Neuer Berliner Kunstverein opens a solo exhibition of works by Monika Baer

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Neuer Berliner Kunstverein opens a solo exhibition of works by Monika Baer
Monika Baer. Neue Bilder, exhibition view Neuer Berliner Kunstverein, 2020, photo: Jens Ziehe.



BERLIN.- Monika Baer was awarded the Hannah Höch Prize 2020 by the State of Berlin for her outstanding artistic achievements. On the occasion of the award ceremony, Neuer Berliner Kunstverein honors her complex artistic oeuvre with a solo exhibition. This first solo presentation of Baer’s work at an institution in Berlin offers insights into her most recent experimental approaches, begun last year in Los Angeles. With a new constellation of large-format paintings and small-format collages, Baer continues her investigation of art historical references as well as the new discursive spaces that painted images can produce.

In her work, often produced as series, Baer makes use of various painterly traditions and techniques, from monochrome and representational approaches to physical disruption to the surface of the canvas. During her studies in the 1980s, art was undergoing a period of repoliticization, in which art criticism questioned the autonomy of painting and its potential for innovation. Amidst this set of conflicts, Baer made the conscious decision to work within the medium of painting—with an interest in continuing the scrutiny of its underlying presumptions—which has remained one of her central artistic questions to this day.

Baer’s painting is guided by an understanding of the painting as a stage, and the pursuit of a choreography of seeing imbued with cultural history. Her latest works, presented at Neuer Berliner Kunstverein, continue her exploration of the pictorial space as a theater setting, which she began in 1995. Walls structure the foreground and background to place them in perspective, evoking stone parapets and borders, as found in Renaissance portrait painting. The protagonists are trees and tree stumps, which move diagonally against a magnificent colorful sky, tilting or shedding their bark. The repetition of compositional elements and angles of inclination indicate the artist’s concern, not with illusionary effects, but with the concrete object as an embodiment to be explored in its specific, metonymic form and as part of a performance. In addition, six assemblages which were created this year are being shown.

Monika Baer (*1964 in Freiburg im Breisgau, lives and works in Berlin since 1999) studied painting at Kunstakademie Düsseldorf. She currently teaches at Hochschule für Bildende Künste Städelschule in Frankfurt am Main. She was a Regents’ Lecturer at the University of California in Los Angeles in 2018– 2019, and previously a professor at Bard College in New York. Solo exhibitions (selection): Kunstmuseum Bonn (2019); Kestner Gesellschaft, Hannover (2016); Museum Abteiberg, Mönchengladbach (2016); Art Institute of Chicago (2013); Pinakothek der Moderne, Munich (2006); Bonnefantenmuseum, Maastricht (2005). Group exhibitions (selection): WIELS Contemporary Art Centre, Brussels (2017); Museum Moderner Kunst Stiftung Ludwig Vienna (2016); Museum Brandhorst, Munich (2015); Museum Ludwig, Cologne (2013); Museo Nacional Centro de Arte Reina Sofía, Madrid (2010); documenta, Kassel (2007).










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