Theft of a church's tabernacle leaves more than a physical gap
The First Art Newspaper on the Net    Established in 1996 Monday, December 23, 2024


Theft of a church's tabernacle leaves more than a physical gap
Debris left behind by a brazen theft at St. Augustine Roman Catholic Church in Brooklyn, on May 31, 2022. St. Augustine’s tabernacle, a $2 million gold treasure, was separated from its 19th-century foundation last week with a power saw before presumably vanishing into the murky underground of stolen artifacts. Dave Sanders/The New York Times

by Ali Watkins and Sean Piccoli



NEW YORK, NY.- Deflated, Father Frank Tumino stepped into the pulpit at St. Francis Xavier Church in Brooklyn on Tuesday morning. Six blocks away, St. Augustine’s, the other church where he serves as pastor, was closed and cordoned off with police tape. At its center was a literal and figurative hole.

“This is just one more blow,” Tumino said after presiding over Mass. He was referring to the theft of St. Augustine’s tabernacle, a $2 million gold treasure that was separated from its 19th-century foundation last week with a power saw before presumably vanishing into the murky underground of stolen artifacts.

The ornate tabernacle box that held the eucharist — the wine and consecrated wafers that the faithful believe embody Jesus Christ — disappeared from the Park Slope church’s sanctuary sometime between last Thursday evening and Saturday afternoon, the police said.

The sanctuary, which was under construction at the time, had security cameras, but they were not working, the police said. Regardless, Tumino said, whoever stole the tabernacle thought to grab the digital recorder on which the videos would have been stored.

For the Brooklyn diocese, the burglary was just the latest piece of bad news, Tumino said. Congregations that were sparse before the pandemic have gotten even thinner since it started. Tight budgets continue to shrink, priests are tending to multiple congregations and sanctuaries with million-dollar artifacts have gone unchecked for days.

“Understand: These parishes have been decimated,” Tumino said.

“These parishes need between $10 million and $15 million worth of work,” he added. “I’ve been entrusted with doing that, and there is not that money available, so you have to choose what you can pick and do now.”

Tumino discovered that the tabernacle was missing when he arrived at the church Saturday, the Brooklyn diocese said in a statement. Regardless of how devastating such a central relic’s loss was, he said Tuesday, he was glad the theft happened when the church was empty.

“I’m grateful that no one, that the cleaning company, the people who normally are giving out food on Saturday mornings — that no one stumbled across this,” he said. “The kind of violence used to take it really would have meant someone’s life.”

The police said the tabernacle was pure gold, but a church program from 2013 said it was sterling silver and plated in 18-karat gold. Both placed the tabernacle’s value into seven figures; the police estimated it around $2 million.

The piece was insured, a diocese spokesperson said, although it was unclear by whom and for how much.

The significance of the tabernacle goes beyond monetary value or even Catholic faith — the vessel is a Brooklyn relic in its own right, a bejeweled ghost of an era when Park Slope was populated by German and Irish immigrants, many of them Catholics.

The item was designed by Alfred Parfitt, a prolific Brooklyn architect who along with his brothers, Walter and Henry, chiseled some of the borough’s notable brownstones in the early 20th century. The materials used to make the tabernacle — gold, diamonds and other precious stones and metals — were donated by the church’s parishioners in 1888.

“The pastor asked to bring jewelry,” Father Robert Whelan, a former pastor of the church, said in speaking about the building and its tabernacle in the 2013 program. Parishioners, he said, brought wedding bands, engagement diamonds and other jewels that were used to adorn the piece.




“It’s probably the most elaborate tabernacle in the country,” Whelan said in the program. Contacted Tuesday, he declined to comment.

Selling such an item to a legitimate buyer could be difficult. Whenever dealers in New York buy gold or other valuable items, they are supposed to upload the identity of the seller and the item to an online database, said Uness Ahmed, the owner of J & M We Buy Gold Buyers in the Coney Island section of Brooklyn. Law enforcement authorities, he said, have access to the database.

“If anything is reported stolen, police get the opportunity to match purchases with reports,” Ahmed said.

Thefts of such valuable artifacts are rare, said Joseph Zwilling, a spokesperson for the Archdiocese of New York, which does not include Brooklyn’s churches. But vandalism and burglaries happen occasionally, he said, noting that two statues were damaged at a Manhattan parish earlier in May.

The Archdiocese of New York does not have an estimate of how many of its possessions might be worth more than $1 million, Zwilling said. There are certainly items of great value — historically, monetarily or spiritually — that belong to the archdiocese’s parishes, he added.

“Our office of risk management, along with our insurance carriers, would work with any parish that might have such an item to make certain that proper security measures are in place,” Zwilling said.

Church treasures have long been attractive to high-stakes burglars, propelling a centuries-old trade. Panels of Belgium’s Ghent Altarpiece by Jan and Hubert Van Eyck have repeatedly been taken over the centuries, including by the Nazis. Just days before the Brooklyn tabernacle was stolen, a collection of priceless relics disappeared from a church in Florida.

Whoever took the St. Augustine’s tabernacle also tossed the eucharist across the altar, and decapitated a statue of an angel, the diocese said. For those who adhere to the Catholic faith, the strewing about of the eucharist was nearly as sacrilegious as the burglary of its receptacle, a diocese spokesperson said.

Maryann Taranto, a Brooklynite who attended Tumino’s Tuesday morning service, said afterward that St. Augustine had been her main parish for 35 years.

“For somebody to come in and desecrate our church is a horror,” Taranto, 69, said, adding that she would be praying for the tabernacle’s return.

“I don’t know any more,” she said. “Today, little kids are getting killed all over this country. So there’s no respect for life, there’s no respect for property, there’s no respect for anything.”

The tabernacle, which measured around 2 feet tall, was likely weighted — a tradition to keep it from being carried off. In the 2013 church program, Whelan said that it would cost at least $500,000 to replace such a sacred item.

“And, that’s obviously very heavy, too,” the program’s host joked, nodding toward the relic.

“Yes,” Whelan responded, the two men chuckling. “Yes.”

This article originally appeared in The New York Times.










Today's News

June 4, 2022

Ready when you are, Delta is now an art destination

Exhibition of new paintings by Tal R opens at Victoria Miro

Man breaks into Dallas museum and damages ancient greek artifacts

Theft of a church's tabernacle leaves more than a physical gap

Christie's to offer one of the most important groups of Italian Renaissance works still in private hands

Giraffes may be long-necked for fights, not just food

Toronto Biennial of Art presents Judy Chicago Smoke Sculpture on June 4

Boba Fett rocket-firing prototype sells for world-record $236,000 at Hake's June 2 Star Wars specialty auction

For 2 graffiti artists, New York's subway was irresistible and deadly

Miller & Miller announces Petroliana, Railroadiana & Advertising auction

National Museum of Norway unveils new museum building

Reyes │ Finn presents Nick Doyle: Farmers and Reapers

Illustration art at Swann June 9

Heritage Auctions to sell 2021 Nobel Peace Prize medal awarded to Russian journalist Dmitry Muratov

Two centuries of Japanese design on view in Japanese Design: Rinpa at the Honolulu Museum of Art

Detroit Institute of Arts acquires four significant works by Surrealist artists

Nicholas Kontaxis opens an exhibition at UTA Artist Space

Lyme Academy of Fine Arts receives $1 million gift to endow new sculpture chair

Trying to contain William Klein in one show isn't easy

Exhibition shares love without reason

Exhibition at Frankfurter Kunstverein presents new investigations and findings on the racially motivated attack in Hanau

Jack Shainman Gallery opens Plus, a solo exhibition of new works by Geoffrey Chadsey

Exhibition at the Cleve Carney Museum of Art features classic & contemporary art works

Masculine Jewelry Pieces to Wear More Often

Learning from the past: 6 reasons to teach your kids history

Pepperstone Broker: How Much Can You Withdraw from Pepperstone?




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
(52 8110667640)

Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Houston Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง
Motorcycle Accident Lawyer

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful