Met Opera to mandate booster shot for staff and audiences

The First Art Newspaper on the Net    Established in 1996 Thursday, April 25, 2024


Met Opera to mandate booster shot for staff and audiences
Audience members during “Die Meistersinger von Numberg,” at the Metropolitan Opera in New York, Oct. 26, 2021. The Metropolitan Opera announced Wednesday that it would require all eligible adult employees and audience members to get Covid booster shots in order to enter the opera house, making its safety measures stricter than those on Broadway or at other venues. Todd Heisler/The New York Times.

by Matt Stevens



NEW YORK, NY.- The Metropolitan Opera in New York announced Wednesday that it would require all eligible adult employees and audience members to get a COVID-19 booster shot in order to enter the opera house, making its safety measures stricter than those on Broadway or at other venues.

The Met is the first major performing arts organization in the city to announce a booster shot mandate that will apply to audiences as well as staff members; the new rule will take effect Jan. 17. The policy was announced as concern about rising caseloads and the spread of the omicron variant is mounting. The average daily number of coronavirus cases in the city has more than doubled over the past two weeks.

“We think we should be setting an example,” said Peter Gelb, general manager of the Met. “Hopefully we will have an influence on other performing arts companies as well. I think it’s just a matter of time; everyone is going to be doing this.”

It is not the first time that performing arts organizations, eager to reassure audiences that they could safely visit theaters, have imposed virus prevention measures that went beyond government mandates. When Broadway theaters announced over the summer that they would require audiences to be vaccinated and masked, it was several days before Mayor Bill de Blasio announced that New York City would impose a vaccine mandate for a variety of indoor spaces, including performing arts venues.

Since the Met reopened after losing more than a full season to the pandemic, it has required that staff members and patrons be fully vaccinated to enter the opera house. But Gelb said that it had become “obvious” to him that even stronger safeguards were now necessary.

“It’s of paramount importance that the audience members and employees feel safe when they enter the building,” he said. “To me, there is no question. This is the right move.”

Since November, the Centers for Disease Control and Prevention has recommended booster shots — either six months after people receive a second Pfizer or Moderna shot, or two months after a single dose of the Johnson & Johnson vaccine.

When the Met’s new rules take effect Jan. 17, people eligible for a booster shot will be required to have it to enter the opera house. (There will be a short grace period: People will be allowed in without a booster if the performance falls within two weeks of the date they become eligible for the shot. People who are not yet eligible for their booster shot will still be allowed in.) Inside the opera house, people will be required to wear face masks, except when they are eating or drinking in the limited areas where that is allowed.

Met officials said that they reviewed their new policy with leaders of the various unions that represent its workers in advance of Wednesday’s announcement and described the union response to the rules as “very positive.”




Len Egert, national executive director of the American Guild of Musical Artists, said that union officials had determined that at the Met, “boosters are warranted,” and had subsequently bargained to make sure its members’ rights were protected.

Adam Krauthamer, president of Local 802 of the American Federation of Musicians, said his union “applauds the Met’s plan to make vaccine boosters mandatory” and called the move “a necessary step forward to ensure the public’s safety and keep NYC as a beacon of live performance.”

It was not immediately clear whether other arts institutions would follow the Met in tightening their COVID-19 rules. Gelb said he had informed the leaders of Carnegie Hall, the New York Philharmonic and Lincoln Center that the Met would soon be adding a booster shot mandate.

Synneve Carlino, a spokesperson for Carnegie Hall, said late Wednesday afternoon that officials there were “currently looking at boosters but have not yet put new requirements into place.” The New York Philharmonic and Lincoln Center did not immediately say whether they would change their COVID-19 policies.

The announcement that the Met would enact stricter COVID-19 protocols came a day after a performance of the ballet “Don Quixote” was canceled at the Opéra Bastille in Paris because officials said someone in the company tested positive for the virus. Several Broadway shows have recently had to cancel performances because of positive COVID-19 tests among the cast and crew. And in the NFL, 37 players tested positive Monday, the highest single-day total since the start of the pandemic.

Gelb said that he believed the Met to be the first performing arts institution to implement a booster mandate but noted that some colleges and universities appear to have already taken that step. He said that he expected the Met’s employees and audiences to be supportive of the new rule and said that he suspected that most of them have already had their booster shot if they are eligible. “I think if anything, this is going to be a relief,” he said.

The Met said in a news release that since its reopening in late September, it has presented 59 performances of nine operas in front of a collective audience of roughly 160,000 people.

It has yet to cancel any performances because of the virus.

“With that many people coming in and out of the building, we have to ensure that everybody is as safe as possible,” Gelb said. “Everyone in the company wants to feel safe and healthy.”

This article originally appeared in The New York Times.










Today's News

December 17, 2021

Minyades: Richard Höglund's Breakthrough Exhibition at The Bonnier Gallery

Construction begins on a new home for the Princeton University Art Museum designed by Sir David Adjaye

Andrew Jones Auctions announces results of "Part 2 of the John Nelson Collection"

Brooklyn Museum announces nearly 500 recent acquisitions and gifts

Lidewij de Koekkoek appointed new Director of Frans Hals Museum

The Bodleian Libraries and Jane Austen's House acquire prized Jane Austen letters

The Renaissance women who painted against the odds

The Darwin Family microscope achieves $791,816 - A world auction record for a 19th century microscope

'Vivian Maier Developed,' an intimate biography of a very private photographer

Bruce Springsteen sells music catalog in massive deal

Largest private mineral collection finds a new home at Queensland Museum

Nile Rodgers Collection sold to benefit We Are Family Foundation totals $1,640,500 and 100% sold by lot

Phillips announces new headquarters in Hong Kong's West Kowloon

Art Fund Museum of the Year 2022 open for application

When the show doesn't go on: Broadway is rattled by COVID cancellations

NGV International opens "Bark Ladies: Eleven Artists from Yirrkala in Northeast Arnhem Land"

BRAFA opens a new chapter in its history

Paul Holberton publishes "A History of Arcadia in Art and Literature"

That viral Harry Styles cardigan just got auctioned as an NFT

New Caillebotte acquisition Young Man at His Window now on view at Getty

Met Opera to mandate booster shot for staff and audiences

Vintage Spider-Man comic books, even ones in poor condition, sell for $36,562

North Carolina Museum of Art receives grant from the Mandell Foundation

Etsy Fees and Determine Your Profit Margin

Residential Appraisal To Close The Buying Or Selling Deals Correctly!

How Therapeutic Art Encourages Positivity in Texas Prisons




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

sa gaming free credit
Attorneys
Truck Accident Attorneys
Accident Attorneys

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful