How is an 18th-century town restored? New exhibition reveals its process in Colonial Williamsburg

The First Art Newspaper on the Net    Established in 1996 Thursday, June 13, 2024

How is an 18th-century town restored? New exhibition reveals its process in Colonial Williamsburg
Belle Farm Board, Gloucester County, VA. Ca. 1775-1780 AF-VA22560.1.1. Image courtesy of The Colonial Williamsburg Foundation.

WILLIAMSBURG, VA.- Decades ago a simple wooden board in use as a shelf was discovered in Belle Farm, an 18th-century house in Gloucester County, Virginia. It turned out to be much more than an untrained eye would notice at first glance: etched into the surface was the original design for two arches that are still to be seen in the house today. This extraordinary artifact provided Colonial Williamsburg’s architectural historians with valuable information on design development and layout in the last half of the 1700s. The design was later used as the model for the arches in the southwest dining room of the reconstructed King’s Arms Tavern on Colonial Williamsburg’s Duke of Gloucester Street. This etched board is one of approximately 80 objects that are on view in Restoring Williamsburg, a new exhibition in the James Boswell and Christopher Caracci Gallery at the DeWitt Wallace Decorative Arts Museum, one of the recently expanded Art Museums of Colonial Williamsburg. The exhibition reveals how architectural historians and preservationists know what they know and do what they do. Through extremely rare objects and artifacts from the Colonial Williamsburg architectural collection, visitors will gain insights into the restoration and preservation work undertaken since the 1920s at the largest living history museum in the world and offer valuable clues to enhance their exploration of the Historic Area. Restoring Williamsburg will remain on view through December 2024.

“The art and science of accurately restoring original 18th-century buildings and meticulously recreating lost structures had their geneses at Colonial Williamsburg in the 1920s,” said Ronald L. Hurst, the Foundation’s vice president for museums, preservation, and historic resources. “As we enter the institutions 96th year, this is an exciting opportunity to reflect on the astonishing accomplishments of generations of Foundation scholars and tradespeople.”

Among the earliest and rarest surviving architectural elements from Williamsburg to be seen in Restoring Williamsburg is a ca.1695 scuttle door from the Nelson-Galt House on Francis Street, which served as an access hatch for the attic space. Its detailing includes foliated hinges and molded battens, typical of Williamsburg-area buildings in the 17th and early 18th centuries. Another extremely rare object appearing in the exhibition is a well-preserved 17th-century leaded casement window from Massachusetts. Such early windows were still to be found in Williamsburg as late as the 1760s. Archaeological excavations are the source of most information about the use of casement windows in Williamsburg. For example, the turned leads excavated at the site of Charlton’s Coffeehouse were used to guide the design of the casement windows now seen in the building’s cellar. The discovery of an iron staple in the foundations proved the location of what was by then a very old-fashioned window form.

“The architectural elements in the exhibition offer a snapshot of our collection, which forms the basis for the restoration and preservation work undertaken here at Colonial Williamsburg. They not only provide us actual 18th-century profiles, colors, and materials, but help further our understanding of Williamsburg’s 18th-century built environment,” said Dani Jaworski, Colonial Williamsburg’s manager of architectural collections.

Colonial Williamsburg’s ongoing restoration process frequently causes the architectural preservation team to reevaluate their understanding of individual buildings. One of the best examples of this process is illustrated by an overmantel painting of a landscape scene, originally installed in the 18th-century George Reid House. In order to try to date the painting, the team decided to restudy the building itself. Surprisingly, they discovered that the earliest section likely dates to the 1710s, making it the oldest surviving domestic structure on Duke of Gloucester Street. The new exhibition will show not only a rare paint-decorated panel, but explain how paint analysis, conservation, documentary research and architectural investigation combined to update both the historical record and the physical appearance of an original Historic Area building.

Today's News

April 30, 2022

Art that finds clarity in South Africa's fraught terrain

Barbara Kruger's first institutional solo exhibition in Berlin in over 10 years opens at The Neue Nationalgalerie

Pace and Grimm open concurrent exhibitions of work by William Monk

Christie's presents the Raptor: The Most Complete Skeleton of Jurassic Park's "Velociraptor"

Alexander Gray Associates opens 'Lorraine O'Grady: Body Is the Ground of My Experience'

Skinner's European Décor & Design and The Bostonians auctions exceed $1.1 million in sales

Now open: Andreas Gursky at White Cube Bermondsey

Saudi Arabian Pavilion at the Venice Biennale presents Muhannad Shono: The Teaching Tree

Nari Ward unveils new works in New York City

Leopold Museum opens large-scale exhibition dedicated to Alfred Kubin

How is an 18th-century town restored? New exhibition reveals its process in Colonial Williamsburg

Heritage Auctions gathers important works by Marina Abramovic, Wayne Thiebaud, Robert Motherwell and more

Christie's announces London Now a festival of art and literature

MFA Boston appoints Dr. Mariel Novas as Chief of Learning and Community Engagement

Militaria, fine art, decorative accessories and more will come up for bid at EstateOfMind

Major exhibition of leading artists working at the cutting-edge of audio-visual technology opens in London

Marcus Cope's first institutional solo show opens at PEER

Stephen Friedman Gallery opens its first solo exhibition with Caroline Walker

José Luis Cortés, trailblazing Cuban bandleader, dies at 70

Dropping Anna Netrebko, the Met turns to a Ukrainian diva

Smith College Museum of Art appoints Tiffany Bradley as Associate Director of Communications

Thomas Adès charts a journey through hell and heaven

The Arkansas Museum of Fine Arts announces two new Curators

Galley proofs for JK Rowling's Harry Potter & The Philosopher's Stone sold for £37,500

How to Find out Who Live at This Address?

6 Easy tips to maximise compressed air efficiency

Real Leather Jackets For Women

Is Webflow better than WordPress?


Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .


Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Truck Accident Attorneys
Accident Attorneys

Royalville Communications, Inc
Founder's Site. Hommage
to a Mexican poet.

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful