The First Art Newspaper on the Net   Established in 1996 Sunday, August 1, 2021


Terra Foundation awards $2.5 million to US arts and culture organizations for permanent collection projects
George Bellows, The Palisades, 1909, oil on canvas, 30 x 38 1/8 in. (76.2 x 96.8 cm), Terra Foundation for American Art, Daniel J. Terra Collection, 1999.10.



CHICAGO, IL.- The Terra Foundation for American Art announced the awarding of nearly $2.5 million in grants to 35 arts and cultural organizations in the United States. These grants support projects through the foundation’s new two-year exhibition grant initiative, Re-envisioning Permanent Collections: An Initiative for US Museums.

The Terra Foundation established this grant program to encourage museums to delve more deeply into their collections to reveal a fuller multiplicity of artworks and voices that have shaped, in the past and up through the present, the artistic and cultural heritage of the US.

The grants support permanent collection reinstallation planning and implementation as well as the development of temporary exhibitions drawn from museum collections. The foundation’s commitment to prioritizing equity and inclusion and to evolving the field of American art at large extends beyond artistic content and encompasses support for new, more inclusive models of research, interpretation, and collaborative engagement in exhibition planning and development.

The first round of funding supports projects taking place across 30 US cities, including four that will be implemented in Chicago by, respectively, the Field Museum, Intuit: The Center for Intuitive and Outsider Art, Rebuild Foundation, and South Side Community Art Center.

“These projects reflect the important work being done in the field to expand narratives of American art in order to embrace more inclusive histories that reflect a diversity of voices and experiences in the telling of those stories,” said Sharon Corwin, Terra Foundation for American Art President and CEO. “We share this commitment to re-envisioning American art history and are honored to support these grant recipients from across the country in realizing their projects.”




Among the recipients is the Hood Museum of Art at Dartmouth College, which aims to advance dialogues regarding what constitutes American art. Its first major thematic installation of the museum’s American art collection will feature not only Euro-American, African American, Latin American, and Asian American artists, but also—for the first time—traditional and contemporary Native American art alongside early-to-contemporary non–Native American art. Accompanied by public programs, an academic conference, and a scholarly publication, the exhibition will survey artistic responses to the natural world, contending with themes such as climate change, food acquisition and security, and individual and community relationships with the environment.

“As a collaboratively curated project, This Land: American Engagement with the Natural World, raises as many questions as it answers. A main goal of our exhibition is to urge us to consider our own relationships with the natural world and our hopes for its future. It is also a project that we hope will encourage our colleagues to ask difficult questions and engage in meaningful dialogues about what constitutes ‘American’ art as well as who has the power to define it,” said Jami Powell, Hood Museum of Art Associate Curator of Native American Art. “Through the generosity of the Terra Foundation, we are thrilled to be able to share this project, and the possibilities and challenges of engaging, growing, and reimagining permanent collections in meaningful and relevant ways.”

Another project is the reinstallation of Tougaloo College’s art collection through the interpretive lens of freedom, which will consider the connections between modernism and the struggle for civil rights. The collection—including works by artists Romare Bearden, Fritz Bultman, Richard Mayhew, Robert Motherwell, Thomas Sills, and Alma Thomas—will be presented alongside historic images from the college’s civil rights archives, addressing a period in American history when a racially integrated group of artists advanced the cause of Black equality and freedom.

“I am moved and inspired by the founders of the Tougaloo College Art Collection. We can learn from their heroic acts and the legacy that they left. The founding committee, The New York Art Committee for Tougaloo College, was led by the remarkable Dore Ashton, who, in 1963 during the modern American Civil Rights Movement, organized the donation of exceptional works of modern art to Tougaloo College, establishing the first modern art collection in Mississippi. The committee set out to advance freedom in America by using art as the focus and the magnet, and the opportunity to re-envision these gifts, and later gifts from David C. Driskell and Romare Bearden, in a permanent installation is a love letter to these remarkable activists. We are incredibly grateful to the Terra Foundation for their partnership and support as we seek to preserve and present this very important civil rights story,” said Turry M. Flucker, Tougaloo College Art Collections Curator and Director.

In Chicago, the South Side Community Art Center (SSCAC) will examine the intersections of Chicago’s LGBTQ and Black art histories through the exhibition Love is Universal. It will focus primarily on the Black gay male artists who were closely connected with the center between its founding in 1940 and into the 1980s, exploring the ways SSCAC served as a haven for Black LGBTQ artists, when few other venues were willing to exhibit their work. The exhibition will offer historical context for social life at the center, examining the complicated, intersectional relationship between Black and LGBTQ civil rights movements.

“The South Side Community Art Center is excited to be a part of the Terra Foundation’s Re-Envisioning Permanent Collections grant program. Our grant for Love is Universal will allow us to share a new and revelatory story about the rich contributions made by Black LGBTQ artists to modern and contemporary Black art. We envision that it will also reflect the diversity in both the Black and LGBTQ communities, while at the same time help us to broaden connections between and within our communities,” said Monique Brinkman-Hill, South Side Community Art Center Executive Director.

At El Museo del Barrio in New York City, six convenings and community-led scholarly workshops dedicated to promoting new perspectives on the institution’s holdings will inform the reinstallation of the museum’s collection, fostering conversation across an expanded art historical canon to reflect the rich diversity of Latinx art and visual culture. The Cheekwood Estate & Gardens in Nashville, Tennessee, will promote new scholarship on the work and legacy of African American artist William Edmondson, centered on their collection of 22 Edmondson sculptures—the largest public collection of his work. Broadening the narrative of American art history to include the field of Deaf studies, the Rochester Institute of Technology Dyer Art Center will present the center’s collection of art by Deaf and hard-of-hearing artists, exploring various perspectives on Deaf lives, communities, and overlooked histories.










Today's News

May 6, 2021

Three-year old Mtoto, Africa's earliest known human burial

A wide-roaming and personal meditation on Dürer and his art

Sanford Biggers opens at Rockefeller Center with Art Production Fund

Købke's portrait of Carl von Nutzhorn joins the collections of Nationalmuseum

Exhibition of works by Alma Allen span two of Kasmin's locations in Chelsea

In New Orleans, an art break hotel

Billie Zangewa makes art where the light is best

Christie's announces live sale of Latin American art

Love letters and the tortured inheritance of the Little Prince

Doyle to auction Impressionist & Modern art on May 12

6 design books that celebrate a world of artifacts

Broadway is reopening. But not until September.

Almine Rech opens "Salon de Peinture" exhibition

Neue Auctions announces online-only May Modernism sale

Sofia Coppola's challenge: To convey the feeling of live dance

France battles over whether to cancel or celebrate Napoleon

Exceptional Tiffany Studios floor lamp shines at $150,000 at Heritage Auctions

Important painting by Welsh artist Sir John Kyffin Williams to be offered at Parker Fine Art Auctions

Chelsea Foundation and Royal Air Force Museum unveil new exhibition plans for Jewish Hidden Heroes project

Exhibition 'The Lams of Ludlow Street' by Thomas Holton on view at Home Gallery

12 artists from Europe and Iran explore Iran's cultural heritage

Former Sotheby's Australia Chairman to sell the last pink diamonds from the Argyle Mine

Terra Foundation awards $2.5 million to US arts and culture organizations for permanent collection projects

Felt+Fat, Philadelphia-based Tableware Manufacturer, Embraces Sustainable Manufacturing

The impact of Netflix on the Entertainment Industry

ESO Calendar events in 2021




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

sa gaming free credit

Royalville Communications, Inc
produces:

ignaciovillarreal.org avemariasound.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. The most varied versions
of this beautiful prayer.
Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful