I'm Not the Only One: Fraenkel Gallery opens a group exhibition
The First Art Newspaper on the Net    Established in 1996 Tuesday, November 5, 2024


I'm Not the Only One: Fraenkel Gallery opens a group exhibition
Alec Soth, Facebook. Menlo Park, California, 2013. Pigment print © Alec Soth, courtesy Fraenkel Gallery, San Francisco.



SAN FRANCISCO, CA.- Fraenkel Gallery is presenting I’m Not the Only One, a group exhibition that explores solitude alongside our relentless yearning to connect, in photographs and videos from 20 artists that echo and reflect our current socially distant world. The show is on view from September 8 to October 24, 2020.

The title of the exhibition is inspired by Mishka Henner's 2015 video I’m Not the Only One, in which Henner digitally combines 18 videos sourced from YouTube. In it Henner has combined individual videos of people, alone in their bedrooms and makeshift studios, performing Sam Smith’s hit song of the same title. Stitched together, these solo performances transform the song’s lonely angst into a powerful yet immaterial chorus of solidarity and connection. Ironically, the current Covid-19 climate has treated us to a myriad of similar choirs from around the world, intentionally singing alone together. Henner’s prescient piece, envisioned long before a global sheltered-in place reality, takes on a new layer of meaning today.




Other works in the first gallery explore the pull between being alone and being part of something larger. In Alec Soth’s 2013 photograph a lone figure seems to dance across an empty expanse of concrete on the Facebook campus, emphasizing solitude and physical distance in contrast with the internet’s promise of ubiquitous connection. And in Katy Grannan’s 2018 image Schatzi, Gerlach, Nevada, a woman holds her wine glass over a backyard fence in a gesture that simultaneously juxtaposes neighborliness with isolation.

In the second gallery, Nan Goldin’s French Chris on the convertible, NYC, 1979, presents a figure lost in his own swoon, suggesting an ecstatic kind of solitude. Also on view are images that alternately highlight the physical and emotional space between subjects. In Richard Misrach’s Boy Scouts, Pyramid Lake Indian Reservation, Nevada, 1991, children stand in waist-deep water, dispersed in an arrangement that suggests the complexity of adolescent friendships. Janet Cardiff and George Bures Miller’s interactive piece was inspired by a time when the couple was apart, and often talked by phone. In it, a vintage telephone has been installed in the gallery. Picking up the receiver, a woman’s voice recounts her disjointed dream.

Christian Marclay’s seminal 1995 video Telephones is the gravitational force in the final room of the exhibition. This skillfully edited arrangement of clips from movies shows people using telephones the way they were originally intended to be used: dialing, ringing, greeting, and listening. The carefully sequenced fragments coalesce into a conversation between speakers who never seem to connect. In the same room, Johnnie Chatman’s series I Forgot Where We Were… depicts the artist alone in the grand vistas of the West. Set in the romantic and expansive American landscape, Chatman’s silhouette presents a stark image of individuality and isolation.

This unprecedented time of social distance has upended many of the usual ways we find connection while underscoring that which we truly value. The intention of this exhibition is to bring us together and to acknowledge our connectedness in a world that can sometimes feel broken apart.










Today's News

September 9, 2020

Mark Bradford reveals new paintings quarantined in a grain tower

You can always get what you want: Stones open new store

T.S. Eliot's estate donates 'Cats' royalties to Brontë Museum

Comic books flourish on crowdfunding sites, drawing big names

Super-rare Machine Man robot with original box leads Morphy's Sept. 23-24 Toy Auction

Hindman announces highlights included in the Atlanta Collections auction

Grad student's research leads to discovery of Biddy Mason in SF mural

Sikkema Jenkins & Co. reopens with a solo exhibition of works on paper by Kara Walker

I'm Not the Only One: Fraenkel Gallery opens a group exhibition

The National Gallery of Denmark delves into the story of how epidemics have affected the world

Simon Lee Gallery opens an exhibition of works by Toby Ziegler

Tiny mouse-size art proves a hit in Sweden

Colombian curator José Roca appointed as Artistic Director of the 23rd Biennale of Sydney

Robert Berry Gallery opens new show, PerFlection and (im)Perfection: One Vision in Parallel Lives

Fondation Henri Cartier-Bresson opens Gregory Halpern's exhibition "Soleil cou coupé"

Personal effects of major US political figure up for auction at Ewbank's

CENTRALE for contemporary art opens an exhibition of works by Xavier Noiret-Thomé & Henk Visch

Paradigm Gallery announces representation of photographer Shawn Theodore

miart presents its first digital edition

'Israel jazz dares' - Jerusalem festival plays despite pandemic

Jazz lives in clubs. The pandemic is threatening its future.

Bortolami opens an exhibition with New York-based performance artist Aki Sasamoto

Autry President announces retirement; Successor named

Beginner's Guide on How to Play Bingo

What Will Happen To Bitcoin In The Next 2 Years

Top 5 Pro Mp3 Convertors

Wedding dress: Things to consider




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez
Writer: Ofelia Zurbia Betancourt

Attorneys
Truck Accident Attorneys
Accident Attorneys
Holistic Dentist
Abogado de accidentes
สล็อต
สล็อตเว็บตรง

Royalville Communications, Inc
produces:

ignaciovillarreal.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site Parroquia Natividad del Señor
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful