An elegant return to form at Independent Art Fair
The First Art Newspaper on the Net    Established in 1996 Tuesday, November 5, 2024


An elegant return to form at Independent Art Fair
Joseph Tisiga, The contents of which are unknowable to the human mind, (detail) 2022 Watercolour on paper, 70 x 70 cm (27½ x 27½'').

by Will Heinrich



NEW YORK, NY.- Independent Art Fair is back and in fine form. Returning to Tribeca’s stylish Spring Studios after a brief dalliance farther downtown, this year’s edition of the modestly scaled but elegantly curated art fair features 17 new exhibitors, out of 67 in total, spread over four floors. Though its overall vibe is still more reassuring than revolutionary, an exciting, unsettled energy runs through its exhibits, and I found it more difficult than usual to make this standout list of only 10 picks.

First Floor

Chris Sharp


It’s a cliche to call small paintings “jewel-like,” but it’s hard to resist with four little delights created by painter Altoon Sultan, who debuted at Marlborough Gallery in the 1970s and now lives in Groton, Vermont. Painted with egg tempera on calfskin parchment, they show close-ups of agricultural machinery in near primary colors. Precise but not fussy, geometric but anchored in figuration, they appear drenched with sunlight even with no sightline to a window.

Helena Anrather

It’s hard to make out the tone of the photographs in an incisive two-artist presentation from this gallery on Bowery. Done by Olivia Reavey in gauzy, appealing black and white, they feature unusually frank depictions of male nudity. Three bright green bronzes by Oren Pinhassi, which look something like ironing boards with birds’ legs and include a few plastic shower curtain rings and two panes of glass, are similarly disconcerting.

Nina Johnson

Former dancer Martine Barrat has an eye for detail. Each of her captivating, 1980s-era photographs of Harlem and the South Bronx is tied together by one discreet but well-observed moment. For one small boy extending his arms in a sudden rainstorm, it’s the sharp white of a lollipop poking out of his mouth like a cowboy’s cigarette; for a tired drummer with his eyes shut, it’s the fingers that gently pinch the bridge of his nose.

Fifth Floor

Off Paradise


This Tribeca gallery’s graceful presentation, in a curious corner booth with a partially curved floor, pairs what appear to be two dark blue monochrome paintings by Maximilian Schubert with large narrative canvases by Peter Nadin. Though Nadin’s pieces are rendered with much brio, it’s Schubert’s pieces that hold the real surprise: They’re cast urethane resin — the only paint is on their trompe l’oeil canvas sides.

Sixth Floor

Kasmin


The Pittsburgh-based assemblage artist Vanessa German combines sculpted plaster heads, miscellaneous found objects and Caucasian doll hands painted black to make exceptionally striking tabletop figures, evocative of Betye Saar though a little more commercial, that will likely be the hit of the fair. One blue and white duo, covered in beads, cowrie shells and little bottles, splits the difference between Nick Cave and central African power figures. A limited series of works by German also appears with Wave Pool, a Cincinnati-based nonprofit art center.




Nicola Vassell Gallery

There’s so much going on in three large canvases by the Somalian-born artist Uman — multicolored sunspots, eye-blistering yellows, a low tree listing under an enormous white boulder, a tall, many-armed figure growing out of a giant eyeball lettered MH (for Matthew Higgs, who gave her her first show at White Columns) — that you might need to schedule a few extra hours just to take it all in. Four handsome abstract canvases by Pam Evelyn, presented by the nearby booth The Approach, make a wonderful complement.

Ricco/Maresca Gallery

According to gallerist Frank Maresca, the Indigenous Australian painter Paddy Bedford, who died in 2007, is the only outsider artist in the world to have a catalogue raisonné. But a group of gouaches, in which bulging, spiderlike or riverine forms of brilliant yellow, turquoise and ocher are idiosyncratically balanced against plenty of white space, is his first work ever to show in New York.

Matthew Brown

It takes time to appreciate the strangeness and wonder of these carefully rendered paintings by Kent O’Connor, a Los Angeles artist. Still lifes, landscapes and portraits mounted in chunky wooden boxes, they might strike you at first as earnest or demure. But notice the weird perspective of the table in one still life; consider the miniature size of a bunch of green grapes in the portrait; and wonder about that excessively wrinkled paper bag.

Mrs.

Meghan Brady produces exuberant, partially collaged abstractions that she calls “paper paintings” in a former schoolhouse in Maine — one which, when still in service, was attended by Louise Nevelson. The pieces shown by this Maspeth, New York, gallery, though done with oil and acrylic, expand on Brady’s vocabulary of simple, not-quite-figurative shapes in beguiling, seaside purples and pinks.

Seventh Floor

Maxwell Graham / Essex Street


This Lower East Side gallery’s presentation of work by three artists’ artists includes John Miller’s aggressively banal graytone renditions of ordinary pedestrians, some surprisingly emotional constructions of winsome detritus by Sarah Rapson, and SoiL Thornton’s found piece of cardboard studded with found photographs of mirrors.

______

Event Information:

Independent Art Fair

Friday-Sunday, Spring Studios, 50 Varick St., Manhattan, independenthq.com.

This article originally appeared in The New York Times.










Today's News

May 7, 2022

The Chrysler Museum of Art presents the work of M.C. Escher in spring exhibition

At the Tefaf Fair, modern masters and the self-taught variety

Statue of star Native American ballerina is stolen and sold for scrap

She put the Met on the map for contemporary art. Now she's moving on.

In Senegal's former capital, a colonial statue in hiding is no longer welcome

Cate Blanchett and Cindy Sherman: Secrets of the camera chameleons

In Lviv, a hidden work by a master is discovered

At NADA, a glorious collision of paintings and ceramics

An elegant return to form at Independent Art Fair

In a nod to changing norms, Smithsonian adopts policy on ethical returns

Galerie Miranda opens an exhibition of works by Ellen Carey

Marcus Leatherdale, portraitist of downtown Manhattan, dies at 69

Solo exhibition of new painting, prints and works on paper by Susie Hamilton opens at Paul Stolper

Three Burchfield paintings combine for more than $1 million at Shannon's

How the king of rock 'n' roll still makes Australia sing

Neal Adams, who gave Batman a darker look, dies at 80

Gagosian announces global representation of Anna Weyant

Lehmann Maupin now representing Tammy Nguyen

Judy Henske, a distinctive voice on the folk scene, dies at 85

'How do you do?' On being a gentleman in 21st-century ballet

In New York, every borough is a comic book destination

After the Met Gala, the beauty world has its own celebration

Americana at Freeman's led by $1.9M John Hancock letter and $163,800 Chippendale table

Modern and Contemporary art at Freeman's opens season with impressive works

The Best Five Manga Stories you'll Ever Read

Do you love the dark and macabre?

8 Reasons Why Delta-8 Flower is Right for You

How To Conduct Online Research With Web Scraping?

Why buying photographic art on plexiglass is the new standard

The Frame of Mind Associated with a Gambler's Habit of Lying




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Holistic Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful