The First Art Newspaper on the Net    Established in 1996 Sunday, September 19, 2021


From Michael Lewis, a 'superhero story' about the pandemic
Michael Lewis, author of “The Big Short,” at his home in Berkeley, Calif., Dec. 2, 2016. Lewis now takes on a frightening subject in his new book “The Premonition”: how to prevent a viral outbreak even worse than COVID-19. Peter Prato/The New York Times.

by Alexandra Alter



NEW YORK (NYT NEWS SERVICE).- In his 2018 book, “The Fifth Risk,” Michael Lewis posed an unsettling question: What if the government agencies tasked with managing catastrophes — natural disasters, climate change-induced food shortages, epidemics — failed to prepare for some unanticipated, looming crisis?

“Many of the risks that fell into the government’s lap felt so remote as to be unreal: that a cyberattack left half the country without electricity, or that some airborne virus wiped out millions,” he wrote.

Last year, when the coronavirus began spreading throughout the United States, Lewis called some of his government sources for “The Fifth Risk.” What he learned was even more disconcerting than the frightening scenario he was reading about in the news. The experts he spoke to were alarmed not just by the government’s failure to contain the virus but by the possibility that an even more deadly pathogen was on the horizon.

“All of them saw this event as a dry run for something much worse that is inevitable, and how do we prepare for it?” Lewis said in an interview last week. “They view the pandemic in the way a body views a vaccine. It’s like practice for when the real thing hits.”

Lewis lays out this chilling possibility in his new book, “The Premonition: A Pandemic Story,” which W.W. Norton will publish in May, with an announced first printing of 500,000 copies.

“The Premonition” follows three central characters — a biochemist, a public health worker and a federal government employee who worked in the White House — as they confront the pandemic and find that the response from the U.S. government is woefully inadequate. All of them put “their careers on the line” as they tried to avert catastrophe, Lewis said.

Much of the narrative takes place before anyone realized how quickly the virus was spreading in the United States. Lewis declined to identify the three characters, who are named in the book, because he’s still finishing it and didn’t want to interfere with the work they are doing by putting them in the spotlight prematurely. All three are focused on what needs to be done to prevent future pandemics, he said.

“When they see something like this coming, they see something else worse,” he said. “If it doesn’t happen, my characters will play a really important role in it not happening.”




Lewis, the author of bestselling nonfiction like “Moneyball” and “The Big Short,” is known for coaxing compelling narratives out of mind-numbingly complex subjects — mortgage-backed securities, sovereign debt, statistics, the dull but essential mechanics of government bureaucracy. His previous books have collectively sold more than 10 million copies.

With “The Premonition,” he is taking on a subject that is still unfolding. He approached the pandemic from what he describes as an underexplored vantage point: the ground-level view of people who led “a kind of secret shadow response” to the pandemic, as top government officials falsely assured the public that the coronavirus would disappear.

“The Premonition” will join a growing body of nonfiction exploring the pandemic and its impact. Recent and forthcoming books include Grace Blakeley’s “The Corona Crash,” which looks at how the pandemic will reshape capitalism; New York Times reporter Sheri Fink’s “Surge,” about the ethical, social and scientific dimensions of the crisis; Gabriel Sherman’s “Fever City,” about New York City’s response to the spread of the virus, and “Preventable,” a book about the missteps that led to unnecessary COVID-19 cases and deaths, by Andy Slavitt, now a senior adviser to President Joe Biden’s COVID response team. In June, New Yorker writer Lawrence Wright will release “The Plague Year,” which chronicles the origins of the coronavirus and its global spread.

Lewis began reporting on the pandemic last spring and started writing in the fall. When he called his longtime editor at Norton, Starling Lawrence, to tell him about what he was working on, he was so excited that he started babbling and couldn’t describe the plot.

“At one point he said, ‘Oh hell, I can’t explain it, I better just go write it,’ and I said, ‘That sounds like a wonderful idea,’” Lawrence said.

Lewis hoped to get the book out as quickly as possible, in time for Biden’s transition team to read it. “I did feel it would be more useful the sooner it was done,” he said.

At the same time, he felt he needed to wait and report on the efficacy of the government’s pandemic response, which proved to be as disastrous as he’d feared, with tens of millions of Americans infected and hundreds of thousands of deaths.

Still, Lewis sees his book as a hopeful one.

“It’s a superhero story where the superheroes seem to lose the war, but all they’ve lost is a battle,” he said. “There’s a war they’re going to win.”

© 2021 The New York Times Company










Today's News

January 30, 2021

Mona Lisa is alone but still smiling

The great beginning of Jules Olitski

Hauser & Wirth London opens first ever solo exhibition in the UK of works by Charles Gaines

Christie's "The Collection of Mr. & Mrs. John H. Gutfreund" totals $8,764,875

Charles and Jackson Pollock on display at The Society of the Four Arts

Sun Records, storied early rock label, sells its high-wattage catalog

James Cohan opens an exhibition of work by Monir Shahroudy Farmanfarmaian

Malmö Konsthall opens an exhibition of 140 drawings and paintings by Roma artist Ceija Stojka

Hindman Auctions' Palm Beach Collections sale exceeds $650,000

Warsaw's lone palm tree comes of age

Daniel Johnston memorial exhibition opens at Electric Lady Studios

Sarah Meister named next Executive Director of Aperture

Xavier Hufkens opens an exhibition of works by Walter Swennen

Auction Life announces Whimsical Worldly Wonders Winter Auction

Belgian artists Tom Volkaert and Daan Gielis take over the Everyday Gallery

From Michael Lewis, a 'superhero story' about the pandemic

Jonas Gwangwa, trombonist and anti-apartheid activist, dies at 83

Cicely Tyson, an actress who shattered stereotypes, dies at 96

For these classical musicians, it's always been about racial equity

Sharon Kay Penman, whose novels plumbed Britain's past, dies at 75

Online Sundance opens to virtual ovation for deaf drama

Africa's largest film festival postponed by pandemic

Center for Puppetry Arts announces new Director

Duke Bootee, whose 'Message' educated hip-hop, dies at 69

What is kratom? Top 2 benefits of kratom on human health

Benefits of Postgraduate Study

Top 10 La Liga goal scorers of all time




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

sa gaming free credit

Royalville Communications, Inc
produces:

ignaciovillarreal.org avemariasound.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. The most varied versions
of this beautiful prayer.
Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful