The First Art Newspaper on the Net    Established in 1996 Monday, October 25, 2021


Taliban vow to protect Afghan cultural heritage, but fears persist
A 3D light projection on May 20, 2019, in Bamiyan, Afghanistan, of how a destroyed Buddha, known as Solsol to locals, might have looked in its prime. Cultural preservation experts continue to worry that Taliban militants will target Afghanistan’s ancient heritage as they did the last time they controlled the country, ransacking the museum and destroying the giant Buddhas of Bamiyan, enormous statues that had been carved into a mountainside. Jim Huylebroek/The New York Times.

by Graham Bowley, Tom Mashberg and Anna P. Kambhampaty



NEW YORK (NYT NEWS SERVICE).- Taliban officials have promised to protect the National Museum of Afghanistan in Kabul and its valuable collection of cultural artifacts, the museum’s director said in an interview Thursday.

The Taliban posted a small group of armed guards outside the museum to prevent looting, according to the director, Mohammad Fahim Rahimi, who said that he had met with Taliban officials Wednesday.

“Had there been fighting, it could have been a disaster and could have destroyed a lot of things here and many monuments throughout the country,” Rahimi said. “We are a bit fortunate for now that the change of power has not cost such death and destruction.”

“We still have great concern for the safety of our staff and our collection,” he added.

Caution seemed appropriate as scenes of chaos continued to emerge from Kabul, where thousands of people are continuing to crowd outside the airport in desperate bids to leave the country. Cultural preservation experts continue to worry that the Taliban militants will target Afghanistan’s ancient heritage as they did the last time they controlled the country, ransacking the museum and notoriously blasting with artillery and dynamite the giant Buddhas of Bamiyan, enormous statues that had been carved into a mountainside 1,500 years ago.

The museum, considered one of the world’s greatest repositories of ancient cultures, suffered greatly in the 1990s as civil war led to the looting and destruction of most of its buildings. After the Taliban were ousted in 2001, officials at the museum reported that the Taliban had confiscated or destroyed many thousands of objects in its collection — largely Buddhist statues and other relics that were deemed un-Islamic or idolatrous.

“There is very real reason for concern for Afghan heritage because of this invocation of the prohibition of idolatry,” said Gil Stein, professor of archaeology at the University of Chicago. “Their public declarations are much more moderate, but I don’t know if anyone in the West knows how much of that is window dressing.”

“I would want them to know that the world is watching,” he added, “and that this really matters.”

And certainly the concerns for cultural objects extend well beyond Kabul to regional museums and sensitive archaeological sites around the country, like Mes Aynak, in Logar province, where the remains of an ancient Buddhist city have yielded many archaeological treasures.

Even in cases where artifacts are not immediately threatened, experts worry about what will happen to cultural objects and sites that could suffer from neglect because delicate preservation projects are halted, or because of looting or the Taliban’s fundamentalist rejection of pre-Islamic or other art.

The Taliban have worked to present a public image that would assuage such fears, issuing a statement in February that vowed to protect the nation’s cultural heritage and ordering its members to prevent looting.

“As Afghanistan is a country replete with ancient artifacts and antiquity, and that such relics form a part of our country’s history, identity and rich culture, therefore all have an obligation to robustly protect, monitor and preserve these artifacts,” it said. “All Mujahideen must prevent excavation of antiquities and preserve all historic sites like old fortresses, minarets, towers and other similar sites,” it continued, “to safeguard them from damage, destruction and decay.”

In an interview last week from Doha, Qatar, with The Daily Mirror, a Sri Lankan news agency, Taliban spokesperson Suhail Shaheen said, “Buddhist sites in Afghanistan are not at risk; I refute any claim in this regard.”

Some experts hope the Taliban really have changed, and that they have a more sophisticated understanding that outrage over any large-scale cultural destruction would harm their relations internationally.

Cheryl Benard, director of the Alliance for the Restoration of Cultural Heritage, said the Taliban are nationalist and religious and should recognize the importance of the country’s treasures to the Afghan people. “Everybody is in a wait and see mode,” she said. “The biggest danger is that some renegade individual goes on a binge of destruction, but they seem astonishingly disciplined so far.”




Other experts, though worried, find some relief in the fact that much has improved in terms of documentation of Afghan cultural heritage in the past few years. Organizations have spent years “creating museum collection catalogs, archaeological sites maps, 3D models of heritage building, but also documenting intangible heritage, recording the movements of potters, the equipment of masons,” Bastien Varoutsikos, a cultural heritage expert, said by email.

“All this data constitutes a record of the current state of Afghan heritage at Day 0,” he said. “Although it is far from being complete,” he added, it is better than it was two decades ago.

The Taliban also seem to have been affected by the storm of outrage that accompanied their destruction of the Buddhas and are likely not interested in drawing that sort of global scorn again, Varoutsikos said. “The Taliban have a very clear understanding of that and, in their communication, are attempting to reassure both Afghans and the international community,” he said.

But many remain skeptical, pointing to similar assurances the Taliban gave last time and then ignored.

“The Taliban right now are trying to project an image of ‘we’re not going to touch anything else,’ but knowing that the group is an ideological movement, I think that will be very difficult for them to do that,” said an official at the American Institute of Afghanistan Studies, who has left Afghanistan but requested anonymity because of concerns for the safety of his family still there.

Bijan Rouhani, an academic at the University of Oxford who specializes in the protection of heritage sites in conflict zones, said, “I know that the Taliban are not one group — they are many different groups and factions — so even if the central power and leaders are saying things that they have changed, we don’t know what the situation is with local groups and warlords who are under the same flag.”

In their conversations with Rahimi outside the National Museum earlier this week, the Taliban said they would not enter the institution where fighters once caused so much harm. During two decades of international occupation of Kabul, millions of dollars were spent refurbishing the museum, and Interpol and the U.N. Educational, Scientific and Cultural Organization helped recover a few thousand items that had made their way illegally into foreign museums or onto the international antiquities market.

Today the museum is considered a design gem as well as an important institution. Objects have been repaired, and the museum contains hand tools and other objects dating to the Stone Age, along with valuable wood carvings, statues and other artifacts from the Bronze, Buddhist, Hindu and Islamic periods.

Rahimi said the museum had drawn up a contingency plan for removing the 50,000 or so treasures in its collections to safe locations but had not put the plan into effect because of the Taliban’s rapid takeover.

In Bamiyan, the niches of the giant Buddhas stand empty as a reminder of the Taliban’s past contempt for outside cultures. In March, on the 20th anniversary of the destruction of the Buddhas, UNESCO helped sponsor a day commemorating the structures, featuring a life-size, full-color 3D projection of the statues into the rocky cliffside alcoves.

Restoration work had been underway to stabilize the niches and UNESCO, which has labeled the valley where the Buddhas once stood a world heritage site — one of two in the country — was set to open a heritage center telling the area’s history, including what the Taliban did to it.

Ernesto Ottone, assistant director general for the cultural sector at UNESCO, said, “Every day there are excursions from the Taliban to the site, but right now we don’t have any information about destruction occurring.”

Bamiyan is the unofficial capital of the Hazaras, an ethnic minority persecuted by the Taliban in the past. Since taking power this time around, in a step that is being watched by experts concerned about cultural destruction, the militants recently blew up a statue in Bamiyan of the Shiite militia leader Abdul Ali Mazari, who was killed by the Taliban in 1995.

For now, experts hope that is an aberration, not an early indication that the group will start smashing cultural treasures again.

“We must remain hopeful that the February statement declaring a commitment to protect cultural heritage will be honored,” Bénédicte de Montlaur, president of the World Monuments Fund, said in a statement. “The entire world will be watching to see how it is followed through.”

This article originally appeared in The New York Times.










Today's News

August 22, 2021

Out of storage and onto walls, the Uffizi spreads its brand

Chuck Close's uneasy, inevitable legacy

Diving among ancient ruins where Romans used to party

Exhibition reveals lost stories of works of Nazi looted art

'The opposite of airlines': When larger audiences require fewer seats

Thieves hit entrance buildings of Berlin's Victory Column

Thousands attend star-studded 'homecoming' New York concert

Exhibition examines how artists have defined and constructed "space" from the 1960s to today

SF Camerawork's esteemed auction returns online this September with work by over 60 artists

Taliban vow to protect Afghan cultural heritage, but fears persist

The struggle to save a house of music, and its legacy

A celebrated Afghan school fears the Taliban will stop the music

Tethys Art in Southampton opens group show 'Les Femmes'

Twenty-fifth edition of miart will be held 17-19 September

Exhibition of new works by Mikala Dwyer on view at Roslyn Oxley9 Gallery

Gallery Weekend Berlin announces participating galleries and artists

Exhibition explores the significant dialogue between Max Bill and the Argentine avant-garde

A fun place to play, if the show fits

A quiet summer at Edinburgh's festivals

Eloise Greenfield, who wrote to enlighten Black children, dies at 92

Horsens Kunstmuseum presents a mid-career retrospective of distinctive New York artist

Shahzia Sikander's exquisite, entangled worlds

Sound installation after dark captures the daytime bustle of Brighton Beach basketball court

Tom T. Hall, country music's 'storyteller,' is dead at 85




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

sa gaming free credit

Royalville Communications, Inc
produces:

ignaciovillarreal.org avemariasound.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. The most varied versions
of this beautiful prayer.
Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful