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Alys Tomlinson's Portraits of School Leavers' Lost Summer win the Taylor Wessing Photographic Portrait Prize 2020
Jack from the series Lost Summer by Alys Tomlinson © Alys Tomlinson.



LONDON.- Alys Tomlinson has won first prize in the prestigious Taylor Wessing Photographic Portrait Prize 2020 for Lost Summer, her series of black and white portraits of London school leavers dressed up for their proms, which were cancelled due to the Coronavirus pandemic. The winner of the £15,000 first prize was announced today, Tuesday 24 November, on the National Portrait Gallery’s social media channels. Second prize was awarded to Lydia Goldblatt for Eden, a portrait of her young daughter alone in her garden during lockdown. Yolanda Y. Liou was awarded third prize for her portrait of model, plus size advocate and Instagram influencer, Enam Ewura Adjoa Asiama.

The winning portraits are now on display in a new online exhibition on the National Portrait Gallery’s website, featuring 54 portraits from 37 different artists selected for display by a panel of judges including Edward Enninful, Editor-in-chief of British Vogue, photographer Mark Neville and Penny Martin, Editor-in-Chief of The Gentlewoman. This is the first time in the history of the award that all the prize-winning photographers are women.

£15,000 First Prize: Alys Tomlinson for Samuel, Jack and Jameela from the series Lost Summer
Born in 1975 in Brighton, Alys Tomlinson lives and works in London. She studied photography at Central Saint Martin’s College of Art and Design. Alys was selected for the Taylor Wessing Photographic Portrait Prize exhibition in 2017 and won the Sony World Photographer of the Year Award in 2018. Her book Ex-Voto, the culmination of a five-year photographic journey to Catholic pilgrimage sites in Ireland, Poland, and France, was published in 2019.

Alys’ series Lost Summer was born out of her frustration at not being able to travel for work. She decided to photograph local teenagers whose proms were cancelled, dressed up in what they would have worn, but captured in their gardens, backyards or local parks. Reflecting on the works Alys says: "I feel that there is a vulnerability and sadness to the portraits, but also a resilience. The school year ended abruptly, with no opportunity to say goodbye to friends and nothing to mark the occasion of leaving school. I wanted to photograph each teenager framed by nature, merging their inner and outer worlds. There is a quietness to the images and they represent a loss and longing, but also celebrate each teenager as an individual, navigating this extraordinary time.”

The judges felt that Alys Tomlinson’s portraits were very simple, but powerful images with a beautiful clarity. Without being heavy handed, they spoke to the events of 2020, including lockdown, and the generation most affected by them.

£3,000 Second Prize: Lydia Goldblatt for Eden
Lydia Goldblatt was born in 1978 in London where she continues to live and work. She studied for a Masters Degree in Photography at London College of Communication. Her work has been exhibited and published internationally with group and solo shows in the UK, France, Germany, the Czech Republic, Greece, China and Malaysia. This is the first time she has been selected for the Taylor Wessing Photographic Portrait Prize exhibition.

Lydia’s portrait Eden is part of a larger series made during 2020, titled Fugue. Created with four people within a 50 metre radius of her home, the work draws on mothering and family life as a central theme, and is driven by her need to explore and respond to the fundamental themes of intimacy and distance, brought to the fore through lockdown and Covid-19. As Lydia explains: “In such close, sometimes blissful, sometimes painful proximity to my children, I am aware of all that remains unknown. We are fused and separate, elusive. The child protected but alone in her den, the perfect spring blossom, articulate a psychological suspension in which both joy and fear oscillate.”

The judges felt that Lydia Goldblatt’s portrait embodied the psychological complexity of the events of this year. The contrast between the attractive, suburban garden and the incongruous presence of the tent as a bubble presented wonderful layers and embodied what photography should be able to do.




£2,000 Third Prize: Yolanda Y. Liou for Enam Ewura Adjoa Asiama
Yolanda Y. Liou is a 30 year old, Taiwan-born photographer and moving image maker, based in London and Brighton. Her work has been featured in publications including The British Journal of Photography, i-D, and It's Nice That. Her commissioned fashion work includes GQ, Marie Claire and Rouge Fashionbook. This is the first time she has been selected for the Taylor Wessing Photographic Portrait Prize exhibition.

Yolanda’s portrait is from a collaborative on-going project Thank You For Playing With Me with artists Enam Ewura Adjoa Asiama (the sitter) and Vanessa Charnell Marshall Russell. Speaking about the photograph, she highlights how it captures the uncompromising energy and confidence of the sitter: “The expectation of being skinny as standard is relentless in Asian culture. I’ve experienced the stress of this since a very young age. I was taken by Enam’s confidence and charisma. A key component of the photo was to demonstrate self-love and being comfortable with who you are in your own body.”

The judges responded to the strength and directness of Liou’s portrait. They felt that in pose and point of view it presented an empowering representation of her sitter that conveyed a sense of authentic identity, collaboration and trust. Formally, the judges thought highly of Liou’s manipulation of light and her confident allusion to the nude in the history of art and photography.

The annual Taylor Wessing Photographic Portrait Prize, now celebrating thirteen years under Taylor Wessing‘s sponsorship, is one of the most prestigious photography awards in the world and showcases new work submitted by some of the most exciting contemporary photographers. The prize-winning photographs and those selected for inclusion in the exhibition were chosen from 5531 submissions entered by 2169 photographers from 75 countries. A total of 54 portraits from 37 artists have been selected for display.

This year’s prize is displayed as an online exhibition on the National Portrait Gallery’s website, in order to reach a wide international audience and enable the competition to continue as planned during the current Coronavirus pandemic. The photographs are displayed in a virtual gallery space that replicates the rooms of the National Portrait Gallery, enabling online visitors to view the portraits collectively, as well as exploring each individual work in more detail. The popular People’s Pick feature, which offers the public the opportunity to vote for their favourite portrait is also running online. The National Portrait Gallery building in London is closed until 2023, while essential building works take place on the Gallery’s Inspiring People redevelopment.

This year’s judging panel was Dr Nicholas Cullinan Director, National Portrait Gallery (Chair); Edward Enninful, Editor-in-chief of British Vogue; Magda Keaney, Senior Curator, Photographs, National Portrait Gallery; Penny Martin: Editor-in-Chief, The Gentlewoman, and Mark Neville, Photographer.

Judged anonymously, the diversity of styles in the exhibition reflects the international mix of entries as well as photographers’ individual and varied approaches to the genre of portraiture. Photographers were again encouraged to submit works as a series in addition to stand-alone portraits.

Dr Nicholas Cullinan, Director National Portrait Gallery said: "Congratulations to the prize-winning artists and all those selected for exhibition. Each year the Taylor Wessing Photographic Portrait Prize displays the very best in contemporary portrait photography and despite the unprecedented circumstances, this year is no exception. I hope that many more visitors from across the world will have the opportunity to enjoy the exhibition online."

Shane Gleghorn, Managing Partner at Taylor Wessing, said: "The NPG has done an amazing job of delivering this exhibition virtually. By doing so, the gallery has ensured that artists around the world continue to have an opportunity to showcase their fantastic work. Working together with the NPG to support the artists throughout this extraordinary period is a privilege for us. The works display a broad variety of techniques and subject matter and they are, in each case, striking images from an all-female list of prize winners, which is wonderful to see. We have no doubt that everyone will enjoy viewing these amazing images."










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