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Sheldon Museum of Art announces artist Jill Nathanson and curator Karen Wilkin in conversation October 26
Jill Nathanson’s “Cantabile” (2019) on view at Sheldon Museum of Art in “Point of Departure: Abstraction 1958–Present.”



LINCOLN, NEB.- Sheldon Museum of Art presents a conversation with artist Jill Nathanson and curator and critic Karen Wilkin on October 26 at 5:30 p.m. CDT on Zoom. Nathanson’s painting “Cantabile” is a new acquisition on view at Sheldon in “Point of Departure: Abstraction 1958–Present.”

To register for the free event, visit go.unl.edu/jill-nathanson.

This online event is part of the museum’s CollectionTalk series, which features live discussions about artwork and exhibitions with artists, curators, and historians. On November 11, the series continues with artist Odili Donald Odita in conversation with Tyler Green, host of the Modern Art Notes Podcast. For more information on Sheldon Museum of Art and its programming, visit sheldonartmuseum.org.

Jill Nathanson

Jill Nathanson engages with the legacy of color field painting. She completed her undergraduate studies at Bennington College in Vermont, where she worked in the artistic orbit once occupied by Helen Frankenthaler.

Although both artists are known for reducing painting to its physical essence, Nathanson’s immersive and sensual paintings stand in a category of their own. Consisting of unusual hues of overlapping layers of variable translucency, they create emotionally nuanced experiences with yet enough tension to engage the viewer’s contemplation. Her most recent solo show was “Jill Nathanson: Light Phrase” at Berry Campbell Gallery, New York, in January 2021.

Karen Wilkin

Karen Wilkin is a New York-based curator and critic. Educated at Barnard College and Columbia University, she is the author of monographs on Stuart Davis, David Smith, Anthony Caro, Isaac Witkin, Kenneth Noland, Helen Frankenthaler, Giorgio Morandi, Georges Braque, Wayne Thiebaud, and Hans Hofmann, and has organized international exhibitions of their work. She was a juror for the American Pavilion of the 2009 Venice Biennale and a contributing editor of the Stuart Davis and Hans Hofmann paintings catalogues raisonné. The contributing editor for art for the Hudson Review and a regular contributor to The New Criterion, Hopkins Review, and the Wall Street Journal, Ms. Wilkin teaches in the New York Studio School’s MFA program.










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