing the Gallery’s first under-25 Trustee in 2018; championing visual literacy through photography, including the ten-year Touchstone single photo display, ‘slow looking’ events and dedicated programmes related to visual literacy; and encouraging discussion and debate on photography’s role in society, through the Gallery’s programme of hundreds of talks, workshops and courses during her tenure.

• Setting up initiatives to identify, support and champion new photography talent, including Fresh Faced & Wild Eyed and more recently, the annual TPG New Talent award, exhibition, and mentoring programme, as well as supporting emerging photographers with first publications, ongoing, free networking events and portfolio review sessions.

• Foregrounding TPG's Print Sales Gallery - a dedicated ‘discovery’ space and the Gallery’s commercial representation arm, which with its own exhibitions, is a leading international barometer for the buying and collecting of photography, the proceeds for which are reinvested into the Gallery’s public programme.

A specially formed committee of trustees, led by TPG Chair of Trustees Matthew Stephenson and senior staff, has begun the considered process of looking for and appointing a new Director, with the aim of having Rogers’ successor in place by December 2022. With a particular responsibility to Equality, Diversity and Inclusion, The Photographers’ Gallery has appointed global executive and board recruitment company, Saxton Bampfylde - experts in finding exceptional, diverse leaders for major organisations - to support the recruitment process, which will officially commence on 18 July.

Statement from Brett Rogers, OBE:

"Following 16 happy years as Director of The Photographers’ Gallery, I have decided to step down this December. This has not been an easy decision for me, as the Gallery has been an essential part of my cultural life since I arrived in London as a post-graduate student in 1980. Over the past two decades, I have had the privilege of collaborating with a wide range of talented artists, photographers and curators, worked with inspiring colleagues both internally and externally and taken great pleasure in extending the impact of the Gallery’s world-renowned programmes through developing new partnerships.

Why now? 2022 coincides with the tenth anniversary of our new gallery building and the completion of an ambitious new public realm project, Soho Photography Quarter. Both projects were integral to the original vision proposed when I joined in 2006 and have proved to be significant in moving the Gallery forward – delivering an ambitious and accessible programme which appeals to the widest possible audience and also expanding its profile nationally and internationally.

Over the past 3 decades the position of photography has evolved from the margins of institutional recognition to becoming one of the most ubiquitous and significant art forms. The Gallery has without doubt played a significant role in this transformation, and in galvanising attention to the pivotal role technology plays within our wider, image-laden culture. Critical to articulating our leading contribution to the debate around the future of photography was the appointment in 2011 of the first Curator of Digital & Networked Image within a UK photography institution.

I am extremely proud of the way that I have been able to build upon the rich legacy established by TPG’s founding Director Sue Davies (Director from 1971 - 1991) in offering a diverse and dynamic education and exhibition programme which reflects the issues and interests of 21st century audiences, artists and photographers. Proud of every exhibition we have programmed over the past 16 years, I am especially pleased to have increased the inclusion of women photographers and seen the presence of women within the shortlist of the Deutsche Börse Photography Foundation Prize grow year on year – with three out of the four nominees being women in 2022.

Our thematic shows (many presented in partnership with London and international galleries) have enabled us to address less visible themes within the history of the medium, from Under Cover: A Secret History of Cross-Dressers, to Home Truths: Photography and Motherhood, The Chinese Photobook, Double Take: Photography & Drawing and Blow Up; Fashion in the Mirror and Four Saints in Three Acts. Uniquely amongst public galleries and since its inception, our Print Sales Gallery has also been an essential element of our offer – and key to supporting the careers of many important artists during my tenure.

Fundamental to the success of engaging audiences more deeply is our education programme - established in the late 1980s and now expanded from its original talks remit to embrace a vast roster of youth programmes, free portfolio reviews, tours and courses. In ensuring the Gallery remained as Sue Davies had always conceived it to be - welcoming, accessible and inclusive - I have relied not only on a very talented pool of artists and guest curators, but a highly experienced and committed team of staff, who demonstrate every day their unflagging enthusiasm and commitment to ensuring the Gallery fulfils its mission to champion photography for all.”