James Cohan opens 'A Través', a group exhibition

The First Art Newspaper on the Net    Established in 1996 Monday, April 22, 2024

James Cohan opens 'A Través', a group exhibition
A Través, Installation View, James Cohan, 52 Walker St, January 14 - February 22, 2022.

NEW YORK, NY.- James Cohan is presenting A Través, a group exhibition on view from January 14 through February 19, 2022, at 52 Walker Street.

Collectively and individually, we pass through thresholds, periods of transitions, and states of indeterminacy in life. In the middle stage between birth and death, there is a “cloud of unknowing,” the Romantic idea of a psychic space with no boundaries; at once freeing and equally anxiety-provoking. If ever there was a time when ambiguity and disorientation are shared sensations, it is now. This exhibition is a meditation on this transitory state. Through performance, sculpture, painting, photography and film, the artists presented offer glimpses into these subconscious states as they play out in figuration.

Teresa Margolles’ poignant performance and gallery intervention A TRAVÉS (2007 - 2022), whose title translated means “through,” anchors the exhibition. Margolles investigates the social and aesthetic dimensions of violence and marginality in her work. In this instance, she covers the gallery windows in the sweat of undocumented migrants from Mexico, Central America, and South America, who live and work in New York. To execute this action, t-shirts worn previously by these individuals will be smudged onto the panes of glass, serving as material evidence of their resolute bodily presence. By obscuring the view through the gallery windows, the work aims to address the exclusionary social and economic structures experienced by undocumented communities.

The body is referenced both directly and indirectly throughout the exhibition. Shinichi Sawada, a self-taught ceramicist based in Japan’s Shiga prefecture, creates hauntingly expressive, meditative spiked and thorned bodies. Since 2000, Sawada has attended Nakayoshi Fukushikai, a social welfare organization for individuals with disabilities, where he spends time firing ceramics in a hand-made wooden oven. The objects he creates there hover between chimerical human-animal and spirit-god forms. Jes Fan’s sculptures resist simple classification and often meld the organic and inorganic; where substances such as hormones, bodily fluids, and mold are inserted into materials like glass and resin. At its essence, Fan’s work is about fluidity and otherness, highlighting questions surrounding identity, race, and gender while exploring their intersections with biology. Jesse Wine’s Love and other strangers (2021), examines the generative space above a fictional building; a visual representation of metaphysically leaving the confines of home through the act of dreaming. Wine’s three amorphous, quasi-corporeal forms, set atop a base that consciously evokes terraced housing, explore this otherworldly domain in different directions: one points directly upward, another deviates horizontally, and the third sits into elbow-like knuckles.

Several artists in this exhibition examine the human figure as it moves through and between thresholds and frames. Bill Viola’s Small Saints (2008), explores the threshold of life and death. In each panel, the viewer is presented with a series of encounters where an individual slowly emerges from black-and-white darkness and breaks through the threshold of water and light. As the presence of all beings is finite, the figure eventually turns back from material existence and recedes through the wall of water. The cycle repeats without end. Like Viola, Jesse Mockrin references art historical depictions of divine and saintly bodies, framing and transposing recognizable figures to cast them into a liminal non-space. In her monumental diptych The Magic Chamber (2021), which takes its title from an act of the 1911 musical play Le Martyre de Saint Sébastien, passages are appropriated from two of Georges de La Tour’s paintings of Saint Sebastian. The androgynous Sebastian on the left panel gazes at another Sebastian being cared for by Saint Irene on the right panel. The painting captures the body traversing its physical boundaries, transforming into a hybrid site of layered meaning.

In his photographic works, Paul Mpagi Sepuya carefully frames his own body, sometimes alongside companions and collaborators, in the act of taking a photo. Positioning himself with his camera and tripod in front of a mirror or behind a dropcloth, Sepuya obscures and reveals the body at turns, creating compositional arrangements of limbs and photographic apparatus that parallel the medium’s processes. Sepuya creates within the space of his studio elliptical moments of psychically-charged physical space that allude to the multivalent definition of the darkroom as, in his words, “both the historical origin of the photographer’s craft as well as the privileged yet marginalized site of queer and colored sexuality and socialization.”

Each work in A Través aims to suggest an ephemeral stage of transition. This exhibition constitutes a meditative collection of subtle gestures in which the work of art operates as a verb rather than a noun, reflecting on a perpetual state of becoming.

Today's News

January 17, 2022

Facing violence with brushes and ballots

Exhibition presents recent unique prints made at the visionary print studio Two Palms

Exhibition brings together significant works from 1978 to 2018 by Ettore Spalletti

Exclusive Palmer Museum of Art exhibition explores evolution of abstraction in the 1940s

Vintage work mixes with new images in new exhibition at Janet Borden Inc.

Exhibition brings together images Alec Soth completed between 2018 and 2021

Sherrill Roland's first exhibition with Tanya Bonakdar Gallery on view in New York

20 years later, the story behind the Guantánamo photo that won't go away

Bonhams' inaugural anime sale offers rare original works from beloved classics

One indelible scene: When a woman takes the wheel in 'Licorice Pizza'

James Cohan opens 'A Través', a group exhibition

Camden Art Centre opens Julien Creuzet's first institutional exhibition in the UK

Sotheby's Masters Week spans millennia of art history with $40 million Botticelli masterpiece

Exhibition looks at the importance of light and how its treatment has evolved in Faroese art

South African artist Kendell Geers opens an exhibition at Carpenters Worksop Gallery

Towers rise over London's Brick Lane, clouding its future

Kenechukwu Victor's first in-person solo exhibition with Thierry Goldberg opens in New York

Annet Gelink Gallery opens the group show 'Blindenzimmer'

signs and symbols opens its first solo exhibition of works by Adam Broomberg

Leading bookseller's private collection goes up for sale

Nara Roesler New York opens a retrospective of Brazilian artist Abraham Palatnik

New light installation near Old Street roundabout opens bright window to a dark future

Janet Rady Fine Art opens new online exhibition Carnivals of Clouds

Exhibition presents highlights from the Kinsey African American Art and History Collection

Inspiring and emotional for the Day of March 8

How to choose a perfect ladies t-shirt?

5 Lesser-Known Things You'll Learn About In Couples Counseling

Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .


Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

sa gaming free credit
Truck Accident Attorneys
Accident Attorneys

Royalville Communications, Inc

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful