The First Art Newspaper on the Net   Established in 1996 Thursday, October 22, 2020


Blum & Poe opens an exhibition of new work by Los Angeles-based artist Aaron Garber-Maikovska
Aaron Garber-Maikovska, 4 from 3 dancers. Installation view, 2020. Blum & Poe, Los Angeles © Aaron Garber-Maikovska, Courtesy of the artist and Blum & Poe, Los Angeles/New York/Tokyo.
Photo: Dan Finlayson



LOS ANGELES, CA.- Blum & Poe is presenting an exhibition of new work by Los Angeles-based artist Aaron Garber-Maikovska. This is the artist’s first solo exhibition with the gallery and follows the recent announcement of his representation.

4 from 3 dancers is the fourth in a series of recent exhibitions exploring a new body of work, the title referencing the generative nature of this growing oeuvre. These prior presentations were titled homebirth, POSTPARTUM, and Daughter—biographical nods to the birth of his daughter, his experience as a father, and this most recent exhibition and landmark in recognition of the arrival of a fourth family member, Garber-Maikovska’s son. On view across four gallery spaces, the artist shares paintings in large and medium scale, along with new mobile video documents. A forthcoming performance will also be live streamed from the gallery’s parking lot.

The abstracted, embryonic figures depicted in Garber-Maikovska’s paintings communicate a visual vernacular that originates in the body and depicts something that is universal and shared. His work is integrally connected to the somatic experience, its potential for expression harnessed to extend beyond the soma and into the realms of painting. His chosen materials reiterate this deep connection to embodiment and to motion, the fluting from his bright white polypropylene surfaces acts as a metronome, a time and rhythm keeper for his mark making. The electric color he applies with homemade oil sticks is a vehicle for his explorations of light, the translucent quality of the pigments and wax vacillating between the visible and invisible.




Executed with rhythmic gestural movements, the energy flow captured through corporal channels in this painting process exists in symbiosis with that which is expressed in his performances. Whether in a Red Robin’s dining room or a Starbucks' parking lot, these guerilla performances are an affirmation of resistance in generative somatic form framed within and in opposition to corporate-mediated space. Selected video documentation of these performance works is presented in 4 from 3 dancers via three mobile structures, with horizontally mounted monitors hovering above large rolling casters. Engaging with these screens, the viewer’s gaze breaks with the vertical plane of the paintings hanging on the gallery walls, positioning this facet of the artist’s practice as related to but not dependent upon their presence.

Over the years Garber-Maikovska’s work has been compared to various art historical predecessors but perhaps the least predictable and simultaneously most accurate would be a link to the Japanese Gutai movement, noting a shared emphasis on the relationship between body and matter in pursuit of originality. Garber-Maikovska describes the site of the body and its role in making art not simply as a tool with which to navigate our world, but “a centralized perceptive sphere of emotional, physical, conceptual, and spiritual inquiry.”

Garber-Maikovska positions his practice in resistance to the social engineering and spatial division of a postmodern world, and as a generative force in carving space for creating freedom. This creative wheelhouse spans figuration, color, and kinetics, but also encompasses the realms of family bonding, primal bodily transitions such as birth and death, and the action of creating space for and safe access to such values. In this vein, a portion of the proceeds from the exhibition will be donated to Kindred Space LA Birth Center, the only Black-owned Birth Center in Southern California, opening soon in South Los Angeles. From founding midwives Kimberly Durdin and Allegra Hill: “Because #BlackBirthsMatter and so do inclusive and safe spaces for all birthing people.” Please consider joining in fundraising efforts to bring forth KSLA Birth Center, a hub for midwifery care, doula support, lactation consulting, education, support groups, enrichment, meditation and movement in Los Angeles. For more information, or to make a donation to support the center, visit www.kindredspacela.com.

Aaron Garber-Maikovska lives and works in Los Angeles. His work is represented in the collections of the Hammer Museum, Los Angeles, CA; Hirshhorn Museum and Sculpture Garden, Washington D.C.; Los Angeles County Museum of Art, Los Angeles, CA; Pérez Art Museum, Miami, FL; and the Walker Art Center, Minneapolis, MN.










Today's News

September 20, 2020

It's a banana. It's art. And now it's the Guggenheim's problem.

New York plans statue of justice Ginsburg, 'daughter of Brooklyn'

Real-life 'Pianist' possessions up for auction in Poland

President Harding's family battles over exhuming his body

wHY's new expansion of David Kordansky Gallery opens in Los Angeles

Lisson Gallery to open on Cork Street in Mayfair

Christian Liaigre, minimalist interior designer, dies at 77

Exhibition of new work by Trenton Doyle Hancock spans both of James Cohan's locations

Two Flash Gordon newspaper strips from 1940 light up Heritage Auction's European Comic Art event

Galeria Jaqueline Martins to open in Brussels

Exhibition at Martos Gallery features new sculpture-asiinstallation by Kayode Ojo

Art Gallery of South Australia announces new Board Chair

New digital database to provide unprecedented access to the past, present and future of Glastonbury Festival

'States of Mind: Art and American Democracy' to coincide with the presidential election

Alvar Aalto Museum receives a donation from the Allan and Bo Hjelt Art Foundation

Blum & Poe opens an exhibition of new work by Los Angeles-based artist Aaron Garber-Maikovska

Major new exhibition explores history & legacy of "commonwealth" in VA, PA, PR

Make a collage with your newspaper

Gigantic dog sculptures welcome New Yorkers back to Broadway in the Garment District

Stephen Cohen, influential historian of Russia, dies at 81

Modern Art opens a solo exhibition of new works by Ron Nagle

French butcher seeks to carve out Unesco distinction

Pace Gallery opens an exhibition featuring Nina Katchadourian's Monument to the Unelected (2008-ongoing)

Colin Kaepernick's rookie NFL debut 49ers jersey heads to Julien's Auctions Dec. 4

Microsoft70-483 Certification and Its 70-483 Exam: Go This Way with Practice Tests

Can you sue for mesothelioma Top Lawyer Advice?

Learn about Airport Transfer Bristol

OGS Capital Reviews On Aspects To Consider While Starting A New Business:

Check Out These Excellent U.S. Art Galleries





Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

sa gaming free credit

Royalville Communications, Inc
produces:

ignaciovillarreal.org avemariasound.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. The most varied versions
of this beautiful prayer.
Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful