Pat Loud, reality show matriarch of 'An American Family,' dies at 94

The First Art Newspaper on the Net    Established in 1996 Wednesday, April 24, 2024


Pat Loud, reality show matriarch of 'An American Family,' dies at 94
Reality stars Pat Loud, right, the matriarch in "An American Family," and Carole Radziwill, a star in "The Real Housewives of New York City," have lunch at Il Cantinori in New York, May 16, 2013. Robert Caplin/The New York Times.

by William Yardley



NEW YORK (NYT NEWS SERVICE).- Before “The Real Housewives of Beverly Hills,” before the Kardashians, before the idea of living large and unscripted on camera became a TV staple, there was a startling program on public television called “An American Family” with a startling female character named Pat Loud.

Loud was a California mother of five. She drank; she plotted her divorce; she adored, and accepted, her openly gay son. She did it all in Santa Barbara, California, and all on camera — in 1973. Loving, boisterous, witty, resilient and sometimes angry and hurt, she did not act like most women on television at the time. But she was, ostensibly, not acting at all. She was the first reality television star on the first reality show — and she paid a price for breaking new ground.

Critics called her materialistic and self-absorbed. An “affluent zombie,” one said.

What wife and mother would do such a thing? Newsweek put Loud, her husband, Bill, and their children on its cover with the headline “The Broken Family.” Many others, however, saw her as honest and brave, uninhibited and unconditional in her love for her children.

Pat Loud died Sunday at her home in Los Angeles, her family said in a Facebook post. She was 94. She was 47 when the show that made her famous first aired, and she spent much of the rest of her life explaining why she had done it and how it had changed her family. She made few apologies.

She told talk show host Dick Cavett in no uncertain terms that she had no problem with her son Lance’s homosexuality. She wrote in her autobiography, “Pat Loud: A Woman’s Story” (1974), that, given how she felt that her family had been mistreated after the show aired, “Now we are all unabashedly trying to get anything we can from the instant fame.”

But life went on. Once a homemaker and Junior League volunteer, Loud found new work with Ron Bernstein, a literary agent, and later with fashion designer Rudi Gernreich. She moved to New York, then England, before returning to California in the late 1990s to be with Lance after he became sick with HIV in 1987. (He died of complications of hepatitis C in 2001.) She divorced her husband, though they reunited many years later.

By the time she was in her 80s, public perception of her had shifted. Where once she had been seen as an unmitigated self-promoter, now she was a wise, refined matriarch of a genre gone astray.

Speaking of the “Real Housewives” franchise, Loud told The New York Times in 2013: “It just seems like all these beautiful blond girls, all made up, with stem glasses of white Chablis, and they’re all just fighting at dinner somewhere.”

Critics of “An American Family” accused it of being contrived, but the Louds long maintained that they had behaved as normally as they could with cameras constantly trailing them. Craig Gilbert, a producer for WNET, chose the Louds for his subject because the family had lots of children — and because they said yes.

“We asked the kids, and they all agreed,” Pat Loud told The Times in 2013. “It seemed like a fun thing to do.”

The family expected the filming to last for just a few weeks and doubted that the final product would find many viewers. In the end, more than 300 hours of film captured over seven months was reduced to 12 one-hour episodes.

“They just went for the sensational stuff,” Loud said.

The most sensational involved scenes from Lance Loud’s flamboyant life in New York — where he performed in a rock band and where his mother visited him, accompanied by cameras — and the breakup of the Louds’ marriage.

Bill Loud had been unfaithful for years, and his wife knew it. In one wine-saturated conversation captured on film, she complained about his affairs to her brother and sister-in-law. She told The Times in 2013 that she had been “coerced” into letting the scene be filmed. Gilbert rejected that assertion.




“I said, ‘Pat, we must shoot that,’ ” he told The Times in 2013. “She said, ‘I do not want you to.’ I said, ‘We must, Pat, because otherwise it’s going to come out of the blue. No one will understand it.’ She finally agreed, and her brother and sister-in-law were in the room when she agreed to it. And now she says she was coerced.”

In a later episode, Loud told her husband that she wanted a divorce. “By the time she asked Dad for a divorce, she didn’t care if the entire city of Santa Barbara was watching or the whole world,” her daughter, Delilah, said in an interview for this obituary in 2014. “She just wanted Dad out.”

Patricia Claire Russell was born Oct. 4, 1926, in Eugene, Oregon, the daughter of an engineer. Her family was close with another family that had a little boy named Bill Loud. They met when she was about 6. Years later, when she was studying history as an undergraduate at Stanford, Bill Loud would visit her from the University of Oregon.

“He would drive down and pick her up and then go to Tijuana to see bullfights,” Delilah Loud said. “They had quite a courtship.”

Pat Loud graduated from Stanford in 1948. The Louds eloped to Mexico in March 1950. By the time the cameras showed up, in 1971, Bill Loud had built a successful business making parts for mining equipment, and the family was living an affluent life.

They had a house with a pool and a Jaguar in the driveway. They took long vacations to Europe.

Pat Loud was widely read, and she talked with her children about art, music and books. Life was bigger than Santa Barbara, she told them.

“They were adventurous types,” Delilah Loud said, recalling the family conversation about whether to participate in “An American Family.” “They wanted us to experience the world, and they thought, ‘Well, what the heck, it’ll be a new experience.’ ’’

Bill Loud, with whom Pat Loud reunited in 2001 at the request of Lance, died in 2018 at 97.

Pat Loud is survived by Delilah and another daughter, Michele, as well as two sons, Kevin and Grant, according to the family’s Facebook post.

Loud moved to New York with her daughters in 1974 and lived in an apartment on Manhattan's Upper East Side for more than a decade while working as a literary agent and doing other work.

She lived in Bath, England, in the early 1990s before moving back to California to live with Lance. In 2001, Lance, who had led the rock band the Mumps and was a freelance writer, asked the original camera and sound equipment operators of “An American Family” to document his final days. He did not tell his mother that the cameras would show up.

“I don’t know why Lance did that, but he wanted to do it,” she told The Times.

In 2003, public television aired “Lance Loud! A Death in an American Family.”


© 2021 The New York Times Company










Today's News

January 12, 2021

Can immersive art remain afloat when money is the object?

Hindman Auctions to present first dedicated photography sale

Exhibition at De Buck Gallery offers an exclusive look at Turi Simeti's luminous recent works

'Picasso to Rothko: European and American Masters in Dialogue' opens at Sotheby's Palm Beach

The Rockwell Center for American Visual Studies announces online symposium

albertz benda opens a two person show with works by Thomas Fougeirol and Tony Marsh

Richard Saltoun Gallery announces a 12-month programme of exhibitions dedicated to the writings of Hannah Arendt

Nara Roesler opens new location in New York's Chelsea neighborhood

EXPO CHICAGO to reschedule April exposition, secures series of dates starting July 2021

Schönfeld Gallery opens a group show with 5 Israeli artists

Rattle to quit London Symphony for Munich from 2023

C24 Gallery opens an exhibition of new works by Cheryl Molnar

Compton Verney reveals positive 2020 figures, despite disruptions caused by Covid-19

Benefit Shop Foundation, Inc. to offer Janine Metz estate over two days

Ved Mehta, celebrated writer for The New Yorker, dies at 86

Pat Loud, reality show matriarch of 'An American Family,' dies at 94

Delaware Museum of Natural History and Winterthur create new partnership

"What Was That?" New paintings by Eva Goetz at Moss Galleries

Guild Hall announces new Chief Creative Officer Amy Kirwin

JoAnne Artman Gallery opens an exhibition of works by Swan Scalabre and Jenna Krypell

The New School receives $5.5 million from Mellon Foundation

Brandywine Conservancy & OAF acquire 577-acre property for use as a public nature preserve

Forced online, an opera festival searches for intimacy

How The World Has Overcome From COVID Crises?

Mental-Health Researchers Ask: What Is 'Recovery'?

New Age Care Finds a Place in Therapy

How to Start a Wine Collection?

From Athens International Airport to Athens city centre: 5 ways of travel




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

sa gaming free credit
Attorneys
Truck Accident Attorneys
Accident Attorneys

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful