Circus People Seen By Chagall
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Circus People Seen By Chagall
Marc Chagall, Ecuy鑢e la jupe fleurie, 1970. 16 x 16 cm. Crayon, encre, collages de papiers et de tissus sur papier imprim. Collection particuli鑢e. 〢dagp, Paris 2005.



NICE, FRANCE.- The mus閑 national Message Biblique Marc Chagall, Nice, presents Circus People Seen By Chagall, on view through October 3, 2005. This exhibition focuses on circus people in the work of Marc Chagall, brings together 16 of the artist抯 paintings and 36 of his drawings from public and private collections. Some thirty of these works have never been published.

Marc Chagall (1887-1985) painted and drew circus people throughout his career acrobats, dancers, clowns and musicians. For him they were special artists no doubt emblematic of the Artist in general. Like him, they thrilled their audience, but they did so on stage and with few props. Their art was the model for more scholarly arts and for Chagall, painting, with its artisanal side, is not far removed from the circus arts which seek simply to please and make us dream. But although clowns and acrobats are thus allegorical figures for the Artist, they first and foremost stand for Chagall himself. A kind of self-portrait.

Bringing together major works such as The Acrobat, 1930, Dance, 1950 (Mus閑 national d扐rt Moderne, on permanent loan to the Mus閑 National Message Biblique Marc Chagall), Clowns at Night, 1957 (Mus閑 des Beaux-Arts, Saint-Etienne) or Mauve Nude, 1967 (private collection), the exhibition is a journey through the works of Chagall抯 揊rench period, works that show his unwavering passion for the circus: 揑 have always seen clowns, acrobats and actors as tragically human beings who, for me, are like the figures in some religious paintings, he used to say.


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