Judy Watson and Helen Johnson present The Red Thread of History, Loose Ends
The First Art Newspaper on the Net    Established in 1996 Sunday, November 17, 2024


Judy Watson and Helen Johnson present The Red Thread of History, Loose Ends
Installation view, Judy Watson & Helen Johnson: the red thread of history, loose ends, National Gallery of Australia, Kamberri/Canberra, 2022.



CANBERRA.- Two artists, two generations, two perspectives: Judy Watson & Helen Johnson: the red thread of history, loose ends opened on Saturday, creating a dialogue on the roles of women in contemporary and colonial Australia.

Watson, a Waanyi woman, based on Jagera/Yuggera and Turrbal Country of Meanjin/Brisbane and Johnson, a second-generation immigrant of Anglo descent based in Wurundjeri Woiwurrung Country in Naarm/Melbourne, have each developed new works that explore complex and varied perspectives on colonisation, with an emphasis on the experience of women.

Curators Tina Baum, Gulumirrgin (Larrakia)/Wardaman/Karajarri peoples, and Elspeth Pitt said both artists consider the roles of women in recent history.

‘Matrilineal experience is key to Watson’s work, while Johnson explores the symbolism of women and whiteness in historical illustration and contemporary media.’

‘From womanhood to truth-telling, Judy Watson & Helen Johnson reflects the artists’ shared artistic concerns through different perspectives as they explore their individual and Ancestral cultural experiences living in Australia.’

For Watson and Johnson, the hope is this collaboration starts conversations, prompting people to encounter subjects from different perspectives.

‘There are parallels in the way that Helen and I look at history and try to deal with it as artists, and to bring it into our current perspectives as women and mothers, living in Australia with the burden of what happened on this continent in terms of colonization. It’s a historicising of fact and research, but there’s a tender stamp of femininity too, which is very powerful. Subtle, but powerful,’ said Watson.

‘Judy and I have such different subject positions, but with the commonality of womanhood. I was thinking about the work that can be done from these perspectives and what happens when they meet. I feel like colonial Australia and contemporary Australia are one and the same thing – this is part of the continuity that runs through this exhibition and is alluded to in the title: The red thread of history,’ said Johnson.

Judy Watson & Helen Johnson: the red thread of history, loose ends is a Know My Name project and part of The Balnaves Contemporary Series.

Judy Watson & Helen Johnson is a free exhibition on display at National Gallery of Australia from 19 February to 5 June 2022.

Curators:  Tina Baum, Gulumirrgin (Larrakia)/Wardaman/Karajarri peoples, Curator, Aboriginal and Torres Strait Islander Art, Elspeth Pitt, Curator, Australian Art and Jaklyn Babington, formerly Senior Curator, Contemporary Art.










Today's News

February 24, 2022

Whitney Museum and Dorothy Lichtenstein announce donation of Roy Lichtenstein's studio

From Einstein to couture, this 96-year-old captured it all

The dinosaur age may have ended in springtime

The Met acquires exceptional Renaissance bronze roundel attributed to Gian Marco Cavalli

Court painting and Polonaise carpet lead Art of the Islamic and Indian Worlds Including Oriental Rugs and Carpets Sale

Phillips' March New Now Sale to introduce sought after artists to auction

Thaddaeus Ropac opens an exhibition of works by Jason Martin

Friedman Benda opens an exhibition of works by Leo Orta and Victor Miklos Anderson

Frist Art Museum Board of Trustees names Dr. Seth Feman new Executive Director and CEO

Restoring 'The Godfather' to its original (still dark) glory

First major survey exhibition of works by Anthea Hamilton, opens at M HKA, Museum of Contemporary Art Antwerp

Portrait of Arthur Rimbaud by Valentine Hugo leads Bonhams Surrealist sale

Tomás Saraceno: Following the airborne lives of spiders

Woody Auction to offer the lifetime collection of David and Marlene Howard

NFT by Micah Johnson closes sale at over $20 million for the Aku series

A prominent regional theater will exit its stage to explore its city

Iraj Pezeshkzad, author of classic Iranian novel, dies at 94

Parafin opens an exhibition featuring works by five artists

Exhibition at La Villa du Parc features works by three Moroccan artists

Artists Eti Jacobi and Avi Sabah are the laureates of the Rappaport Art Prize, 2022

Five Broadway revivals give a tour of our theatrical past

A smorgasbord of Shakespeare, with some new trimmings

Mark Lanegan, Screaming Trees and Queens of the Stone Age singer, dies at 57

Judy Watson and Helen Johnson present The Red Thread of History, Loose Ends

How To Identify the Right CBD Oil for Treating Allergies and How Is It Better Than Apoquel?

Bitcoin price prediction in 2022

Play Situs Slot Online 2022 Indonesia With Pulsa At Megasloto

How Art Is Combined With Gambling Experiences




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Holistic Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful