OSTEND.- Mu.ZEE Ostend
is presenting the first retrospective exhibition of the Belgian artist Maarten Vanden Eynde (b. 1977), Digging up the Future. The exhibition presents an overview of the artists practice from 2000 until now, a period that is not just marked by vast technological progress but also by successive crises, social, economic as well as environmental. The industrial revolution, the consolidation of global capitalism and now the Internet and big tech have radically altered the ways in which we live, work and think. In the meantime, the worlds population and, consequently, consumption and energy use, have steadily increased, confronting us with the finiteness of raw materials, extreme weather phenomena such as those seen in Europe this summer, an abundance of waste and the loss of the planets biodiversity. From a distant and unknowable future, Vanden Eynde strives to look back at the future residue of man-made objects and material culture on the surface of the planet including constantly accumulating technofossilsa term coined to describe the congealed remains of our current technologymillions of years from now, as if an archaeologist from the future.
For almost two decades Vanden Eynde has been studying humanitys ecological impact on Earth, focusing on the current geological layer we will leave behind for future generations. He researches the materiality of objects that surround us, tracing the origin of the different materials and the socio-economic but also environmental contexts from which they are extracted, transported and transformed, up until their effects on their surroundings after they are rendered obsolete and discarded. In his work, which spans sculpture, installation, and photography, he unravels the process and consequence of production in terms of deep time.
The exhibition brings together over 30 works, including major installations and long term research projects like Plastic Reef (200812), an expansive sculptural installation of reef-like melted plastic debris from the worlds oceans, and Around the World (2017), a huge bobbin in the shape of a rocket, with 40,015 kilometres of cotton thread spun around it (the average circumference of the Earth), suggesting the significant role that cotton played and still plays on a global scale. Vanden Eynde makes visible the power structures, material base, and extractive repercussions of our culture of incessant productivity from the industrial revolution to the present time, whilst exercising a critique on the obsession with continuous economic growth, hyperproduction, and planned obsolescence that have led to the climate crisis and environmental degradation. Currently the artist is investigating the influence of transatlantic trade of key materials (like rubber, oil, ivory, copper, cobalt, cotton, lithium and uranium), on the evolution of humankind, the creation of nations and other global power structures.
Maarten Vanden Eynde has exhibited widely in several institutions and biennials including the Contour Biennial #9: Coltan as Cotton, Mechelen (2019); #6 Biennale de Lubumbashi (2019); the 1st Riga Biennial, MAMAC, Nice (2018), Zone2Source, Amsterdam, Bozar, Center for Fine Arts, Brussels (2017); Palazzo Reale, Milan (2016); #4 Biennale de Lubumbashi, Cultural Capital, Mons (2015); CCA Ujazdowski Castle, Warsaw (2014); Gemeentemuseum Den Haag, Museum M, Leuven (2013); Manifesta 9, M HKA, Antwerp (2012). From 2020 to 2023 he is pursuing his PhD on Ars Memoriae: The Art to Remember at the University of Bergen, Norway.
A fully illustrated colour monograph, Maarten Vanden Eynde | MMXX, published by Mercatorfonds, accompanies the exhibition. The book is edited by Katerina Gregos and contains texts by Sven Beckert, Oulimata Gueye, Nav Haq, Jan Zalasiewicz and Katerina Gregos. The graphic design is by Raf Vancampenhoudt and Lennart Van den Bossche.
Curators: Katerina Gregos is curator and writer and currently artistic director of the National Museum of Contemporary Art (EMST), Athens; Ilse Roosens is a curator at Mu.ZEE, Ostend.
The exhibition will travel to La Kunsthalle Mulhouse (France) in 2022.