Pixar's 'Soul' has a Black hero. In Denmark, a white actor dubs the voice.
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Pixar's 'Soul' has a Black hero. In Denmark, a white actor dubs the voice.
German actor Kaze Uzumaki, who voices the role of Paul in the German version of “Soul.” The Danish-language version of Pixar’s ‘Soul’ has been dubbed primarily by white actors fueling a debate about structural racism and fanned anger about stereotyping and prejudice in European-language voice-overs, even when films have main characters of color. Kaze Uzumaki via The New York Times.

by Lisa Abend



COPENHAGEN (NYT NEWS SERVICE).- Like most of their counterparts around the world, Danish film critics initially greeted “Soul,” Pixar’s first animated feature to focus on Black characters and African American culture, with rapture, hailing its sensitive, joyful portrayal of a jazz musician on a quest to live a meaningful life.

The film was described as “a miracle,” by one reviewer in Denmark, “beautiful and life-giving” by another.

What the Danish press did not initially focus on, by and large, was the characters’ race. But that changed after the movie’s release on Dec. 25, when realization spread that the Danish-language version had been dubbed primarily by white actors. This is also the case in many other European-language versions of “Soul.”

While in most countries, the film’s voice-over casting has barely registered with the public, in Portugal, more than 17,000 have signed a petition calling on Pixar to remake the local edition with actors of color. “This movie is not just another movie, and representation matters,” the petition states.

Joe Gardner, the main character in “Soul,” is Pixar’s first Black protagonist. The studio took steps to accurately represent African American culture, hiring Kemp Powers as a co-director and installing a “cultural trust” to safeguard the story’s authenticity.

In the Danish version, Joe is voiced by Nikolaj Lie Kaas, who is white. When the national newspaper Berlingske interviewed scholars and activists who expressed their disappointment about this and suggested that the casting was an example of structural racism, a fiery controversy erupted.

Asta Selloane Sekamane, one of the activists who criticized the casting in the Berlingske article, said in an interview that no one can claim there wasn’t enough Black talent to fill the main roles, because actors of color were hired to voice some of the minor parts. “It can’t be the constant excuse, this idea that we can’t find people who live up to our standards,” she added. “That’s an invisible bar that ties qualification to whiteness.”

Mira Skadegard, a professor at Aalborg University in Denmark who researches discrimination and inequality, said the resistance to accusations of structural racism was unsurprising. “In Denmark, we have a long history of denial when it comes to racism, and a deep investment in the ideal of equality,” she said.

“We don’t really understand this as a critique of institutions and structures; we see it as a critique of who we are,” she added.

© 2021 The New York Times Company










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