Ke Huy Quan: From short round to romantic lead in just four long decades
The First Art Newspaper on the Net    Established in 1996 Thursday, December 12, 2024


Ke Huy Quan: From short round to romantic lead in just four long decades
Ke Huy Quan in Los Angeles, March 2, 2022. Quan, a child star in the 1980s who turned to stunt work in the 2000s, stars as both a universe-hopping martial arts warrior and a a lovelorn romantic in the multiverse picture “Everything Everywhere All at Once.” Jennelle Fong/The New York Times

by Robert Ito



NEW YORK, NY.- In the mid-1980s, Ke Huy Quan was in two of the decade’s biggest movies, playing Harrison Ford’s orphaned sidekick, Short Round, in “Indiana Jones and the Temple of Doom,” and Data, a tech-obsessed inventor of various bully-beating devices, in the comedy “The Goonies.”

In March, Quan, now 51, returned to the big screen in “Everything Everywhere All at Once,” by directors Daniel Kwan and Daniel Scheinert, aka Daniels. In “Everything,” Quan plays Waymond Wang, the mild-mannered husband of an embattled laundromat owner, played by Michelle Yeoh. But this is a multiverse picture, so Quan also plays two vastly different Waymonds: one, a martial arts master and universe-hopping warrior, the other, a lovelorn romantic lead who, in another time and place, let Yeoh’s character get away.

In many ways, Quan’s journey from “Indiana Jones” to “Everything” is nearly as unlikely and fantastical as Waymond Wang’s jumps through parallel worlds. At Quan’s home in the Woodland Hills neighborhood of Los Angeles, over rib-eyes he cooked himself, he hit some of the high points of his career (including pool time with Ford), fanny pack wushu and lousy gigs that thankfully got away. These are edited excerpts from our conversation.

Q: You were born in Saigon and entered a Hong Kong refugee camp when you were 7. How did you go from there to “Indiana Jones”?

A: We came to Los Angeles in 1979, and as fate would have it, in 1983, Steven Spielberg and George Lucas were looking for a Chinese kid to star in “Indiana Jones and the Temple of Doom.” They went to Hong Kong, Singapore, London, San Francisco, New York, and were about to give up when the casting director said they should give Chinatown a try.

So Spielberg and Lucas held an open casting call at our elementary school. My brother’s teacher thought he should audition, so I kind of tagged along, and as he was auditioning, I was coaching him about what to say and do. The casting director saw me and said, “Do you want to give it a try?” I thought I did horribly.

Q: Did you even know who Harrison Ford was?

A: No. I didn’t see “Star Wars” or “Raiders of the Lost Ark” until after we finished the movie. But he was an amazing guy. So down-to-earth, so humble, and really generous as an actor. And he taught me how to swim. We were just hanging out at the swimming pool in Sri Lanka in our hotel, and he says, “Ke, do you know how to swim?” I didn’t, so he says, “Come on, I’ll teach you.”

Q: A year later you’re in “The Goonies,” which was another big hit.

A: Yeah, that was another amazing adventure. But I didn’t grow up wanting to be an actor. As I got older, though, when I realized I wanted to do this, there were just not a lot of offers. When there was one, the role was very stereotypical, and you had every Asian in Hollywood fighting for it.

By the time I was in my early 20s, the phone had stopped ringing. And then my agent calls me: There’s this role. It was three lines, it was like a Viet Cong role. And I didn’t even get that.

Q: Looking back at some of those roles, do you ever go, “Wow, I’m glad I dodged that bullet”?

A: Now, looking back, yes. But at that time, as an actor, all you want to do is work. Would I have done those roles that I auditioned for, if they were given to me? Who knows? But I decided to step away from acting. I didn’t want to give up this business, though, so I applied to USC film school, and luckily I got in.

Q: You told them you were in “The Goonies,” right?

A: I certainly put it in my application.

Q: What did you do after graduation?

A: I graduated in 1999, and I got a call from [revered Hong Kong action director and choreographer] Corey Yuen, who invited me to Toronto to work [on the stunt choreography team] on a movie with him. I walk on set, and it was “X-Men.”




Q: How does Corey Yuen get your number?

A: It’s a funny story. Many years before, he wanted me to do a movie for him in Hong Kong, as an actor. But at that time, I was contractually locked in to do a television show, so I turned him down. But we kept in touch over the years.

Q: How did “Everything” come about?

A: I was working behind the camera in 2018, and this little movie called “Crazy Rich Asians” came out. I was so inspired by that movie, and the idea of me returning to my roots started percolating in my head.

So I call up an agent friend and said, “I’m thinking about getting back into acting, would you like to represent me?” And literally two weeks later, he calls and says, “There’s this movie written and directed by Daniels, and starring Michelle Yeoh. And there’s this role you may be right for, where you play her husband.” And I go, Oh, my gosh.

I auditioned the next day, and I thought I did a really good job. But I didn’t hear from them for two months. Just as I lost all hope, I got a call again, and they said, “We want to see you again.” And I thought I did really well on that second audition, but as I walked out, I saw another Asian actor waiting to read for the same role. He was taller, better looking, he looked like he just walked out of GQ magazine. I drove home, called my agent, and said, “Listen, man, I tried so hard, but I don’t think I’m going to get that role.”

Q: Was he a famous actor? Anyone I would know?

A: I don’t remember. He was so good looking. So I didn’t think I was going to get it. But when my agent told me I got the role, I jumped so high. I was so happy.

Q: It’s a nice comeback role for you.

A: Thank you. I loved every single minute of it. I remember the very first day of shooting: Jamie Lee Curtis is sitting in front of me, Michelle Yeoh is behind me, James Hong is to my left. For a brief moment, I had a panic attack. I go, These are all legends, what the hell am I doing here?

Q: You have a pretty epic fight scene with a fanny pack.

A: The style of the fanny pack fight sequence is called wushu rope dart. I’ve done a lot of martial arts, but mostly, you know, with punches and kicks. But I trained really hard for that. I brought the fanny pack home with me, and I was constantly swinging it around in the house, breaking stuff. My wife was like, “Honey, can you practice outside?”

Q: Michelle Yeoh has done a few martial arts films herself. Any pressure?

A: Michelle Yeoh is the frickin’ queen of martial arts movies. So I put a lot of pressure on myself. I didn’t want to disappoint her. And she was constantly helping me out, you know, making me feel at ease, because we were in a lot of the scenes together.

Q: James Hong, who plays your father-in-law, has been in Hollywood forever. Did he treat you like a kid?

A: He’s 91, and he would walk on the set like a 20-something guy. His voice is so deep and loud and strong, and he loves to work. He has over 600 credits. On the last day of filming, he brought a bunch of photos of him from different movies and he was like, “Who wants an autographed picture?” Everybody raised their hand.

Q: This seems like a pretty great role or three. Is there still a dream role for you out there?

A: I want to play many, many different roles that I didn’t get an opportunity to when I was younger. So I’m open to anything. When I first started out, I was often the only Asian face on the set. So now, to be able to walk on a set and see a lot of Asian faces, it’s really inspiring. It gives me a lot of hope.

This article originally appeared in The New York Times.










Today's News

April 10, 2022

J.M.W. Turner: The Romantic turns Reformist

New MoMA PS1 director leans into social justice and reaches out to Long Island City

Rare Chinese vase created for the Qianlong Emperor discovered in a kitchen in England

Sweeping Basquiat show curated by his sisters offers intimate look at the artist

Alice Neel's exclusive West Coast presentation comes to the de Young Museum

Betty White's collection of scripts, furniture, jewelry, personal items and wardrobe to Shine at Julien's Auctions

Exhibition of new work by Jordan Nassar opens at James Cohan

Maradona's "The Hand of God" football shirt to be offered at auction with £4 million estimate

The Guggenheim Bilbao opens 'Motion: Autos, Art, Architecture'

Phillips announces highlights from the April Editions Auction

AstaGuru celebrates the 'Month of Masters' this April as a tribute to Indian modernists

India's rich textile heritage and enduring influence on global design is celebrated in new exhibition

Exhibition coincides with UN celebration of the International Year of Glass

NGV International opens 'Transforming Worlds: Change and Tradition in Contemporary India'

Using film to tell a personal history of America and race

Eleanor Munro, who profiled women artists, dies at 94

In Mariupol's drama theater, a cry for 'Mama!' That offered brief relief

New book from Daylight showcases the passion of incarcerated artists

Ke Huy Quan: From short round to romantic lead in just four long decades

Contemporary art in greater demand than ever: Buyers seek quality from all price ranges

OSL Contemporary opens Emily Gernild 'SOIL' curated by Milena Høgsberg

Artcurial to offer pieces from the collection belonging to Isabelle and Hervé Poulain

'Articulating Activism: Works from the Shelley and Donald Rubin Private Collection' on view at The 8th Floor

The Approach opens the UK debut solo exhibition of paintings by Pam Evelyn

Iranian-born, UK-based artist and former Paralympian Mohammad Barrangi opens new exhibition

Best Marketing Tools for Beauty Brands in 2022

How to Travel Safely While Touring European Art Galleries

Three ways brands can increase their Instagram engagement 2022




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Houston Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง
Motorcycle Accident Lawyer

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful