The First Art Newspaper on the Net   Established in 1996 Sunday, August 9, 2020


Taymour Grahne opens an online solo exhibition of new paintings by Craig Kucia
Untitled (Whale), 2020.



LONDON.- Taymour Grahne is presenting whales, an online solo exhibition by LA based artist Craig Kucia.

The latest paintings by Craig Kucia mark the first time this idiosyncratic artist’s practice has taken the shape of a long term investment into a continued subject matter. In this case, the new works all feature the image of a whale, portrayed in profile, emerging from the ocean as the composition’s central motif. The canvases are all intimate in scale, painted in a wide variety of techniques ranging from flat and graphic to thick impasto applications, and all are encased in a hand-painted artist’s frame. Upon first encounter, the viewer is immediately confronted with the image of the whale, but it is in the details and compositional subtleties that these paintings become activated; taking on different narrative qualities, emotional impact, and allegorical resonance.

In our culture, it is difficult to see the image of a great whale without recalling Moby Dick, which is exactly the point of Kucia’s latest series. The image of the whale has become an archetypal image casting a long shadow for metaphorical projection. One can’t help but see an image of a cresting whale as a symbol of power or freedom, perhaps an allegory for the struggle of nature amongst a changing planet, or even larger themes of an individual out of step with society. However, upon closer inspection of the details in Kucia’s paintings the relationship to Moby Dick is more explicit. The whale is found in a variety of scenarios and situations, often times surrounding the shattered planks of a boat. Different scenarios cast new narratives for the whale, however one finds it nearly impossible to drift too far from the famous tale of Captain Ahab and his white whale.

One might not know but the novel Moby Dick is based on actual historical events, the disastrous expedition of the whaling ship Essex captained by George Pollard Jr. in 1820 which was sunk by a sperm whale. Moby Dick is routinely thought of as a tale about man vs. nature, or ambition vs. obstacle but the true events that this story is based on is more of a tale of the exploitation of the working class by the wealthy. During the boom of the whaling industry in the United States the wealthy owned the ships, and hired the working class to go on long sea voyages, risking their lives, in exchange for small wages in attempts to bring back the valuable whales carcasses. Captain George Pollard’s ship was almost immediately damaged, and it is speculated that the ship was unseaworthy. Nearly every step of the journey was a case by case scenario of one person exploiting a situation to disastrous ends. At one point the crew anchored at Charles Island in the Galapagos, after a failed prank resulted in a massive fire nearly the entire island was destroyed with the crew members running through flames to escape. It is believed that the crew’s “prank” resulted in the extinction of both the Floreana Tortoise and the Floreana Mockingbird. The tale ends with cannibalism and the deaths of nearly all of the crew.

As is the case with all symbolic or archetypal imagery there is more beneath the surface of these paintings. A multitude of themes presented by both the novel and historical events can be found embedded in the paintings of Kucia’s whales, and their surroundings. At first these bright small canvases aesthetically give the impression of a light hearted, playful practice but when one begins to sift through the layers of references a variety of different metaphors can be parcelled out through Kucia’s on-going series.

Craig Kucia was born in Cleveland OH and currently lives and works in Los Angeles, CA. He received his Bachelor of Fine Arts from the Cleveland Institute of Art. Kucia’s work has been the subject of one-person exhibitions at IBID Gallery Los Angeles (2018), SHAHEEN Modern Cleveland OH (2009), and Kevin Bruk Gallery Miami (2007) amongst others. His work has been included in thematic exhibitions such as Shara Hughes Craig Kucia John Mcallister Marisa Takal at Shane Campbell Gallery (2019); TEN at Artist Curated Projects, Los Angeles CA (2018); Time + Temp at Art And Culture Center of Hollywood, Hollywood FL (2009); Thoughts on Democracy at Wolfsonian Museum, Miami FL (2008); Summer Show at Marlborough Gallery, New York (2008); Neointegrity at Derek Eller Gallery, New York (2007); Drawing Narrative at Wooster Art Museum, Wooster OH (2005); Eye of the Needle at Roberts & Tilton, Los Angeles (2004); among others. His work is included in the collections of Progressive Art, Cleveland OH; Georgia Museum of Art, University of Georgia; Perez Art Museum, Miami FL; High Museum of Art, Atlanta GA; and the Mugrabi Family Collection. He is represented by The Pit in Los Angeles with a forthcoming solo exhibition in 2020.










Today's News

June 10, 2020

Rubens House in Antwerp presents new Peter Paul Rubens self-portrait

As the art world goes online, a generation gap opens

The National Gallery acquires its first painting by Spanish artist Joaquín Sorolla

Bonhams announces highlights included in its Modern British and Irish Art sale

Part of China's Great Wall not built for war: Study

Mask-clad music lovers trickle in as Vienna concert houses reopen

'Pointer Sisters' founding member Bonnie dead at 69

Phillips unveils highlights for Hong Kong July sales of jewels and jadeite

Renaissance in France's Loire Valley: 'rebirth' for Chambord castle

Street art star unveils Paris mural to George Floyd, Adama Traore

Theater artists decry racism in their industry

Zeit Contemporary Art opens 'Andy Warhol: The Last Decade'

Stedelijk Museum Amsterdam announces the appointment of Yvette Mutumba and Adam Szymczyk as curators-at-large

Martin Myrone appointed Convenor of the British Art Network

Salzburg Festival saves 100th edition with slimmed-down event

A 22-metre-high bronze sculpture by the Belgian artist Thomas Lerooy installed in Knokke

Manifesta 13 Marseille announces the participants of its central exhibition

Alessio Bolzoni presents billboard project in Milan

Leading artists donate works to 100 NHS staff respite rooms across 5 east London hospitals

Delineating Dreams: Inaugural exhibition from Kovet.Art

Oscar Castillo photography exhibit open for private viewing at The Muck

Powerful portraits by Amoako Boafo offered at Bonhams Modern & Contemporary Art sale

The Pennsylvania Academy of the Fine Arts receives $2M gift to endow curatorial position

Taymour Grahne opens an online solo exhibition of new paintings by Craig Kucia

Best Tips for students to find a job after graduating

Overcoming artist's block - 7 ways to jumpstart creativity

Why do you need World of Warcraft boosting right now?

Fun Facts About Sudoku, From World Guinness Records To Solo-Fun At Home

Know these before playing casino online

Woodshop tools and equipment that you should own

5 Types Brain Injury from Car Accident You Must Know




Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography,
Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs,
Anecdotes, Art Quiz, Education, Mythology, 3D Images, Last Week, .

 



Founder:
Ignacio Villarreal
(1941 - 2019)
Editor & Publisher: Jose Villarreal
Art Director: Juan José Sepúlveda Ramírez

sa gaming free credit

Royalville Communications, Inc
produces:

ignaciovillarreal.org avemariasound.org juncodelavega.com facundocabral-elfinal.org
Founder's Site. The most varied versions
of this beautiful prayer.
Hommage
to a Mexican poet.
Hommage
       

The First Art Newspaper on the Net. The Best Versions Of Ave Maria Song Junco de la Vega Site Ignacio Villarreal Site
Tell a Friend
Dear User, please complete the form below in order to recommend the Artdaily newsletter to someone you know.
Please complete all fields marked *.
Sending Mail
Sending Successful