Statue of Leopold II, Belgian king who brutalized Congo, is removed in Antwerp
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Statue of Leopold II, Belgian king who brutalized Congo, is removed in Antwerp
A picture taken on June 10, 2020 shows the vandalised statue of King Leopold II of Belgium in Brussels. Statues of Leopold have long been a target of activists because of his record of brutal colonial rule in Belgium's former central African colonies. The movement has gained momentum in recent days after the latest US police killing of an unarmed black suspect triggered a global wave of protest. Kenzo TRIBOUILLARD / AFP.

by Monika Pronczuk and Mihir Zaveri



BRUSSELS (NYT NEWS SERVICE).- A 150-year-old statue of King Leopold II of Belgium, whose forces seized Congo in the late 19th century and ran an exploitative regime that led to the deaths of millions, was removed from a public square in Antwerp on Tuesday, as protests against racism continued around the world.

It was a striking moment for a country that has struggled, at times, to reckon with one of the most sordid eras in the history of European colonialism. For decades, many Belgians were taught that the country had brought “civilization” to the African region, and some have defended Leopold as a foundational figure. Streets and parks are named after him, and statues of the king can be found throughout the country.

Yet there has been growing pressure in recent years, particularly from younger Belgians, to confront the country’s legacy in central Africa — a movement bolstered by worldwide protests prompted by the killing of George Floyd, a black man who died in the custody of the Minneapolis police.

Last week, the statue in Antwerp was set on fire. This week, another statue of Leopold in the city of Ghent was covered in red paint. During a protest in Brussels on Sunday that drew more than 10,000 people, some climbed on another statue of Leopold and flew a giant flag of the Democratic Republic of Congo, chanting “murderer” and “reparations.”

As of Tuesday evening, 65,000 people had signed a petition to remove all statues of Leopold II from across the country.

But in an illustration of how divisive grappling with that brutal colonial history is in Belgium, a spokesman for the mayor of Antwerp, Bart De Wever, said the statue of Leopold was not being removed because of the recent outcry. The spokesman for the mayor, whose right-wing party has pushed for a crackdown on immigration, said that leaving the damaged statue in its place would pose a “public safety issue.”

He said that it was taken to the Middelheim Museum, where it would remain “for the time being” and that it would be restored, if not placed back. He added that the square where it had stood was set to be redesigned in 2023, “probably without a space for the statue.”

Video footage shows the charred statue in Antwerp being slowly lifted off a pedestal Sunday.

“Taking down statues is important on the symbolic level, but it is just the beginning,” said Joëlle Sambi Nzeba, a spokeswoman for the Belgian Network for Black Lives. “Those monuments are present not just in public space but also in people’s mentalities.”

Sambi Nzeba, who is Belgian Congolese, said that she had had to educate herself about the colonial atrocities.

“It’s symptomatic of the absence of responsibility for colonial history,” she said. “It is invisible in the public discourse.”

The statue’s removal was an example of how monuments have become focal points during recent demonstrations after Floyd’s killing, which occurred after a white police officer pressed his knee into Floyd’s neck for nearly nine minutes.

Confederate monuments in America, seen as symbols of white supremacy, continue to be targeted by protests and removed. In Bristol, England, a bronze statue of Edward Colston, a 17th-century slave trader, was toppled into Bristol Harbor on Sunday. And a statue of Robert Milligan, an 18th-century slave trader, was taken down in London on Tuesday.

Leopold, who was born in 1835 and became king in 1865, has loomed especially large as a symbol of European exploitation in Africa.

In the mid-1880s, with the help of explorer Henry Morton Stanley, Leopold seized a part of central Africa, more than 76 times the size of Belgium, in a region that includes the modern Democratic Republic of Congo.

Until 1908, Leopold ran Congo as a venture for personal profit. Using a private army that included Congolese orphans, the king and his agents drained the land of resources, killing elephants for ivory and tapping trees for rubber. Congolese families were forcibly moved and their members separated and enslaved, leaving as many as 10 million dead, by some estimates. Leopold’s enforcers became infamous even among European colonial powers, so much so that in 1906, the king, denying accusations of atrocities, admitted that “most likely cruelties, even crimes” had been committed.

There are no official statistics on how many people were killed.

Leopold relinquished control to the Belgian state in 1908, and Congo gained independence in 1960. But the colonial era set the stage for the civil war and the dictatorship that followed for many years.

Belgium has had particular trouble grappling with its history. For instance, it only recently overhauled the AfricaMuseum, on the outskirts of Brussels, to remove many racist and pro-colonial tropes in its collection.

As one of Europe’s most affluent countries, Belgium has also faced growing calls to pay damages to Congo. In 2018, the United Nations called on the Belgian government to apologize for the crimes committed during its colonization and to make reparations, “with a view to closing the dark chapter in history and as a means of reconciliation and healing.”

In April 2019, Belgium apologized for the kidnapping, segregation, deportation and forced adoption of thousands of children born to biracial couples during its colonial rule of Burundi, Congo and Rwanda. It was the first time Belgium had publicly recognized responsibility for what historians have described as the tremendous harm inflicted on the Central African nations during 80 years of colonization.

© 2020 The New York Times Company










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