MoMA announces gift from the Legacy Emilio Ambasz Foundation to establish a research institute
The First Art Newspaper on the Net    Established in 1996 Saturday, November 2, 2024


MoMA announces gift from the Legacy Emilio Ambasz Foundation to establish a research institute
SITE, James Wines. Highrise of Homes, project (Exterior perspective). 1981. Ink and charcoal on paper. 22 x 24″ (55.9 x 61 cm). Best Products Company Inc. Architecture Fund. The Museum of Modern Art, New York.



NEW YORK, NY.- The Museum of Modern Art announced today the establishment of The Emilio Ambasz Institute for the Joint Study of the Built and the Natural Environment. The goals of the Institute, through a range of curatorial programs and research initiatives, are to foster dialogue, promote conversation, and facilitate research around the relationship between the built and the natural environment--making the interaction between architecture and ecology visible and accessible to Museum visitors and the wider public while highlighting the urgent need for an ecological recalibration. The Ambasz Institute will focus in particular on digital initiatives in order to both advance a global conversation on this crucial issue and to ensure that the Institute reaches a diverse audience. The Institute, to be located on MoMA’s Midtown Manhattan campus within the Department of Architecture and Design, will specifically study creative approaches to design at all scales of the built environment–buildings, cities, landscapes, and objects–in order to work toward an ecological future and environmental justice.

"We are immensely grateful to Emilio Ambasz for this generous gift," said Glenn D. Lowry, the David Rockefeller Director of The Museum of Modern Art. "As a visionary in the field of green architecture, Emilio has been leading the charge on the issues of architecture and ecology for years. The Ambasz Institute will no doubt serve to further the important work that both he and The Museum of Modern Art have been doing in the field and I look forward to tackling these crucial issues."

The establishment of the Ambasz Institute offers an important opportunity for MoMA to continue its global leadership on sustainability issues while celebrating and cultivating a deeper public understanding of architecture and design. Research opportunities and a variety of programs including public lectures, conferences and symposia, many of them online, will bring together and prompt conversations amongst architects, designers, policy makers, social thinkers, historians, and the general public.

“Issues of ecology and the ongoing climate crisis are the most urgent challenges of our time, not only for architecture, but for humanity as a whole,” said Martino Stierli, The Philip Johnson Chief Curator of Architecture and Design at The Museum of Modern Art. “I am thrilled that with the new Ambasz Institute at MoMA, the Department of Architecture and Design will be uniquely positioned to shape discourse and foster necessary change in the field of design toward a more equitable and ecological future.” A Director of the Institute will be named after a search process.




Emilio Ambasz, an Honorary Member of the American Institute of Architects and an International Fellow of the Royal Institute of British Architects, has recently been granted his Fourth Compasso d’Oro as an innovative inventor of architectural and product designs. Ambasz is acknowledged as “the Messiah of Green Architecture”1 in James Wines’ book “Green Architecture.” Known for his interests and creations in the world of design, Ambasz invented the first ergonomic seating office chair, Vertebra, which is part of the collections at MoMA and The Metropolitan Museum of Art. The Institute for Advanced Studies of the University of Bologna awarded him the 2014 Science Prize and will grant him an Honorary Laureate Degree in Architecture in an ex professo ceremony on March 5, 2021.

According to the eminent Japanese architect Tadao Ando in an essay published in Emilio Ambasz’ book “Architecture & Nature / Design & Artifice,”2 Ambasz is considered as the father, poet and prophet of green architecture: “It was Emilio Ambasz who first called our attention to nature and to the environment at quite an early point in his career, and ever since, he has striven to achieve a fusion of nature and architecture. . . . By using nature on a massive scale, Ambasz presents us with the entire environment as a constellation from which architecture draws its essential being. There is, I believe, no prior example of nature governing architectural creation with such poetic power and haunting seduction.”2 Ambasz’ vision for the Ambasz Institute as a research institute to evaluate actively and critically the man-made and the natural environment is a continuation of his visionary proposal almost 50 years ago for a new type of university concerned with the design and management of the man-made and natural environment in the still-relevant project, “THE UNIVERSITAS PROJECT: Institutions for a Post-Technological Society.”

Ambasz has often stated: “The Western notion of Man's creations as distinct and separate entities—in contrast with Nature—has exhausted its intellectual and ethical capital. An emerging man-made garden is overtaking the one we were originally given. We need to conceive of an architecture that stands as the embodiment of a pact of reconciliation between nature and building. We must create alternative models of the future proposing a better life to guide our actions if we do not wish to perpetuate present conditions. I believe that any architectural project not attempting to propose better modes of existence is unethical. This task may stagger the imagination and paralyze hope, but we cannot subtract ourselves from its pursuit.”

Emilio Ambasz's multifaceted and deep-rooted relationship with The Museum of Modern Art spans more than five decades. As Curator of Design in the Museum's Department of Architecture and Design from 1969 to 1976, he organized several groundbreaking exhibitions, including Italy: The New Domestic Landscape (1972); The Architecture of Luis Barragan (1974); and The Taxi Project: Realistic Solutions for Today (1976) and authored their accompanying publications. As a pioneering industrial designer and architect, Mr. Ambasz is also represented through more than 20 works in the Museum's Architecture & Design and Media & Performance Art Collections. As the subject of Museum exhibitions, Mr. Ambasz was featured in Emilio Ambasz/Steven Holl: Architecture (1989) and In-Depth: The House of Spiritual Retreat by Emilio Ambasz (2005-2006), and his work has been included in several others, including The Changing of the Avant-Garde: Visionary Architectural Drawings from the Howard Gilman Collection (2002-2003) and 9 + 1 Ways of Being Political: 50 Years of Political Stances in Architecture and Urban Design (2012-2013).

Prior to the major gift to establish The Emilio Ambasz Institute at MoMA: For the Joint Study of the Built and the Natural Environment, both MoMA and MoMA PS1 have benefitted from Mr. Ambasz's sustained patronage for more than forty years. He has been a member of MoMA's International Council since 1978 and formerly served as a member of the Board of Directors of MoMA PS1 (2002-2006). Through the International Council, he has supported many important initiatives, including, most recently, The International Council Endowment for Exhibitions and Publications. He has also supported individual programs such as the 2015 exhibition Latin America in Construction: Architecture 1955–1980.

Within the next few years, the Museum will organize and present a major exhibition focused on the emergence of green architecture and how Mr. Ambasz’ life work has influenced this ground-breaking field that can counteract challenges caused by the destruction of the natural environment.










Today's News

November 25, 2020

Two Darwin notebooks, missing for decades, were most likely stolen

A record of horseback riding, written in bone and teeth

MoMA announces gift from the Legacy Emilio Ambasz Foundation to establish a research institute

How archaeologists are using deep learning to dig deeper

Employees at the Museum of Fine Arts, Boston vote to unionize

New paintings by Lester Rapaport in dialogue with a 1980s series on view at David Richard Gallery

Christie's to offer a selection of over 200 works from private European and Asian collections

Milestone for Notre-Dame as fire-damaged scaffolding cleared

A weird monolith is found in the Utah desert

Forum Gallery announces representation of the Estate of Claudio Bravo

Phillips announces 'Arts du Feu: Works from the Collection of Jason Jacques'

The ASU Art Museum announces new public art commission by artist Leo Villareal

New solo exhibition by Yan Pei-Ming opens at Massimo De Carlo

A new exhibition by artists from Maruku Arts in central Australia showcases Walka (Design)

Dinner is no longer served: Theater that built careers is gone

A film festival in Poland feted his work. Now he may face prison there.

Piguet Auction House reveals its end-of-year auction catalogue

The Exceptional sale and The Collector: Le goût français achieved a combined total of €4,789,878

Charles Conlon's iconic photograph of Ty Cobb stealing third base to be auctioned

Poster Auctions International's 82nd Rare Posters Auction totals $1.3 million in sales

Christie's Fine & Rare Wines and Spirits including Historic Madeira direct from the Island totaled $1,859,188

Josef Hoffmann to take centre stage at the Art Nouveau sale

Edward Burtynsky gifts career-spanning archive to the The Ryerson Image Centre

Sarah Sze donates important work to benefit non-profit organization, to be sold at Christie's

Vacation Essentials

Tips To Choose The Best Online Casino And Know The Advantage

Studios with standing sets in Miami helping local artists improve their production value.

How Pandemic Boosts the Online Casino Industry

Are you tired of mice in the house?

'I Like It, Actually': Why So Many Older People Thrive in Lockdown

Older People Need Geriatricians. Where Will They Come From?




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Holistic Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful