Solo exhibition by Myeongsoo Kim on view at CUE Art Foundation
The First Art Newspaper on the Net    Established in 1996 Monday, October 14, 2024


Solo exhibition by Myeongsoo Kim on view at CUE Art Foundation
Myeongsoo Kim, Red horse jump, 2020. Painted plaster, Valchromat, dyed horse whip, 22 x 27 x 24 inches.



NEW YORK, NY.- CUE Art Foundation is presenting Mother-Land, a solo exhibition by Myeongsoo Kim, curated by Michelle Yun. Using photographs of stamps, postcards, and landscapes, Kim’s sculptural collages reveal the ways that seemingly unrelated phenomena—and how they are represented in visual culture—are deeply entangled. Images sourced from personal experiences and geopolitical events are dismantled and reconstructed to explore how both landscapes and nationality are manufactured through considerations of the difference between an object and its image.

Braided into Kim’s work is the idea of synchronicity, when events happen simultaneously and appear to be connected in a significant way, but have no clear causal relationship. In Mother-Land, the artist includes photographs of landscapes from the American Southwest along with his childhood collection of commemorative stamps released by the South Korean government leading up to the 1988 Seoul Summer Olympics. Images of once popular vacation destinations such as the man made Salton Sea, in reality now marked by deteriorating ecological and social conditions, are juxtaposed with a selection of images from his commemorative stamp collection portraying primarily white masculine athletes frozen in scenes of exertion. Juxtaposed and stratified, the images represent the ways in which popular culture has been used as government propaganda to influence collective values and desires from an early age. In particular, he considers images that breed false narratives surrounding certain events and places—narratives that eventually collapse.




Kim’s collages appear to always be returning to something: circular cut outs, the moon and stars, eyes, water, strata. His work mirrors the fragmented quality of memory through the use of repetition, digital collage, found images and objects, and layered architectural displays. In turn, the renderings become more difficult to read as the legibility of the imagery is diminished. In her exhibition catalogue essay, Re’al Christian writes, “In this process, the fragile power of the fetish object is ruptured. For his exhibition at CUE, Kim reconstructs sites, both physical and metaphorical, where the soft power of cultural exchange and the hard power of military dominance have become intertwined. In focusing on the propagandistic power of images, he considers the effect of visual culture on spaces that bear remnants of colonial influence.”

Myeongsoo Kim studied architecture in his native Korea prior to coming to the United States in 2002 to pursue visual art. In 2009, he received a BFA with a concentration on sculpture, followed by an MFA from Yale University in 2011. At Yale, he deepened his investigation into the connection between a desire to revive and relive memories and the constantly changing nature of the materials which act as conduits for transference and recollection. Since 2011, he has been actively producing and showing work in Brooklyn, NY. Most recently, he participated in the 2019 BRIC Biennial at BRIC in Brooklyn, NY, and the Brave New World Photo Festival at the Seoul Museum of Art in Seoul, Korea.

Michelle Yun is Senior Curator of Asian Contemporary Art and Associate Director of the Asia Society Triennial at Asia Society Museum. She is responsible for overseeing the modern and contemporary exhibition program and the museum’s permanent collection of contemporary art. Formerly, she has served as the Project Director of Cai Guo-Qiang’s studio and as a Curatorial Assistant in the Department of Painting and Sculpture at The Museum of Modern Art, New York, in addition to organizing numerous independently curated exhibitions. Yun is a frequent lecturer on modern and contemporary Asian art and her writings have been included in many publications including No Limits: Zao Wou-Ki; Nam June Paik: Becoming Robot; and Treasures of Asian Art: The Asia Society Museum Collection, all of which she also co-edited. Yun earned her MA in Modern Art and Critical Studies from Columbia University and her BA from Mount Holyoke College. She is a graduate of the Getty Leadership Institute’s Executive Education Program for Museum Leaders and sits on the advisory board of the Mount Holyoke College Art Museum.










Today's News

October 17, 2020

Long unseen trove of ancient treasures goes on show in Rome

Attentiveness to Nature: Exhibition of new works by Jim Schantz opens at Pucker Gallery

Melting Alpine glaciers yield archaeologic troves, but clock ticking

Dayton Art Institute opens special exhibition "Picasso to Hockney: Modern Art on Stage"

Sotheby's to offer Hester Diamond's pioneering Old Masters collection in New York this January

Mexico sets sights on Vienna's Aztec crowning glory

Patrick Nagel portrait of Real Housewives star Jeana Keough brings $350,000, shatters world record

Honoring Latinx art, personal and political

The Beirut blast shattered her masterpieces. Now, the rebuilding starts.

Mud-brick palace is Yemen's latest heritage site facing disaster

Early propaganda tools go on view at the Art Museums of Colonial Williamsburg

The Fall Classic: Janet Borden, Inc. opens a group exhibition

Solo exhibition by Myeongsoo Kim on view at CUE Art Foundation

Blaffer Art Museum opens "Stephanie Syjuco: The Visible Invisible"

Jeffrey S. Evans & Associates announces highlights included in the November Premier Americana Auction

Smithsonian American Art Museum explores the relationship between art and nature

Works by Louis Icart and Erté to be offered in Neue Auctions' online sale

Mary-Louise Parker: 'My heart is aching' for the return of live theater

How to handle the hate in America's musical heritage

Michaan's announces Gallery auction featuring fine art, decorative arts, Asian art and jewelry

Almine Rech Paris opens an exhibition of works by Wes Lang

Biblioteca Nazionale Marciana opens an exhibition of works by the German artist Kilian Saueressig

Exhibition of new work by artist Julia Jacquette opens at the Alpha Workshops Gallery

The Art Gallery of South Australia highlights the creativity of First Nations women artists

20 Inspiring Slot Machine Tattoos

What Is Monitor Resolution And Why Does It Matter?

3 ways COVID-19 has affected the property investment market




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Holistic Dentist
Abogado de accidentes

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful