Almine Rech Brussels opens two new exhibitions
The First Art Newspaper on the Net    Established in 1996 Friday, November 8, 2024


Almine Rech Brussels opens two new exhibitions
Installation view of Resting Point of Accommodation.



BRUSSELS.- Almine Rech Brussels is presenting Resting Point of Accommodation, a group exhibition organized with Bill Powers.

Resting Point of Accommodation is an optical term for the visual distance eyes settle on when the viewer lets them drift out of focus, almost like a default setting. It’s a physical state prevalent amongst daydreamers where all vision becomes a type of peripheral perspective.The blending of science with a more lyrical interpretation calls to mind Thomas Aquanis’s notion of poetic knowledge, a sense of lovely bewilderment about the world. Through this lens artists were invited to participate in the group show. The extrapolations upon this theme are meant to be the faintest of breadcrumbs.

With a wink toward sensory disruption, Ana Benaroya’s “Don’t Be Cruel” gives us double vision in the tradition of Warhol’s iconic Elvis portrait. Mike Lee employs the perfume of animation graphics for his meticulously detailed oil paintings as if to say our dream life could simply be a metaphysical Xbox lit divine. Umar Rashid tackles a complicated remix of colonialist aggressions with aplomb and an unexpected romance. Jesse Mockrin concentrates on the very act of looking in her take on a 17th century painting by Gerrit van Honthorst.

Like the paintings themselves, we examine a person’s outer coil hoping for clues as to what transpires below the surface. In the throes of a daydream our countenance may take on a glazed or even varnished look when all any of us want is to live alla prima. - Bill Powers




This is the fifth group exhibition organized by Bill Powers for Almine Rech, starting with “Cliche” in the summer of 2018 in New York and more recently “Chorus” in Novermber of 2019 in Paris.

The exhibition features works by Ana Benaroya, Emma cc Cook, Leyla Faye, Geoff McFetridge, Kathia St Hilaire, Asif Hoque, Mike Lee, Che Lovelace, Jesse Mockrin, Alina Perez, Ted Pim, Umar Rashid, Hiba Schahbaz, Emma Stern and Hiejin Yoo.

Michael Kagan
How We Remember
April 21 — May 28, 2021


The fact that Michael Kagan’s exhibition, “How We Remember,” is hung as though in a place of worship speaks to the reverence from which this body of work was conceived. Six Titan rockets are displayed in trio across from each other. With anticipatory thrust, they begin with the Gemini mission. This depiction arises from enamel silk screen on linen with oil paint on top. A sextet of identical images all squeegeed differently. Fragmented by the happenstance of mark-making, signifying the astonishment of their creation. A famous NASA saying goes let’s light this candle in preparation for the immanence of a launch. Words given flight. The rockets themselves represent candles - six rockets in a confluence - one for each of the Apollo missions that landed on the moon. Almost like a Yarhzeit candle that is lit on the anniversary of someone’s death in Judaism. Godspeed Ed White. Godspeed Gus Grissom.

The largest painting mounted lonely on a center wall is an astronaut from the iconic Apollo 11 mission, painted starkly in a mythic at-the-ready pose. It was the Gemini missions which ultimately led to Apollo. People had died in both the Gemini and Apollo programs and so they lit candles for the lost souls, to remember those who came before us. The rocket paintings hang on both sides of the astronaut, faceless sentries standing guard. The man inside this space suit represents the folly and glory of human achievement which collectively brought us to this lunar surface.

The writer Bruce Hainley once described a classic American male archetype as that of the “wounded quarterback,” a sidelined hero who through no fault of his was denied the pinnacle of his potential greatness. Something about the Buzz Aldrins of the world register in this spirit, by the miracle of actually landing on the moon their wings would henceforth forever be clipped. As private industry now casts our eyes to the heavens again, we look back - not anachronistically - but as a placeholder for aspirations yet to materialize. As Arthur C. Clark, author of “2001: A Space Odyssey," once explained The only way of discovering the limits of the possible is to venture a little way past them into the impossible. - Bill Powers










Today's News

May 3, 2021

Hermann Historica GmbH distinguished mementos from ruling houses

The Botín Centre explores the influence of Iberian art on the work of Pablo Picasso

Hindman Auctions to present Spring Fine Books and Manuscripts Including Americana sale

Escher exhibition on view at the Columbia Museum of Art

Maruani Mercier presents works celebrating the power of an inspiring and highly symbolic colour: Black

Sotheby's and Phillips announce departures and arrivals

Worldwide David Hockney digital artwork on view in Times Square, London, Seoul, and Tokyo

David Zwirner opens two concurrent exhibitions of new work by Carol Bove

Recent acquisitions on display at the Morris Museum of Art

Christie's France announces a sale dedicated to women artists

Almine Rech Brussels opens two new exhibitions

Christie's announces highlights included in the Chinese Ceramics and Works of Art auctions

Jill Newhouse and Mireille Mosler to present exhibitions of 19th/20th works on paper and paintings

Asia Society Texas opens "The Mountain That Does Not Describe a Circle: Works by Hong Hong"

MAGMA gallery pens the first solo exhibition of Amandine Urruty in Italy

M 2 3 opens an exhibition of recent work by Amina Ross, Chadwick Rantanen, Sean Donovan

Napoleon's Mideast campaign still contentious, two centuries on

Works by Nydia Blas and Devin Troy Strother join the permanent collection of the California African American Museum

Freeman's to bring Sylvia Shaw Judson's Bird Girl to auction for the first time

Christie's announces Handbags and Accessories live auction in Hong Kong

Mudam Luxembourg presents over two hundred images from the Archive of Modern Conflict

UCCA announces appointment of Peter Eleey as Curator-at-Large

Anne Douglas, widow of Hollywood legend Kirk, dies at 102

James Prigoff, who documented street art, dies at 93

Baccarat and Online Football Betting

Drug and Alcohol Treatment: A Brief Guide to Rehab

5 Tips to Stimulate Your Senses from Home




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Holistic Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful