LACMA opens an exhibition of recent work by Cauleen Smith

The First Art Newspaper on the Net    Established in 1996 Friday, April 19, 2024


LACMA opens an exhibition of recent work by Cauleen Smith
Installation photograph, Cauleen Smith: Stars in My Pocket and the Rent Is Due, Los Angeles County Museum of Art at Charles White Elementary School Gallery, May 29–September 25, 2021, © Cauleen Smith, photo © Museum Associates/LACMA.



LOS ANGELES, CA.- The Los Angeles County Museum of Art presents Cauleen Smith: Give It or Leave It, featuring the interdisciplinary artist who creates films, installations, objects, and performances that ruminate on the everyday possibilities of imagination. In this presentation of her recent work, Smith foregrounds Southern California artists and visionaries who engaged in creating and sustaining place and community. As is frequent in Smith’s oeuvre, the artistic, musical, and textual references she draws from celebrate the experimental and radical practices of Black expression.

The title of the exhibition, Give It or Leave It, challenges the colloquial “take it or leave it,” and reflects the role of generosity and creation in the spiritual and artistic output of the historical figures that inhabit the exhibition. Smith proposes a new rule for a better world: creating something, offering it, and gifting it—regardless of whether the gesture is accepted or rejected.

Prior to the presentation at LACMA, the exhibition was on view at The Institute for Contemporary Art at Virginia Commonwealth University, (February 16–May 5, 2019); Frye Art Museum (June 1–September 1, 2019); and The Institute of Contemporary Art Pennsylvania (September 14–December 23, 2018). Cauleen Smith: Give It or Leave It is curated by Anthony Elms, Daniel and Brett Sundheim Chief Curator at the Institute of Contemporary Art Philadelphia and is organized at LACMA by Rita Gonzalez, Terri and Michael Smooke Curator and Department Head of Contemporary Art.

The exhibition is accompanied by a concurrent companion show, Cauleen Smith: Stars in My Pocket and the Rent Is Due (July 10–September 25, 2021) at LACMA’s gallery at Charles White Elementary. From the end of 2020 into 2021, Smith conducted virtual visits with classes at Charles White Elementary School. In these meetings, the artist invited students to make short videos and dioramas depicting a world they want to live in. Inspired by the students’ resilience and imagination during a pandemic, Smith has incorporated elements from student-made videos into a new installation, and has created a set of embellished banners that reference astronomy, migration, and movement.




The Exhibition

Give It or Leave It features 5 videos and 9 installations that reflect Smith’s interest in utopian thinkers, especially artists and musicians who have created new languages through open and improvisational approaches. As Smith has expressed, “if I am interested in a person or a place, I don’t have to make a factual travelogue documentary or biopic: I can use the things that person made to make new things that connect us to our pasts and speculate about possible futures—about who we want to be, and even what we want to leave behind.”

The exhibition coalesces separate and unrelated histories of spirituality, creativity, and utopianism into a unified emotional cosmos. In video works Pilgrim (2017) and Sojourner (2018), musician Alice Coltrane and her ashram, a 1966 shoot by photojournalist Bill Ray at Watts Towers, artist Noah Purifoy and his desert assemblages, and black spiritualist Rebecca Cox Jackson provide sources of inspiration.

Other exhibition highlights include recent installation works Space Station: Two Rebeccas (2018), in which footage projected onto an assemblage of disco balls fractures across an spread of shag carpet and artist-designed wallpaper; and Epistrophy (2018), recently added to LACMA’s permanent collection through the museum’s support group AHAN: Studio Forum, in which multi-channel projections of dreamlike landscapes are generated by closed-circuit cameras trained on an elaborate table-top tableau.

Cauleen Smith

Cauleen Smith was born in Riverside, California, in 1967 and grew up in Sacramento. She earned a BA from San Francisco State University and an MFA from the University of California, Los Angeles School of Theater, Film and Television. Her films, objects, and installations have been featured in group exhibitions at the Studio Museum of Harlem, New York; Contemporary Arts Museum Houston; Yerba Buena Center for the Arts, San Francisco; the New Museum, New York; and the Museum of Contemporary Art, Chicago. She has had solo shows for her films and installations at The Kitchen, New York; Art Institute of Chicago; and DuSable Museum, Chicago; and had a project at the ICA Philadelphia in Fall 2018. She is the recipient of multiple awards and fellowships including the prestigious inaugural Ellsworth Kelly Award of the Foundation for Contemporary Arts and the Herb Alpert Award in the Arts. She has received a Creative Capital grant, a Rauschenberg Residency; Black Metropolis Research Consortium Research Fellowship; and the Director’s Grant at the University of California Institute for Research in the Arts. Smith recently relocated from Chicago to Los Angeles where she teaches at CalArts.










Today's News

July 12, 2021

The McNay Art Museum opens two exhibitions of works on paper from American artists

Patricia Marroquin Norby is bringing a Native perspective to the Met

Exhibition presents modern silver gelatin prints and chromogenic color prints by Vivian Maier

Bihl Haus Arts reopens gallery with 'Botanical Sensations'

France acquires de Sade's 'Sodom' manuscript for over $5 million

Christie's teams up with global entertainment brand Superplastic for auction of NFTs

Hauser & Wirth St. Moritz opens 'Map and Territory. Environmental Art from the Panza Collection'

LACMA opens an exhibition of recent work by Cauleen Smith

High Museum of Art presents new accessible Carroll Slater Sifly Piazza installation

Art installation by Santiago Calatrava opens at Church of San Gennaro in Naples

New exhibition and publication highlight the multidimensional creativity of Alma W. Thomas

Von Bartha opens a solo exhibition of new work by American artist Marina Adams

The eclectic lives behind Alice Neel's portraits

Cannes Film Festival: The director of 'Showgirls' takes on lesbian nuns

'How do I become happy?' Advice from a professional fool

The schlock-horror drive-in that rose from the grave

In the Austrian Alps, post-Holocaust escape is re-enacted

Intuit staff, board and friends mourn loss of founder Susann Craig

Artangel's Co-Directors James Lingwood and Michael Morris to step down in 2022

Light Art Space presents Jakob Kudsk Steensen at Halle am Berghain

Thomas Cleary, prolific translator of eastern texts, dies at 72

Exhibition features a series of new portraits, still lives, and a single landscape by Arcmanoro Niles

A Black American designer disrupts the French couture

Shulamit Nazarian opens group exhibition 'Intersecting Selves'

The betting market in the post-pandemic world

How to Save for a Car

What Features Will Made Your Building A Smart Building?




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

sa gaming free credit
Attorneys
Truck Accident Attorneys
Accident Attorneys

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful