Marina Perez Simão joins Pace Gallery

The First Art Newspaper on the Net    Established in 1996 Friday, March 29, 2024


Marina Perez Simão joins Pace Gallery
Marina Perez Simão, Untitled, 2020. Oil on canvas, 26" × 37-1/4" (66 cm × 94.5 cm) No. 75782 © Marina Perez Simão. Courtesy of the artist, Mendes Wood DM, and Pace Gallery.



NEW YORK, NY.- Pace Gallery announced its representation of São Paulo-based artist Marina Perez Simão ahead of the artist’s inaugural solo exhibition with the gallery this spring. At the cusp of abstraction and figuration, Simão’s oil paintings present fluid forms in subtle chromatic harmonies that conjure the transformational qualities of luminous, open vistas without ever depicting any specific place in explicit detail. Inspired by the natural landscape of her native Brazil, Simão’s paintings lead us into territories in which we are confronted with that which is ungraspable, with that elusive and unspeakable instant that poets strive so hard to capture with words. Simão aligns with Pace’s long history of working with artists at the forefront of abstraction such as Sam Gilliam and Mark Rothko, as well as the gallery’s expanding contemporary program which brings together artists pushing the boundaries of painting including Torkwase Dyson, Robert Nava, and Beatriz Milhazes, who recently joined the gallery’s roster.

Pace will co-represent Simão with Mendes Wood DM, the artist’s gallery in Brazil, and will focus on building the artist’s international profile across its locations in North America, the UK, and Asia. Pace’s initial collaboration with the artist and Mendes Wood DM began in summer 2020 when Pace presented Simão’s paintings alongside works by Sonia Gomes, another recent addition to the Pace program, at its East Hampton location. On April 1, 2021, Pace will debut Simão’s newest body of paintings at its gallery in New York.

Marc Glimcher, President & CEO, Pace Gallery, shares: “It’s incredibly exciting for us to be working with an artist who is on the rise of international recognition. Using an abstract vocabulary, Marina’s luminous, imaginary landscapes draw from both the traditions of contemporary Brazilian painting and American modernism. In collaboration with Mendes Wood DM, we look forward to sharing her unique vision with a wider audience and to supporting her growth as one of the foremost painters of the next generation of abstraction.”




Simão’s painting practice untangles emotions and thoughts that get caught in the tongue-tied inexplicability of our times. When seen as a group, her works can formally rhyme and thereby imitate loose storylines—an indirect consequence of the artist’s approach to working on multiple canvases at once. Simão explains: “I feel that there is a sort of narrative in my paintings. Passing from one element to the next is very important to me, the fluidity and ambivalence.” In this way, Simão opens her work to the interpretational creativity of the viewer and thumbs the gap between representation and language, the lived and the said, the palpable and invisible.

With the artist’s new series of paintings, which will be unveiled at Pace’s New York space this spring season, Simão unleashes gravity’s reductive grip on the viewer’s imagination. Pulsing with a magnetic, musical, and hypnotic presence, the works draw the audience further into the powerful potentiality of her abstracted landscapes, opening up infinite paths to get lost in. As the artist states about her painting practice: “I try to play around and subvert the elements of the landscape, maybe as an attempt to go somewhere that I’ve never been before, but at the same time that is familiar. I try to imagine a topography that is vulnerable, but that creates some sort of dance for the eye. The discernible elements of the landscape are less important to me than the feeling they provoke.”

Marina Perez Simão (b. 1980, Vitória, Brazil) has developed a working process based fundamentally on the accumulation and juxtaposition of memories and images. By combining personal experiences and multiple references stemming from fields such as philosophy, literature, and journalism, the artist collects certain narratives in order to edit them through pictorial means that do not belong to any predefined language; rather, they develop with an organic practice, which combines thematic density and a delicate treatment.

Simão uses a variety of techniques, such as collage, drawing, and oil painting, as starting points in order to marry interior and exterior landscapes, she composes visual journeys that sometimes traverse the unknown, the abstract and the nebulous, but also include visions and memories.

Simão’s work is held in several public collections worldwide, including the Musée d’Art Moderne et Contemporain de Saint-Étienne in France, The Ekard Collection in the Netherlands, and the Samdani Art Foundation in Bangladesh, as well as the Speed Art Museum in Kentucky and the University of Chicago in the United States.










Today's News

January 16, 2021

World's oldest known cave painting found in Indonesia

The arts are in crisis. Here's how Biden can help.

Marina Perez Simão joins Pace Gallery

Masterpieces by Botticelli and Rembrandt anchor Sotheby's Masters Week in NY

F. Scott Fitzgerald 100-year-old letter to a NJ fan sold for $37,987

Black art matters

Exhibition of historical works by Patrick Angus opens at Bortolami Gallery

Faurschou Foundation announces the opening of Zachary Armstrong's first solo exhibition in China

Hindman Auctions to present jewelry in February Palm Beach sale

"Ana Mendieta: Suspended Fire" on view at the Denver Art Museum

Two friends, two continents, very different pandemics

Behind closed doors, Paris theaters carry on

PIASA appoints Olivia Anani & Charlotte Lidon as co-directors of the Africa + Modern Contemporary Art Department

Good luck is a curse in this classic film from Senegal

Sealed Pokémon Base Set Booster Box sells for record $408,000 at Heritage Auctions

'Batman' No. 1 sells for $2.22 million at Heritage Auctions to shatter Caped Crusader's world record

A playwright's new subject: Her husband, the pandemic expert

How 8 countries have tried to keep artists afloat

Howard Johnson, 79, dies; Elevated the tuba in jazz and beyond

Kristen Lorello opens an exhibition of paintings on paper by Ping Zheng

60s icon Marianne Faithfull reveals 'long Covid' battle

"Parasite" director to head Venice film festival jury

Spike Lee vows to 'delay Father Time' as Hollywood bestows honor

What happens now to Michael Apted's lifelong project 'Up'?

Institutional Video: What it is and how to create it for your company

Famous Poker Art Images

API Automation Testing and Its Types

How to use the number picker wheel in the right way?

The Significance Of Converting Excel Files To PDF

Pickleball - Its Origin and Future




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

sa gaming free credit
Attorneys
Truck Accident Attorneys
Accident Attorneys

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful