Dreaming of learning how to draw but thinking an adult can't learn drawing techniques from scratch? Want to know how to learn how to draw on your phone? Read this article, and we'll tell you how to learn to draw from scratch and enjoy the process.
Many people want to learn how to draw but are afraid to start. How do you approach paints? What brush and paper to choose? Where do you start? Today we'll find answers to all these questions. Here are the basics on how to get started in painting. Thanks to these tips, you will soon be able to play
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Find an inspiring subject to paint with
Sometimes you've got everything ready but can't find anything that will inspire you. It is something you should take care of beforehand. There's bound to be something interesting lying around in drawers and closets. Look out for objects at sales, thrift stores, and grocery stores. Explore paintings by your favorite artists.
The selection should include pleasant objects to look at: this is important in creating a successful piece. Your interest in color and form will motivate you as you work on a painting. There is a connection between feeling for an object and being able to discover your abilities. You will be able to do more than you think you can.
Get to know brushes and paints
Hold a soft round brush and a bristle brush and compare the bristles. Next, squeeze some acrylic paint from a tube onto the palette. Try applying undiluted paint with different brushes on canvas or watercolor paper. The strokes should be bright and bold. Feel the differences in the strokes of the other meetings. Add a little water and apply the strokes again. Medium consistency paint has the same color intensity as undiluted, but its texture is smoother. And do this exercise again with a weak paint solution. Notice how quickly the paint dries the first, second, and third time.
Try applying paint with different brushes- soft oval brush, thin synthetic brush, bristle flat brush. Try each meeting until you're sure you know which brush to use to realize your design.
Useful palette techniques
The colors in the paintings we see are usually obtained by blending: pure color from a tube is generally too intense. These techniques will make it easier for you to get the color you want.
● Squeeze the paint from the tube onto the palette's edge, leaving space between the colors. Use the center of the palette for mixing. Make blends away from each other to prevent unwanted mixing.
● Draw the pure color on the brush from the palette's edge, not from the top of the middle of the squeezed "sausage."
● Intense dark colors like black (even though it is not considered a color scientifically), add caution: even a tiny amount of it can significantly change the mixed color.
● Mix the colors until the mixture is entirely homogeneous.
● Do not be stingy with the paint. Squeeze out as much as you need, usually in a circle the size of a ruble coin (the size of a five-rouble coin for whitewashing). Consumption is an essential part of the painting process. If you are saving too much, you will never learn how to use it.
Learn how to get neutral colors
In any painting, there are neutral colors, "visual greys." Because of their low intensity, they are unnoticeable at first glance, but they are the most helpful tool for creating a harmonious color composition. Let's see how to achieve this.
Mix blue and orange in any proportion. Now let's try to change the color temperature by proportioning the warm and cool colors in the mixture. If the result is rather purple, try making a rusty color by adding more orange paint and whitewashing for a lighter peach color. If the first step produced a rusty color, add blue to create a cool color, close to purple, and then whitewash to have a light purple-gray.
Repeat the previous steps for another pair of complementary colors - yellow and purple, red and green.
Primary, secondary, and tertiary colors
Draw a circle, then divide it into three identical sectors. Paint the upper sector with cadmium yellow medium, the lower right sector with ultramarine blue, and then mix the primary red of naphthol crimson and cadmium red light and paint the lower left sector.
On the color circle of primary colors, draw semicircles with centers at the intersection of the sector's borders with the outer contour of the color circle. Next, paint these semicircles with secondary colors, placing them over the "parents": cadmium red light over the border between red and yellow, purple dioxazine over red and blue. Next, add yellow to the green FC and paint a green semicircle over the border between yellow and blue.
The primary color gives a tertiary color when mixed with the secondary color lying next to it. Add one triangle to each side of the semicircle for six. You can find objects to draw even while
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Start with abstractions
Abstraction is an exciting and easy way to prepare for a real piece of work. First, it's crucial to choose 3-4 colors that you like to feel an emotional connection to the painting. Next, draw a continuous angular or rounded line with a simple pencil across the sheet's surface. It may intersect several times.
Paint the figures in the drawing with the colors and shades, consistency of paint, and brush that you like. Listen to your inner voice. The main task is to do it the way you want, forgetting about everything else.
How to apply shadow
Shadows play a crucial role in creating a three-dimensional image: you need to learn how to see and paint them. There are a total of four types of shadows:
● Own shadows located on objects. These are areas of dark tone contrasting with the illuminated parts of the depicted shape. They usually have a sharp boundary on the outer contour and a smooth transition on the border with the light-colored areas of the object. They play the leading role in creating volume.
● The halftone areas are narrow, with a soft contour, located at the boundary between their own shadow and the illuminated part of the object. These shadows are the middle tone between the object's contrasting dark and light tones.
● Falling shadows are silhouettes of the object "falling" or cast by it on any surface other than itself. They create the impression that the thing is on some surface.
● Point-of-contact shadows are the darkest area of the falling shadow lying next to the object. They are responsible for the "stability" and mass of the thing. These shadows are also called accents, the darkest area among the dark tones.
● Put black paint or paint a darker color than the primary color to draw the shadow. And the second step is to cover this darkened area with the base color. The black in the halftone should shine through under the new layer of paint, creating a colored shadow.
How to apply highlights
To create a realistic flare, mark the lightest area on the object as many times as necessary with a dry whitewash brush for sufficient brightness. Then, put a small dab of thick paint in the middle of the flare for more brightness.
