The First Art Newspaper on the Net    Established in 1996 Monday, July 4, 2022


Ellen de Bruijne Projects opens exhibitions by Linus Bill + Adrien Horni and Klaas Kloosterboer
Installation view.



AMSTERDAM.- Ellen de Bruijne Projects announced the double opening of Midlife Painting | Linus Bill + Adrien Horni and Found Compositions in the Studio | Klaas Kloosterboer.

There is always more than meets the eye in the work of the artist duo Linus Bill + Adrien Horni (both b. 1982, CH). What is seemingly a conventionally looking abstract painting bears extensive processes of transformation, revaluation, and experimentation that subvert painting itself. Despite their appearance, it could be argued that their works resemble paintings, yet they are not. Rather, they are images in perpetual modification which, among different processes, have been painted on. As a matter of fact, Linus Bill + Adrien Horni do not consider themselves painters: Bill studied photography, while Horni is trained a graphic designer. In their continuous quest to repurpose and expand their work, Midlife Painting is the result of an intuitive revaluation of existing images in which the circumstance of failure leads to success.

For their solo presentation at the gallery, the artists are presenting a series of “paintings” that were put aside in their studio throughout the years for not being convincing enough but nevertheless having material value. Recently, the artists turned back to those works with a desire to revise them in order to achieve better versions. Not working for an actual exhibition gave them the freedom of not needing a result. No need to succeed was very liberating: they would work outside, in front of the studio, on the floor, putting them aside to dry and look at them another day and decide whether or not to keep working on them. By interfering in try-outs and rejected works digitally and materially, their artistic practice is in constant motion and revision. To repeat, to alter, to modify, to layer, to transfer: a shifting interaction that destabilises romantic notions of painting and responds to a society where reality is pictorially altered at all times.

Linus Bill + Adrien Horni’s practice is liberated from technical burdens and schematic behaviours. They work in a rather visceral way, without a clear result in mind. Laying on their studio floor, the works present themselves as canvases ready to be altered throughout an indefinite stretch of time. There is no rush, precision and satisfaction do not come hastened, just like an artistic practice as a duo requires a suiting pace for conversation, (dis)agreement, and cross-pollination. That is not to say their practice is left to randomness. In reality, the presence of chance in their work is the result of a conscientious approach to replicate how in the digital world images are replicated, appropriated, deformed, and repurposed.

Interested in stripping bare the artistic and its traditional notions of originality, genius, and uniqueness, they create by multiplying images, in a most digitally common action of copy/paste, to afterwards merge them layer upon layer. Avoiding the art world’s diligent formula for creation - documentation - distribution, the artists approach their own process as their commissions to efficiently reproduce their own piece. The process of choosing and (re)making a painting requires a formula of action and reaction, of tossing the digital image to one another, of swapping works which to work on, to ultimately amalgamate all the interventions into a final result. Yet the work keeps on living, ready to be given another look, to be transformed yet again.

Both born in 1982, one in Geneva (CH) and the other in Jegenstorf (CH), Adrien Horni and Linus Bill live and work in Biel, Switzerland. Linus Bill + Adrien Horni were the winners of the Swiss Art Award in 2013. Recent presentations of their work include La fine ligne. Kunsthalle Saint Gallen, Saint Gallen, CH (2020), Un été indien. FRAC Normandie-Caen, Caen, FR (2020), Cantonale Berne Jura. La Nef, Le Noirmont, CH (2019), Linus Bill + Adrien Horni. La Salle de Bains, Lyon, FR (2018), Das Glied. ACRUSH, Zurich, CH (2018).

Parallelly, Klaas Kloosterboer presents a series of found compositions. The works depict a free flow of forms, with smears and specks splashed on wood, resembling mixing palettes. Chance lies at the core of their origin. Nonetheless, to create the possibility of chance one has to begin with a set of rules. These works possess a feeling of improvisation or experimentation, yet they have come about from a deliberate outset: to produce autonomous artworks, to allow painting to create new beginnings.










Today's News

May 16, 2022

Fighting forgetting, with a Venice Biennale win

Claude Monet's masterpiece 'Saule Pleureur' to make Asian auction debut at Christie's Hong Kong Evening Sale

Annely Juda Fine Art opens an exhibition of drawings by Kasimir Malevich and tea bowls by Raku Jikinyū

The Bilbao Fine Arts Museum presents Sergio Prego's installation 'Thirteen to Centaurus'

Adrian Ghenie's masterpiece 'Pie Fight Interior 12' poised to break artist's world auction record

"Vivre notre temps!" Bonnard, Vallotton and the Nabis on view at Kunstmuseum Bern

20/21 London to Paris Sale Series includes Marc Chagall, Colour of Life: Works Formerly From the Artist's Estate

Nancy Hoffman Gallery opens an exhibition of paintings by Frank Owen

Lynda Benglis's second solo exhibition with Blum & Poe opens in Los Angeles

Casey Kaplan opens its second solo exhibition with Judith Eisler

Robbie Williams & Ed Godrich's debut exhibition opens at Sotheby's

Yurim Gough 'VainEgo': A solo exhibition curated by Lee Sharrock opens at APT Gallery

Everyday Heroes: Solo exhibition by Irfan Önürmen opens at C24 Gallery

Bertoia's to host May 19-20 Annual Spring Auction featuring a variety of toys and Coca-Cola advertising

Praz-Delavallade inaugurates new Project Space in Los Angeles with exhibition of works by Hely Omar Gonzalez

Ukraine wins the Eurovision Song Contest

L.A. Louver opens a survey exhibition of Frederick Hammersley's work from 1945 through the mid1980s

Abell Auction Co. hosts important Fine Art, Jewelry and Antiques Quarterly Sale on May 22

Memory Master Tree Installation by Jacquie Maria Wessels at CODA Museum

Christie's Hong Kong Chinese Paintings Department presents rare and exquisite paintings

Ebony G. Patterson's second solo show with Hales opens in New York

Ellen de Bruijne Projects opens exhibitions by Linus Bill + Adrien Horni and Klaas Kloosterboer

Designers transform broken design objects from celebrated creatives and climate change activists into future heirlooms

James Fuentes presents Izzy Barber's Crude Futures

A Guide To Learn About The Pros And Cons Of Twin And Full Mattresses




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

sa gaming free credit

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful