'The Hill We Climb': A poet's journey to Inauguration Day
The First Art Newspaper on the Net    Established in 1996 Friday, November 22, 2024


'The Hill We Climb': A poet's journey to Inauguration Day
Amanda Gorman, who at 22 is the youngest inaugural poet in U.S. history, reads her poem during the ceremony at the Capitol in Washington, Jan. 20, 2021. Gorman, who lives in Los Angeles, was brought to the Inaugural Committee’s attention by first lady Jill Biden, who saw her recite a poem at the Library of Congress. Erin Schaff/The New York Times.

by Alexandra Alter



NEW YORK (NYT NEWS SERVICE).- When Amanda Gorman was writing her inaugural poem, “The Hill We Climb,” she faced a challenge unlike any of her predecessors.

Gorman set out to craft a poem that was both hopeful and realistic, one that reflected the political divisions that have fractured the country but also the promise of greater unity. She finished writing the poem just after rioters stormed the Capitol on Jan. 6.

“I’m not going to in any way gloss over what we’ve seen over the past few weeks and, dare I say, the past few years. But what I really aspire to do in the poem is to be able to use my words to envision a way in which our country can still come together and can still heal,” she said in an interview with The New York Times. “It’s doing that in a way that is not erasing or neglecting the harsh truths I think America needs to reconcile with.”

At 22, Gorman, who lives in Los Angeles, is the youngest inaugural poet in U.S. history. She was brought to the Inaugural Committee’s attention by first lady Jill Biden, who saw her recite a poem at the Library of Congress, and was struck by her performance and her bold yellow dress (Gorman wore a bright yellow blazer at the inauguration).

To prepare for her appearance, Gorman, who has a speech impediment, read the poem aloud over and over, “practicing it and trying to let it be known in my mouth, but not feel robotic,” she said in an interview. Early reviews of her performance were glowing: On CNN, she was praised for summing “up with emotion and beautiful eloquence the idea of what this country came close to losing.”

As she recited “The Hill We Climb,” in the bright sunlight, her voice animated and full of emotion, Gorman described her background as a “skinny Black girl, descended from slaves and raised by a single mother,” who can dream of being president one day, “only to find herself reciting for one.”

When day comes, we ask ourselves:

Where can we find light

In this never-ending shade?

The loss we carry, a sea we must wade.

With verses that echoed the theme of the inauguration, “America United,” she spoke of the possibility of unity, redemption and reconciliation.

And yet the dawn is ours before we knew it.

Somehow, we do it.

Somehow, we’ve weathered and witnessed

A nation that isn’t broken, but simply unfinished.

© 2021 The New York Times Company










Today's News

January 22, 2021

With new museums, a once disgraced socialite looks to burnish his legacy

Exceptional works on paper collection to be offered in dedicated sale

Art Basel, Swiss centerpiece of the trade's year, is postponed

Rembrandt finally to be revealed in Allentown

Virginia Museum of Art acquires work by German Expressionist Ernst Ludwig Kirchner

Artprice global indices show the strength of contemporary art and drawing in 2020

Wood Gaylor, quietly dazzling, helped an art world invent itself

Städel Museum and Deutsche Börse launch partnership

Review: 'Painting With John' teaches the art of living

Green Art Gallery opens an exhibition of conceptual works by Afra Al Dhaheri

Glamorous French star Nathalie Delon dies at 79

UK's Glastonbury cancelled again because of coronavirus

Antonio Sabàto, spaghetti western leading man, dies at 77

A literary trailblazer's solitary death: Charles Saunders, 73

Exhibition at the Clark Art Institute highlights the work of contemporary artist Erin Shirreff

Ahlers & Ogletree's 'A Collector's Dream' auction tops $2 million

Rare gold Cromwell coin sells for world record price of £471,200 at Dix Noonan Webb

Solo exhibition dedicated to the collage work of Hannelore Baron opens at Michael Rosenfeld Gallery

'Apter-Fredericks: 75 Years of Important English Furniture' sale totals £3,408,750

West London's High Street windows brought to life during lockdown

Phoebe Hui selected to present the fifth Audemars Piguet Art Commission

Ali Cherri is the National Gallery's 2021 Artist in Residence

'The Hill We Climb': A poet's journey to Inauguration Day

How the Pandemic Has Created an Inspiring Artistic Renaissance

Enjoyable activities for seniors with limited mobility

3D visualization and architecture: uses, benefits, and outcomes

How to make charts




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Holistic Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful