LOS ANGELES, CA.- The Los Angeles County Museum of Art presents Cauleen Smith: Give It or Leave It, featuring the interdisciplinary artist who creates films, installations, objects, and performances that ruminate on the everyday possibilities of imagination. In this presentation of her recent work, Smith foregrounds Southern California artists and visionaries who engaged in creating and sustaining place and community. As is frequent in Smiths oeuvre, the artistic, musical, and textual references she draws from celebrate the experimental and radical practices of Black expression.
The title of the exhibition, Give It or Leave It, challenges the colloquial take it or leave it, and reflects the role of generosity and creation in the spiritual and artistic output of the historical figures that inhabit the exhibition. Smith proposes a new rule for a better world: creating something, offering it, and gifting itregardless of whether the gesture is accepted or rejected.
Prior to the presentation at LACMA, the exhibition was on view at The Institute for Contemporary Art at Virginia Commonwealth University, (February 16May 5, 2019); Frye Art Museum (June 1September 1, 2019); and The Institute of Contemporary Art Pennsylvania (September 14December 23, 2018). Cauleen Smith: Give It or Leave It is curated by Anthony Elms, Daniel and Brett Sundheim Chief Curator at the Institute of Contemporary Art Philadelphia and is organized at LACMA by Rita Gonzalez, Terri and Michael Smooke Curator and Department Head of Contemporary Art.
The exhibition is accompanied by a concurrent companion show, Cauleen Smith: Stars in My Pocket and the Rent Is Due (July 10September 25, 2021) at LACMAs gallery at Charles White Elementary. From the end of 2020 into 2021, Smith conducted virtual visits with classes at Charles White Elementary School. In these meetings, the artist invited students to make short videos and dioramas depicting a world they want to live in. Inspired by the students resilience and imagination during a pandemic, Smith has incorporated elements from student-made videos into a new installation, and has created a set of embellished banners that reference astronomy, migration, and movement.
The Exhibition
Give It or Leave It features 5 videos and 9 installations that reflect Smiths interest in utopian thinkers, especially artists and musicians who have created new languages through open and improvisational approaches. As Smith has expressed, if I am interested in a person or a place, I dont have to make a factual travelogue documentary or biopic: I can use the things that person made to make new things that connect us to our pasts and speculate about possible futuresabout who we want to be, and even what we want to leave behind.
The exhibition coalesces separate and unrelated histories of spirituality, creativity, and utopianism into a unified emotional cosmos. In video works Pilgrim (2017) and Sojourner (2018), musician Alice Coltrane and her ashram, a 1966 shoot by photojournalist Bill Ray at Watts Towers, artist Noah Purifoy and his desert assemblages, and black spiritualist Rebecca Cox Jackson provide sources of inspiration.
Other exhibition highlights include recent installation works Space Station: Two Rebeccas (2018), in which footage projected onto an assemblage of disco balls fractures across an spread of shag carpet and artist-designed wallpaper; and Epistrophy (2018), recently added to LACMAs permanent collection through the museums support group AHAN: Studio Forum, in which multi-channel projections of dreamlike landscapes are generated by closed-circuit cameras trained on an elaborate table-top tableau.
Cauleen Smith
Cauleen Smith was born in Riverside, California, in 1967 and grew up in Sacramento. She earned a BA from San Francisco State University and an MFA from the University of California, Los Angeles School of Theater, Film and Television. Her films, objects, and installations have been featured in group exhibitions at the Studio Museum of Harlem, New York; Contemporary Arts Museum Houston; Yerba Buena Center for the Arts, San Francisco; the New Museum, New York; and the Museum of Contemporary Art, Chicago. She has had solo shows for her films and installations at The Kitchen, New York; Art Institute of Chicago; and DuSable Museum, Chicago; and had a project at the ICA Philadelphia in Fall 2018. She is the recipient of multiple awards and fellowships including the prestigious inaugural Ellsworth Kelly Award of the Foundation for Contemporary Arts and the Herb Alpert Award in the Arts. She has received a Creative Capital grant, a Rauschenberg Residency; Black Metropolis Research Consortium Research Fellowship; and the Directors Grant at the University of California Institute for Research in the Arts. Smith recently relocated from Chicago to Los Angeles where she teaches at CalArts.